Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Women and plants: relations of care and companionship in the upper Rio Negro | 2025 | Mundo Amazonico 16 (1): 1-14 | 2145-5082 | ||||
Time and silence | 2025 | Revista colombiana de antropología 61 (2): 1-16 | H6/KUL [REVISTA-] | 0486-6525 | |||
A palimsest of the war among fading vowels | 2025 | Revista colombiana de antropología 61 (2): 1-5 | H6/KUL [REVISTA-] | 0486-6525 | |||
Photography as layered history | 2025 | Revista colombiana de antropología 61 (2): 1-4 | H6/KUL [REVISTA-] | 0486-6525 | |||
What remains there: the photographs of Juan Manuel Echavarría | 2025 | Revista colombiana de antropología 61 (2): 1-3 | H6/KUL [REVISTA-] | 0486-6525 | |||
Response to the commentaries | 2025 | Revista colombiana de antropología 61 (2): 1-4 | H6/KUL [REVISTA-] | 0486-6525 | |||
C.W. Scarborough and the madness of the far north | 2025 | Tribal art (116): 110-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
Visual culture and Indigenous people in early 20th century Argentina: the illustrations in Caras y Caretas in the centenary year | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 8-24 | H6/KE [BOLETIN-] | 0716-1530 | |||
"This is my path all by chance": interview with Leonard Kamerling | 2025 | Journal of ethnology and folkloristics 19 (1): 291-308 | H6/KVT [JOURNAL-] | 1736-6518 | |||
Indigenized Baroque in viceroyal Panama: visual anthropology and iconography of two Virgins (La Dolorosa y la Virgen del Carmen) | 2025 | Indiana 42 (1): 131-53 | H6/KUL [INDIANA-] | 0341-8642 | |||
Faith, “fetish,” and the making of Kongo Christianity: missionary collecting and the shifting meanings of Kongo crucifixes in late colonial northern Angola | 2025 | Material religion 21 (3): 290-311 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Conquering beauty. Notes on a (failed?) experience of visual research | 2025 | Runa: archivo para la ciencias del hombre 46 (2): 173-90 | 0325-1217 | ||||
Photos from the migrant archive: the experience of overseas Filipino workers during the COVID-19 pandemic | 2025 | Practicing anthropology 47 (2): 139-44 | qH6 [PRACTICING-] | 0888-4552 | |||
Recherches artistiques sur les restes humains. Crânes et moulages dans les collections coloniales muséales | 2025 | Gradhiva: revue de anthropologie et museologie (39): 10-27 | H6 [GRADHIVA-] | 0764-8928 | |||
Entretien avec Karim Kal. À propos de « Sutures » | 2025 | Gradhiva: revue de anthropologie et museologie (39): 130-45 | H6 [GRADHIVA-] | 0764-8928 | |||
Entretien avec Delphine Zigoni. L’universalité du dessin | 2025 | Gradhiva: revue de anthropologie et museologie (39): 176-85 | H6 [GRADHIVA-] | 0764-8928 | |||
Le web-documentaire : pour une navigation ethnographique | 2025 | Gradhiva: revue de anthropologie et museologie (39): 232-5 | H6 [GRADHIVA-] | 0764-8928 | |||
Retour sur l’édition 2024 des « Regards comparés » (Festival international Jean Rouch – Inalco) : Corées, déjouer les destins | 2025 | Gradhiva: revue de anthropologie et museologie (39): 236-9 | H6 [GRADHIVA-] | 0764-8928 | |||
Dugan Aguilar: California Indigenous love through photographs | 2024/25 | News from native California 36 (2): 34-7 | *H6/KUB [NEWS-] | 1040-5437 | |||
Introduction | 2024 | Visual anthropology 37 (1): 1-18 | *H6 [VISUAL-] | 1545-5920 | |||
The Syrian Archive Digital Memory Project: archiving as testimony, as evidence, as creative practice | 2024 | Visual anthropology 37 (1): 19-34 | *H6 [VISUAL-] | 1545-5920 | |||
The beginning of an idea about an end: on digital, diasporic, Syrian archives | 2024 | Visual anthropology 37 (1): 35-55 | *H6 [VISUAL-] | 1545-5920 | |||
The Tadamon massacre: archiving violence through the perpetrator's gaze | 2024 | Visual anthropology 37 (1): 56-73 | *H6 [VISUAL-] | 1545-5920 | |||
Video archives of the Syrian revolution: a media experiment | 2024 | Visual anthropology 37 (1): 74-91 | *H6 [VISUAL-] | 1545-5920 | |||
Afterword | 2024 | Visual anthropology 37 (1): 92-7 | *H6 [VISUAL-] | 1545-5920 | |||
Collecting "Remembrance of these Isles": tracing the post-1800 history of Taíno cotton Cemí in the Dominican Republic and Italy | 2024 | Latin American antiquity 35 (1): 111-27 | *H6/KE [LATIN-] | 1045-6635 | |||
Archives in dialog. Contemporary re-readings of historical photographs on workers and popular types | 2024 | Iberoamericana 24 (85): 125-51 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
¿El dibujo más antiguo del complejo tukipa de los huicholes? | 2024 | Arqueología mexicana 30 (185): 76-81 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Dressing up the monarch: authority and its representation in the Sulu Sultanate royal tradition (19th-21st century) | 2024 | Indonesia and the Malay world 52 (152): 76-96 | H6/KX [INDONESIA-] | 1469-8382 | |||
Um outro Portugal de abril: os estudiosos não revolucionários do povo | 2024 | Etnográfica: revista do Centro de Estudos de Antropologia Social 28 (1): 87-96 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
The first images of Korea in Spanish media: von Hesse-Warteg and Sanín Cano | 2024 | Visual anthropology 37 (2): 99-125 | *H6 [VISUAL-] | 1545-5920 | |||
Visual community authoethnography and heritage: selected cairns in South Africa | 2024 | Visual anthropology 37 (2): 126-45 | *H6 [VISUAL-] | 1545-5920 | |||
The crossover: integrating Indian sign language with mudras in an Indian classical dance performance creation | 2024 | Visual anthropology 37 (2): 146-65 | *H6 [VISUAL-] | 1545-5920 | |||
Developing an artistic approach to ethnographic research | 2024 | Visual anthropology 37 (2): 166-83 | *H6 [VISUAL-] | 1545-5920 | |||
Australian Aboriginals in the snow | 2024 | Visual anthropology 37 (2): 184-91 | *H6 [VISUAL-] | 1545-5920 | |||
Qikiqtaaluk, Baffin Island 1913-14 | 2024 | Inuit art quarterly 371 (): 34-45 | *H6/KFY [INUIT-] | 0831-6708 | |||
Contemporary ethnographic aesthetics: the TikTok turn | 2024 | Visual anthropology 37 (3): 195-211 | *H6 [VISUAL-] | 1545-5920 | |||
The work of craft in the age of mechanical reproduction: the Lai Xá photography village in Vietnam | 2024 | Visual anthropology 37 (3): 212-36 | *H6 [VISUAL-] | 1545-5920 | |||
Photographing the Igbo funeral: the materiality of its performance | 2024 | Visual anthropology 37 (3): 237-64 | *H6 [VISUAL-] | 1545-5920 | |||
Photo George, in Douala: one of the earliest photo studios in Cameroon | 2024 | Visual anthropology 37 (3): 265-82 | *H6 [VISUAL-] | 1545-5920 | |||
Epistemology of the ethnographic image: hybridizing genre in South Sudan's autobiographical cinema | 2024 | Visual anthropology 37 (3): 283-300 | *H6 [VISUAL-] | 1545-5920 | |||
Angelo Turconi, a passion for the Congo | 2024 | Tribal art (112): 98-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
(In)equality of gender in images: photoethnography of surfing among women | 2024 | Anuário antropológico (Rio) 49 (1): 370-87 | H6 [ANUARIO-] | 2357-738X | |||
Lights, scenery, and stereotypes. A reflection on the modes of representation of a Yucatecan type in México a través de los siglos | 2024 | Boletín americanista (88): 181-203 | H6/KUL [BOLETIN-] | 0520-4100 | |||
Ethnic ‘stereotypes’ in early modern Europe: Russian and Ottoman national costumes | 2024 | History and anthropology 35 (3): 500-24 | H6 [HISTORY-] | 1477-2612 | |||
Visual evidence? Rethinking anthropological photography in republican China (1919-1949) | 2024 | History and anthropology 35 (3): 604-34 | H6 [HISTORY-] | 1477-2612 | |||
Between sombreros and diadems: a pictorial testament from colonial central Mexico | 2024 | Colonial Latin American review 33 (2): 150-82 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Interactive documentary and technological devices as communication and awareness-raising strategies on social and political issues | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-17 | 2525-3123 | ||||
The estrangement of other's gaze in the selfie era | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-6 | 2525-3123 | ||||
Sonâmbulo (sleepwalker): notes on a gesture in the shadows and the photographs of André Leite Coelho | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-6 | 2525-3123 |