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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Celebrations for the Truce of Nice in New Spain: the conquest of Rhodes and the conquest of Jerusalem (1539) | 2025 | Fronteras de la Historia 30 (1): 265-89 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Religious and political ceremonies: royal visits and entrances of Isabella the Catholic in the play with Indian references Todo es dar en una cosa, by Tirso de Molina | 2025 | Fronteras de la Historia 30 (1): 290-313 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Omnivorous cultural consumption and the co-creation of cultural products: interactive versus participatory art | 2024 | Journal of consumer culture 24 (1): 24-44 | H6 [JOURNAL-] | 1469-5405 | |||
| Erecting the submerged tree trunk: Mak Yong theatre and practices of traditioalisation in the Riau Isands, Indonesia | 2024 | Indonesia and the Malay world 52 (152): 4-28 | H6/KX [INDONESIA-] | 1469-8382 | |||
| “The real reason for censorship, in my opinion”. Satire and scandal in the Diario Literario de México (1768), Alzate’s first gazettes | 2024 | Estudios de historia novohispana (71): 221-51 | H6/KUL [ESTUDIOS-] | 2448-6922 | |||
| Scenes of precarity: conditions, dynamics and challenges for the post-pandemic future of cultural labour in Argentina | 2024 | International journal of cultural studies 27 (3): 474-91 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Folk narrative, transmission, and generational thinking: a conversation with Migdalia Cruz | 2024 | Journal of folklore research 61 (1): 119-37 | H6/KF [INDIANA-] | 0737-7037 | |||
| Nahuas stage imperial conquest: the destruction of Jerusalem in New Spain | 2024 | Ethnohistory 71 (3): 321-52 | H6/KUB [ETHNOHISTORY-] | 1527-5477 | |||
| Just a compendium of good intentions: the link between the Argentine Federation of Independent Theaters and the Uruguayan Federation of Independent Theaters through the study of internal documentation | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 249-83 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Native puppetry has arrived | 2024 | First American art magazine 44 (): 23-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| A mosaic of exchange: history, memory, and representation of women in the borderlands captivity archive | 2024 | Colonial Latin American review 33 (3): 347-76 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
| The Moorish body in resistance. Feminine orientalism and the romantic grotesque in Sophia Lee's Almeyda; Queen of Granada (1796) | 2024 | Hawwa: journal of women of the Middle East and the Islamic world 22 (3-4): 369-92 | H6/KW [HAWWA-] | 1569-2078 | |||
| Interactive community-based theatre to address social barriers to accessing reproductive health services in patriarchal societies: the case of Jordan | 2023 | Culture, health & sexuality 25 (2): 176-91 | H6/KGT [CULTURE-] | 1464-5351 | |||
| When culture is politics: black theaters and cultural politics in the late 20th and early 21th centuries | 2023 | Revista de antropología (São Paulo) 66 (): 1-17 | H6/KUL [REVISTA-] | 0034-7701 | |||
| Literature and madness: madness in the Baroque theatre and the theatre of Artaud | 2023 | Theory, culture and society 40 (1-2): 241-57 | H6 [THEORY-] | 0263-2764 | |||
| Staging noh performance in contemporary opera: the dance of the shite in Toshio Hosokawa's The maiden from the sea (2017) | 2023 | Asian music 54 (1): 92-119 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| Exploring everyday resilience in the creative industries through devised theatre: a case of performing arts students and recent graduates in Ghana | 2023 | International journal of cultural studies 26 (3): 237-56 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Shakespeare in Rajasthan: character, emotion, and gesture in clothing | 2023 | Textile: the journal of cloth and culture 21 (1): 134-9 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| 'It's illegal but it's not, like, really illegal': Sri Lanka's 'sodomy laws', the politics of equivocation, and queer men's sexual citizenship in The one who loves you so | 2023 | South Asian popular culture 21 (2): 171-88 | H6/KW [SOUTH-] | 1474-6689 | |||
| Throughline: Reneltta Arluk and the continuum of Indigenous voice | 2023 | Inuit art quarterly 36 (1): 32-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
| "You have the right to love and be loved": participatory theatre for disability justice with self-advocates | 2023 | Qualitative research 23 (2): 467-85 | H6 [QUALITATIVE-] | 1468-7941 | |||
| From dust we are made. Members of the Wampanoag nation reclaim historical narratives in Plymouth, England | 2023 | Cultural Survival quarterly 47 (2): 10-11 | H6/KD [CULTURAL-] | 0740-3291 | |||
| Not feminism, human solidarity: Qurrat al-'Ayn Tahirih in early historical drama | 2023 | Hawwa: journal of women of the Middle East and the Islamic world 21 (4): 410-32 | H6/KW [HAWWA-] | 1569-2078 | |||
| Wie entscheidet die Truppe? Agitprop- und Performancekollektive im Vergleich | 2023 | Paragrana: internationale Zeitschrift für historische Anthropologie 32 (2): 89-102 | H6/KF [PARAGRANA-] | 0938-0116 | |||
| Kollektive Entscheidungsprozesse in der Probenpraxis intervenierender Chöre. Zu Chöre der Angekommenen (2017) und Wem gehört Lauratibor? (2021) | 2023 | Paragrana: internationale Zeitschrift für historische Anthropologie 32 (2): 103-23 | H6/KF [PARAGRANA-] | 0938-0116 | |||
| Entscheidungsfindung und Gewalt-Tun: Wie devising dissoziiert und kollektiviert | 2023 | Paragrana: internationale Zeitschrift für historische Anthropologie 32 (2): 186-99 | H6/KF [PARAGRANA-] | 0938-0116 | |||
| Kollektivierungen des Publikums | 2023 | Paragrana: internationale Zeitschrift für historische Anthropologie 32 (2): 200-14 | H6/KF [PARAGRANA-] | 0938-0116 | |||
| Chrous songs of happiness in Sophocles tragedy: dramatic function and pragmatic effects | 2023 | Cahiers de litterature orale 93 (): 45-66 | H6/KF [CAHIERS-] | 2266-1816 | |||
| When war is a context | 2023 | Konteksty 77 (4): 45-50, 282 | H6/KVM [POLSKA-] | 1230-6142 | |||
| The theatre of war: the staging of Dziady by Adam Mickiewicz at the Ivan Franko National Academic Theater in Ivano-Frankivsk (2023) | 2023 | Konteksty 77 (4): 155-8, 284 | H6/KVM [POLSKA-] | 1230-6142 | |||
| La Pata de Cabra, satire and free speech in nineteenth-century Mexico City | 2022 | Journal of Latin American studies 54 (1): 1-27 | *H6/KUL [JOURNAL-] | 0022-216X | |||
| Puelche diaspora in the theatre play Tayiñ Kuify Kvpan | 2022 | Cadernos de arte e antropologia 11 (1): 48-65 | |||||
| Theatre as a narrative change for refugees | 2022 | Cadernos de arte e antropologia 11 (1): 66-80 | |||||
| Performing the nation. Afrodescendence and racialized representation in theatrical artistic practices in Buenos Aires | 2022 | Etnografías Contemporáneas (14): 34-58 | 2451-8050 | ||||
| Paraense dramatic conservation: an ephemeral and controversial association of men of letters and artists (1873-1887) | 2022 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 17 (3): 1-17 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| Calabar carnival: visualizing cultural authenticity and the paradigm of the street | 2022 | African arts 55 (4): 32-41 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| 'Our divine ancestor Jesus Christ': performing arts and Catholic missiology in Bali | 2022 | Asian music 53 (2): 66-109 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| Political power and cultural history in the northeastern Soviet Union in the 1950s and 1960s | 2022 | Sibirica: journal of Siberian studies 21 (2): 91-114 | H6/KW [SIBIRICA-] | 1361-7362 | |||
| There is no inclusion without territoriality. Cultural policies and social transformation in the Cruzavias community theater (2004-2022) | 2022 | Cuadernos de antropologia social (56): 105-21 | H6/KF [CUADERNOS-] | 1850-275x | |||
| A change in regime: examining diversity theater and racial inequality at an education nonprofit | 2022 | Ethnic and racial studies 45 (15): 2892-912 | H6/KD [ETHNIC-] | 1466-4356 | |||
| Politico-philosophical reflections on dystopia in the 21st century Africa: the significance of Wole Soyinka's A dance of the forests | 2022 | African study monographs 42 (): 97-118 | H6/KY [AFRICAN-] | 0285-1601 | |||
| Performing Chineseness overseas. Peking Opera, photography, and the KMT's Chinese nationalism during the Cold War | 2022 | Journal of Chinese overseas 18 (1): 90-117 | H6/KW [JOURNAL-] | 1793-0391 | |||
| Narrating the nation: heterotopian struggles of self-representation in the Cuban diaspora | 2022 | Museum anthropology 45 (2): 124-39 | H6 [MUSEUM-] | 0892-8339 | |||
| Between popular and populist: reading the shift of mobile theatre repertoire | 2022 | South Asian popular culture 20 (2): 261-75 | H6/KW [SOUTH-] | 1474-6689 | |||
| The planet: a lament for environmentally engaged citizenship? | 2022 | World art 12 (2): 171-94 | H6 [WORLD-] | 2150-0908 | |||
| Ihor Krykounov | 2022 | Etudes tsiganes (Nouvelle Série) (72-73): 104-13 | H6 [ETUDES-] | 0014-2247 | |||
| Tradition as a field of people: the mobilization of folkloric practices by Art Collective Turŏng | 2022 | Journal of folklore research 59 (1): 101-45 | H6/KF [INDIANA-] | 0737-7037 | |||
| Cantonese opera troupes in Southeast Asia: political mobilizations, diaspora networks, and operatic circulation, 1850s-1930s | 2022 | Asian ethnology 81 (1-2): 83-105 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
| Jauría: documentary fiction and the transformative potential of sexual violence testimony | 2022 | European journal of cultural studies 25 (5): 1395-409 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| African performances: on stage and screen | 2022 | African studies review 65 (4): 1030-8 | *H6/KY [AFRICAN-] | 0002-0206 |
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