Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The precarious origins of the Iroquois Realists School | 2025 | First American art magazine 45 (): 20-8 | H6/KUB [FIRST-] | 2333-5548 | |||
Sincere critique in Israeli filmmaking | 2025 | Journal of the Royal Anthropological Institute (New Series) 31 (2): 531-48 | H6 [JOURNAL-] | 1359-0987 | |||
Children’s drawing put to the test of realism: a study of Russian and Soviet artistic and educational discourse, 1901-1934 | 2025 | Gradhiva: revue de anthropologie et museologie (39): 210-28 | H6 [GRADHIVA-] | 0764-8928 | |||
Violence, between realism and tragedy in auteur Mexican cinema: Sin señas particulares (2020) by Fernanda Valadez | 2025 | Mexican studies 41 (2): 205-34 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
(Im)possible realism | 2024 | Gradhiva: revue de anthropology et museologie (37): 140-55 | H6 [GRADHIVA-] | 0764-8928 | |||
Gentrification and the right to the geomedia city | 2024 | Space and culture 27 (1): 4-13 | H6 [SPACE-] | 1206-3312 | |||
Epistemology of the ethnographic image: hybridizing genre in South Sudan's autobiographical cinema | 2024 | Visual anthropology 37 (3): 283-300 | *H6 [VISUAL-] | 1545-5920 | |||
Renovating traditional craft: exploring the potential of craft as part of research | 2024 | Ethnologia fennica 51 (1): 60-80 | H6/KVT [ETHNOLOGIA-] | 0355-1776 | |||
Conceptual realism concerning the understanding of sculptures and images in ancient societies: a psychological contribution relevant to ethnology, history, and archaeology | 2024 | Human evolution 39 (3-4): 159-83 | H6/HB [HUMAN-] | 0393-9375 | |||
Against realism: the politics of Salvador Dalí's Christ of Saint John of the Cross | 2024 | Res 81-82 (): 212-28 | *H6 [RES-] | 0277-1322 | |||
The place of location(s): milieus and regions of Gunga Jumna and Mukkabaaz | 2024 | South Asian popular culture 22 (3): 367-79 | H6/KW [SOUTH-] | 1474-6689 | |||
Naturalistic parrots, stylized birds of prey: visual symbolism of the human-animal relationship in pre-Hispanic ceramic art of the Paraná River lowlands, South America | 2023 | Cambridge archaeological journal 33 (2): 193-215 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
The political discourse of Arabs in Israel: moralism,radical realism, and realistic realism | 2023 | Ethnic and racial studies 46 (10): 1972-96 | H6/KD [ETHNIC-] | 1466-4356 | |||
Disrupting the realist nation: the forest as radical illegibility in the novels of Jose Rizal | 2023 | Southeast Asian studies 12 (2): 213-37 | H6/KWY [SOUTHEAST-] | 2423-8686 | |||
Die multiplen Inszenierungen des Berges. Praktiken der Bergdarstellung und ihre ontologische Politik | 2023 | Schweizerisches Archiv für Volkskunde (2): 7-17 | H6/KVI [SCHWEIZERISCHES-] | 0036-794X | |||
Introduction. Off the grid and on the road in Europe. Living in an age of uncertainty and polycrisis | 2023 | Anthropological journal of European cultures 32 (2): 1-22 | *H6/KF [ANTHROPOLOGICAL-] | 1755-2923 | |||
The art of Fesira: narrative figuration in southern Madagascar | 2022 | Tribal art (104): 76-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
Charles White's global perspective | 2022 | Nka: journal of contemporary African art (50): 36-47 | H6/KY [NKA-] | 1075-7163 | |||
The 'onto-logics' of perspectival multi-naturalism: a realist critique | 2022 | Anthropological theory 22 (2): 201-21 | H6 [ANTHROPOLOGICAL-] | 1463-4996 | |||
An approach to the stylization and schematism in the zoomorphic ceramics from the Paraná lowlands | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 11-28 | H6/KE [BOLETIN-] | 0716-1530 | |||
The 'ontological turn' in anthropology: self-silencing irrealism | 2022 | Public anthropologist 4 (2): 160-83 | 2589-1715 | ||||
Water in atmospheric suspension. Contact zones between ethnography anad speculative realism | 2022 | Social analysis 66 (2): 62-84 | H6/KF [SOCIAL-] | 0155-977X | |||
Plato's theory of ideas. Ancient metaphysics and psychological stage theory | 2022 | Human evolution 37 (1-2): 51-80 | H6/HB [HUMAN-] | 0393-9375 | |||
Falshfasad: infrastructure, materialism, and realism in wild-capitalism Moscow | 2022 | American ethnologist 49 (4): 461-77 | H6 [AMERICAN-] | 0094-0496 | |||
Endogeneity and qualitative political analysis: debates about method or debates about ontology? | 2022 | Social science information 61 (4): 390-406 | H6/KF [SOCIAL-] | 0539-0184 | |||
Signs of optimism, symptoms of hope. North and South Korean painting of the 1970s and 1980s. A case study | 2022 | World art 12 (3): 287-310 | H6 [WORLD-] | 2150-0908 | |||
Affective value and novelistic staying power in Stay with Me | 2022 | Botswana notes and records 54 (): 40-9 | *H6/KY [BOTSWANA-] | 0525-5090 | |||
The social realist stories of Putu Shanty as historical record: Balinese culture and Indonesian national politics in the 1950s | 2021 | Bijdragen tot de taal-, land- en volkenkunde 177 (2-3): 265-89 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
The making of contemporary art in Tanzania | 2021 | African arts 54 (3): 50-61 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Beyond the 'thingification' of worlds: archaeology and the new materialism | 2021 | Journal of material culture 26 (3): 298-317 | H6/KF [JOURNAL-] | 1359-1835 | |||
Will the real materialism please step forward? | 2021 | Journal of material culture 26 (3): 318-23 | H6/KF [JOURNAL-] | 1359-1835 | |||
Different ontologies: shared foes | 2021 | Journal of material culture 26 (3): 321-3 | H6/KF [JOURNAL-] | 1359-1835 | |||
Maya's story: spirit possession, gender, and the making of the self in a painted anthropological account | 2021 | Current anthropology 62 (4): 498-504 | H6 [CURRENT-] | 1537-5382 | |||
Words and things. Conceptual realism in the mind of the child, archaic human being, and ancient philosophy | 2021 | Human evolution 36 (3-4): 241-58 | H6/HB [HUMAN-] | 0393-9375 | |||
La représentation du mariage forcé de la jeune fille dans le film « La jumelle » du cinéaste ivoirien Diaby Lanciné | 2021 | Revue Djiboul 1 (3): 4-21 | 2789-0031 | ||||
Art and aliveness on the Northwest Coast | 2020 | Res 73-74 (): 203-20 | *H6 [RES-] | 2327-9621 | |||
Do Bigha Zamin: a realistic masterpiece of Indian cinema | 2020 | Visual anthropology 33 (5): 458-65 | *H6 [VISUAL-] | 1545-5920 | |||
Realism, rurality, and modernity: Samuel Makoanyane, Julius Mfete, Zolani Mapente | 2020 | African arts 53 (2): 66-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Eco-realism at the time of catastrophe: imaging multi-species points of view to photograph the history of the world | 2020 | International journal of anthropology 35 (1-2): 23-34 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
Ecology, capitalism and waste: from hyperobject to hyperabject | 2020 | Theory, culture and society 37 (6): 87-109 | H6 [THEORY-] | 0263-2764 | |||
Exploitation in all-male pornography set in the Czech Republic | 2019 | European journal of cultural studies 22 (1): 18-36 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Enactments of a new materialist ethnography: methodological framework and research processes | 2019 | Qualitative research 19 (2): 215-30 | H6 [QUALITATIVE-] | 1468-7941 | |||
Don't cry over spilled ink: missing context prevents replication and creates the Rorschach effect in bone surface modification studies | 2019 | Journal of archaeological science 102 (): 71-9 | H6/KE [JOURNAL-] | 0305-4403 | |||
Indigenous peoples of the Pacific and the forgotten Russian artist Mikhail Tikhanov | 2019 | Tribal art (92): 120-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
Visual anthropology and select Indian documentaries | 2019 | Journal of human evolution 34 (1-2): 115-31 | H6/HB [JOURNAL-] | 0047-2484 | |||
Ordinary realism: a difficulty for anthropology | 2019 | Anthropological theory 19 (3): 341-61 | H6 [ANTHROPOLOGICAL-] | 1463-4996 | |||
"Now is the time to include the films produced by the Alexandru Sahia documentary studio in our conversations about the communist past". An interview with Adina Brădeanu | 2019 | Martor: revue d'anthropologie du Musée du Paysan Roumain 24 (): 195-202 | H6/KVQ [MARTOR-] | 1224-6271 | |||
Creative mediations: the figurative ceramics of Voania (from) Muba | 2019 | African arts 52 (4): 34-51 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Recruitment and re-memory: S.E.K. Mqhayi's 'Ukmosi Wemidaka: the Dark Skinned Army' (1916) and Fred Kumalo's Dancing the Death Drill (2017) | 2019 | Journal of southern African studies 45 (2): 303-21 | H6/KY [JOURNAL-] | 0305-7070 | |||
Global health research, anthropology and realist enquiry. Methodological musings | 2019 | Anthropology in action 26 (1): 42-51 | H6/KF [BASAPP-] | 0967-201X |