| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Tracing a peculiar journey of 'zinmae' and 'bangauk' silk hip wrappers, a Thailand-Burma textile connection | 2026 | Textiles Asia 17 (3): 3-13 | H1/KGG [TEXTILES ASIA. Newsletter-] | 2225-0190 | |||
| A green dragon robe | 2026 | Textiles Asia 17 (3): 14-15 | H1/KGG [TEXTILES ASIA. Newsletter-] | 2225-0190 | |||
| Where Disney and Hallyu collide: fashioning transcultural selves through hanbok sartorial fandom | 2026 | International journal of cultural studies 29 (2): 236-52 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| New Spain's male dress and its afrancesamiento, in the portraits of Joaquín Manuel Fernández and Fernando de Alencastre | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 41-7 | H6/KFY [MEXICO-] | 0185-1276 | |||
| China as data coloniser? Rethinking cultural production, cultural mediation, and consumer agency on Kenyan and Chinese e-commerce platforms | 2025 | International journal of cultural studies 28 (1): 278-99 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Cross-dressing and gender roles in early Islam: the case of the Abbasid gulāmiyyāt | 2025 | Hawwa: journal of women of the Middle East and the Islamic world 23 (1): 147-71 | H6/KW [HAWWA-] | 1569-2078 | |||
| Tlingit button blanket | 2025 | First American art magazine 46 (): 36-43 | H6/KUB [FIRST-] | 2333-5548 | |||
| Portraits of women in Mayan art. Sixty years after Proskouriakoff | 2025 | Estudios de cultura maya 65 (): 85-117 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
| Ceramic personal adornment among pre-Hispanic human groups of northeast Argentina | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 66-81 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Aino Voolmaa – Eesti rahvarõivaste vardja | 2025 | Eesti Rahva Muuseumi aastaraamat 66 (1): 233-76 | H6/KVT [TARTU-] | 1406-0388 | |||
| The 'organised mess': understanding the clothing industries in São Paulo beyond production chains | 2025 | Etnofoor 37 (1): 67-86 | *H6 [ETNOFOOR-] | 0921-5158 | |||
| Crafting the digital self: exploring Instagram self-portraiture as an anthropological endeavor | 2025 | Journal of contemporary ethnography 54 (4): 506-33 | H6/KY [JOURNAL-] | 0891-2416 | |||
| To carry the wind: the revitalization of feather mantles, capes, and cultural memory | 2025 | First American art magazine 47 (): 30-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| New voices, bold visions: Native artists redefine Santa Fe's summer scene | 2025 | First American art magazine 47 (): 42-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| My grandmother was a tailor | 2025 | American anthropologist 127 (2): 339-52 | *H6 [AMERICAN-] | 0002-7294 | |||
| Clothing is the costure of the times: corporeality, memory and social transformations | 2025 | Anuário antropológico (Rio) 50 (1): 1-20 | H6 [ANUARIO-] | 2357-738X | |||
| Beyond the monolith: redefining African fashion, identity, and design narratives | 2025 | Fashion theory 29 (3): 291-9 | H6/KFY [FASHION-] | 1362-704X | |||
| Fashioning global Africa: Independence to now | 2025 | Fashion theory 29 (3): 281-9 | H6/KFY [FASHION-] | 1362-704X | |||
| Africa Fashion in focus: three objects from the exhibition | 2025 | Fashion theory 29 (3): 301-25 | H6/KFY [FASHION-] | 1362-704X | |||
| Adire translocalities | 2025 | Fashion theory 29 (3): 359-74 | H6/KFY [FASHION-] | 1362-704X | |||
| The Kabyle dress– From folklore to Haute-Couture statement: Algerian Berber artist and fashion designer Khadidja Hamsi (1937 –2021) | 2025 | Fashion theory 29 (3): 327-57 | H6/KFY [FASHION-] | 1362-704X | |||
| Signifying African adornment: an interview with Ami Doshi Shah and Lafalaise Dion | 2025 | Fashion theory 29 (3): 419-29 | H6/KFY [FASHION-] | 1362-704X | |||
| Carrying culture: bandolier bags today | 2025 | First American art magazine (48): 46-52 | H6/KUB [FIRST-] | 2333-5548 | |||
| The significance of feathers in early and medieval China | 2025 | Bulletin of the School of Oriental and African Studies (London) 88 (2): 223-41 | H6/KW [LONDON-] | 0041-977X | |||
| Mike Hitchcock and the textiles of Bima: a retrospective review | 2025 | Asian textiles (92): 3-10 | H6/KGG [OXFORD-] | 1757-0670 | |||
| Impressions of vanished textiles | 2025 | Asian textiles (92): 11-12 | H6/KGG [OXFORD-] | 1757-0670 | |||
| Soft nationalism in China: the case of Hanfu style | 2025 | European journal of cultural studies 28 (6): 1841-58 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Threading ancestral spaces: the Agguaq Collective | 2025 | Inuit art quarterly 38 (4): 25-33 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Fashioning dirt: opening a new discourse | 2025 | Fashion theory 29 (4): 461-87 | H6/KFY [FASHION-] | 1362-704X | |||
| Dressing biopolitics, or can dress be considered a biopolitical dispositive? | 2025 | Fashion theory 29 (4): 435-60 | H6/KFY [FASHION-] | 1362-704X | |||
| Crafting sustainable fashion: dimensions of care in wearer-clothing relationship | 2025 | Fashion theory 29 (4): 517-42 | H6/KFY [FASHION-] | 1362-704X | |||
| Becoming the ‘sorority girl’: following southern fashion and sorority culture on #Rushtok | 2025 | Fashion theory 29 (4): 543-64 | H6/KFY [FASHION-] | 1362-704X | |||
| “Same-old, same-old”: the tired and tiring work of Retro as celebrity signature style | 2025 | Fashion theory 29 (4): 489-515 | H6/KFY [FASHION-] | 1362-704X | |||
| Introduction: Cross-Dressing | 2025 | Fashion theory 29 (5): 593-6 | H6/KFY [FASHION-] | 1362-704X | |||
| Top boy crossdressing: The Life of Heliogabalus in the Historia Augusta | 2025 | Fashion theory 29 (5): 597-617 | H6/KFY [FASHION-] | 1362-704X | |||
| Deviance or devotion: women dressed as men in late Medieval England | 2025 | Fashion theory 29 (5): 619-39 | H6/KFY [FASHION-] | 1362-704X | |||
| “Talora in abito di femmina, talora di maschio”: roleplay in portrait miniature with mica costume overlay, from Florence to Europe | 2025 | Fashion theory 29 (5): 641-84 | H6/KFY [FASHION-] | 1362-704X | |||
| Fashion queers | 2025 | Fashion theory 29 (5): 701-21 | H6/KFY [FASHION-] | 1362-704X | |||
| Remaining difference. Fashion, sexual difference, and Galliano's poetics of the cut | 2025 | Fashion theory 29 (5): 685-700 | H6/KFY [FASHION-] | 1362-704X | |||
| From Driza-Bone to moving in air: reimagining fashion practice as part of environmentally attuned fashion futures | 2025 | Fashion theory 29 (6): 755-79 | H6/KFY [FASHION-] | 1362-704X | |||
| Style narrative geographies: Black women making Harlem through fashion and memory work | 2025 | Fashion theory 29 (6): 813-40 | H6/KFY [FASHION-] | 1362-704X | |||
| Elegancias and the Parisian dream: fashioning Latin American elites inearly 20th century Paris | 2025 | Fashion theory 29 (6): 781-812 | H6/KFY [FASHION-] | 1362-704X | |||
| Threads of meaning: exploring brand identity through language in Pakistan's clothing industry | 2025 | WAH Academia Journal of Social Sciences 4 (1): 1605-30 | 0032-4000 | ||||
| Never before seen: a Chinese imperial dragon robe with only Beijing zhen embroidery | 2024 | Textiles Asia 15 (3): 24-7 | H1/KGG [TEXTILES ASIA. Newsletter-] | 2225-0190 | |||
| An Anasazi "sash" and the forgotten parrot trade in the ancient American Southwest | 2024 | Tribal art (111): 80-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Dressing up the monarch: authority and its representation in the Sulu Sultanate royal tradition (19th-21st century) | 2024 | Indonesia and the Malay world 52 (152): 76-96 | H6/KX [INDONESIA-] | 1469-8382 | |||
| Burmese textiles, from Inle Lake to the Thailand border | 2024 | Asian textiles (87): 9-17 | H6/KGG [OXFORD-] | 1757-0670 | |||
| Iconography of the Chinese rank badges of the Qing dynasty | 2024 | Textiles Asia 16 (1): 3-13 | H1/KGG [TEXTILES ASIA. Newsletter-] | 2225-0190 | |||
| Senninbari: tactile expressions of the public and private self in wartime Japan | 2024 | Textiles Asia 16 (1): 14-23 | H1/KGG [TEXTILES ASIA. Newsletter-] | 2225-0190 | |||
| It's not (just) cricket: archaeology of cricket bickles in 19th century New Zealand | 2024 | Journal of Pacific archaeology 13 (2): 52-68 | H6/KE [NEW-] | 1179-4704 |