Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Bronze Age cymbals from Dahwa: Indus musical traditions in Oman | 2025 | Antiquity 99 (404): 375-91 | H6/KE [ANTIQUITY-] | 0003-598X | |||
The Valdensis Codex: a historical framework and study of its material and symbolic aspects | 2024 | Estudios de cultura náhuatl 68 (): 115-74 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
Women, grief, and the art of lamenting in Maronite Christian funerals in Lebanon | 2024 | Journal of folklore research 61 (2): 69-98 | H6/KF [INDIANA-] | 0737-7037 | |||
Sounds in context: arachaeoacoustical studies of instruments from Comalcalco and Jonuta, pre-Hispanic Maya sites | 2024 | Ancient Mesoamerica 35 (2): 472-93 | *H6/KE [ANCIENT-] | 0956-5361 | |||
“Singing in tongues” as esotericism and postmodern Christianity. A study of contemporary Nigerian gospel music | 2023 | Cahiers d'études africaines (249): 157-79 | H6/KY [CAHIERS-] | 0008-0055 | |||
Tonalidad rituales en el pajko de los mayos de Sonora | 2023 | Arqueología mexicana 30 (181): 61-4 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
“Sing and make music to the Lord”: cultural difference in South Africa’s urban religious soundscapes | 2023 | Anthropology Southern Africa 46 (3): 173-87 | *H6 [SOUTH-] | 2332-3256 | |||
Sarabanda tenge que tenge... Evidence of Bantu religious practices in a Villancico in the 17th century Puebla cathedral | 2022 | Estudios de historia novohispana (66): 47-79 | H6/KUL [ESTUDIOS-] | 2448-6922 | |||
Harps on stone. Their presence in colonial churches of northern Chile | 2022 | Boletín del Museo chileno de Arte precolombino 27 (2): 69-89 | H6/KE [BOLETIN-] | 0716-1530 | |||
Tradicionalismo africano in Cuba: women, consecrated Batá, and the polemics of “re-Yorubization” in Cuban ritual music | 2021 | Ethnomusicology 65 (1): 86-111 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Sensitive connections: following the ethnobiographic trail of a Chacoan musician | 2021 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 6 (1): 1-20 | 2525-3123 | ||||
“Out of time” and “out of tune”: reflections of an oud apprentice in Somaliland | 2021 | Ethnomusicology 65 (2): 259-85 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
In search of sound thresholds: gestures, sounds and risks in folia tuning | 2021 | Revista de antropología (São Paulo) 64 (2): 1-26 | H6/KUL [REVISTA-] | 0034-7701 | |||
Deep polyphony in the hymns of Julien Jouga | 2021 | Ethnomusicology 65 (3): 574-604 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Sound collections and postcolonial India’s cultural politics | 2021 | The World of Music 10 (1): 21-38 | H6/KFY [WORLD-] | 0043-8774 | |||
The jumping grain chant: parallel verse and simultaneous action in Magar rituals | 2021 | Shaman 29 (1-2): 105-54 | *H6/KFO [SHAMAN-] | 1216-7827 | |||
The Cruz de Mayo festival. Sound and rituality in the Arica valleys | 2021 | Boletín del Museo chileno de Arte precolombino 26 (2): 133-49 | H6/KE [BOLETIN-] | 0716-1530 | |||
Ritual distribution at a popular festive expression. Fiesta de Verdiales in the Montes of Málaga | 2021 | Disparidades: revista de antropologia 76 (2): 1-16 | H6/KVE [REVISTA-] | 2659-6881 | |||
The jaguar-flute and other Wauja aerophones: a Xinguano contribution to the instrumentarium zoologica Amazonia | 2021 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 16 (3): 1-19 | H6/KUL [BOLETIM-] | 1981-8122 | |||
Music performance in the religious practice of Sunni Turks from Southern Bulgaria | 2021 | Bulgarski folklor 47 (3): 303-26 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Thinking through the sonority and listening of the Huave people: cosmology, ritual and social life | 2020 | Anales de antropología 54 (2): 89-105 | H6/KUL [ANALES-] | 0185-1225 | |||
Sound codes in the fertility ritual of the Allpa Mama in the Inti Raymi Cañari, Ecuador | 2020 | Chungará 52 (4): 671-82 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
Redemption songs: women, religion, and the moral politics of HIV in Barbados | 2020 | Culture and religion 21 (2): 101-20 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
Separating intertwined traditions into Balinese music and dance | 2020 | The World of Music 9 (2): 109-30 | H6/KFY [WORLD-] | 0043-8774 | |||
Broken words, furious wasps. How should we translate the sonic materiality of Araweté ritual singing? | 2020 | Journal de la Société des Américanistes 106 (1): 105-26 | H6/KUB [SOCIETE-] | 0037-9174 | |||
Digitization, return, and circulation of sound recordings among the Bora in the Colombian Amazon | 2020 | Journal de la Société des Américanistes 106 (2): 151-76 | H6/KUB [SOCIETE-] | 0037-9174 | |||
Crossed perspectives in the repatriation of knowledge. The Náayeri ritual recordings from K. Th. Preuss | 2020 | Journal de la Société des Américanistes 106 (2): 177-200 | H6/KUB [SOCIETE-] | 0037-9174 | |||
Voci dal sacro: filming polyphonic choirs in Sardinia (visual anthropology notes) | 2020 | Revista de etnografie şi folclor (NS) (1-2): 36-51 | H6/KVQ [REVISTA-] | 0034-8198 | |||
The modal structure of the Cantu cuncordu from the Holy Week at Cuglieri | 2020 | Revista de etnografie şi folclor (NS) (1-2): 52-61 | H6/KVQ [REVISTA-] | 0034-8198 | |||
'Me I go no suffer': Christian songs and prosperity gospel among the Yoruba Pentecostals in southwest Nigeria | 2020 | Culture and religion 21 (4): 387-408 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
Polish popular religious songs in Bulgarian Eastern Catholic Music | 2020 | Bulgarski folklor 46 (4): 446-59 [insert i-iv] | H6/KVR [BULGARSKI-] | 0323-9861 | |||
The musician (Zakir / Imam Cafer) in the culture of the Alevi and Bektashi from the region of Kŭrdzhali (Bulgaria) | 2020 | Bulgarski folklor 46 (): 72-92 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
On un-silencing voices: tarantismo and the gendered heritage of Apulia | 2019 | Folk life 57 (1): 42-55 | H6/KVC [FOLK-] | 0008-3496 | |||
The funeral of King Rama IX: mourning and the Thai state | 2019 | Asian music 50 (2): 122-60 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Gnawa: music and beyond | 2019 | Visual anthropology 32 (2): 214-17 | *H6 [VISUAL-] | 0894-9468 | |||
Captains and priestesses in Afro-Brazilian Congado and Candomblé | 2019 | Ethnomusicology 63 (2): 184-221 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Singing as justice: ateetee, an Arsi Oromo women's sung dispute resolution ritual in Ethiopia | 2019 | Ethnomusicology 63 (2): 247-78 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Social synchrony and tuning out: Karen participation in music, tradition, and ethnicty in northern Thailand | 2019 | Ethnomusicology 63 (3): 470-98 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Central Australian Aboriginal songs and biocultural knowledge: evidence from women's ceremonies relating to edible seeds | 2019 | Journal of ethnobiology 39 (3): 354-70 | *H6 [JOURNAL-] | 0278-0771 | |||
A song remembered in place: Tlingit composer Mary Sheakley (Lxook) and Huna Tlingits in Glacier Bay National Park, Alaska | 2019 | Journal of ethnobiology 39 (3): 392-408 | *H6 [JOURNAL-] | 0278-0771 | |||
Ohuakhai: transmitter of biocultural heritage for Sakha of northeastern Siberia | 2019 | Journal of ethnobiology 39 (3): 409-24 | *H6 [JOURNAL-] | 0278-0771 | |||
Contests of devotion in Nepal: music and civic rivalry in the Buddhist communitas | 2019 | Ethnomusicology forum 28 (2): 184-99 | H6/KFYV [BRITISH-] | 1741-1912 | |||
The sound dimension of “el costumbre”. A meandering journey in the Huasteca | 2019 | Trace (76): 103-29 | *H6/KUL [TRACE-] | 0185-6286 | |||
Expressing sonic theology: understanding ritual action in a Himalayan festival | 2019 | Ethnomusicology forum 28 (3): 321-37 | H6/KFYV [BRITISH-] | 1741-1912 | |||
The sound dimension of “el costumbre”. A meandering journey in the Huasteca | 2019 | Trace (76): 103-29 | *H6/KUL [TRACE-] | 0185-6286 | |||
Musicological aspects of 'dirges' in the regions of Prekmurje and Raba Valley | 2019 | Glasnik slovenskega etnološkega Društva 59 (1): 59-69 | H6/KVP [SLOVENSKO ETNOLOSKO DRUSTVO. Glasnik] | 0351-2908 | |||
Variance in the Belorussianritual spring dance songs 'Oj ne rasti kropie' | 2019 | Vestsi Akademii Navuk Belarusi 3 (): 339-45 | H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk] | 0321-1649 | |||
Warime Piaroa: four performances in one rite | 2019 | Revista colombiana de antropología 55 (2): 149-67 | H6/KUL [REVISTA-] | 0486-6525 | |||
The Voditsi custom in the village of Dobŭrsko: rite and music | 2019 | Bulgarski folklor 45 (2): 158-84 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
The history of the Bulgarian dances from the European point of view | 2019 | Bulgarski folklor 45 (2): 210-27 | H6/KVR [BULGARSKI-] | 0323-9861 |