| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Salawat dulang: Minang oral tradition as oral history of Islam | 2025 | Asian music 56 (1): 5-37 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| First Nations music and social emotional wellbeing and health among LGBTIQA+SB First Nations peoples: a review of the literature | 2025 | Culture, health & sexuality 27 (5): 570-90 | H6/KGT [CULTURE-] | 1464-5351 | |||
| Music and dance beyond boundaries? Emphasizing Muslim-Jewish North African commonalities, avoiding politics | 2025 | European journal of cultural studies 28 (1): 17-39 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Afrosonica soundscapes: an interview with Madeleine Leclair | 2025 | Tribal art (116): 60-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The faces of Central Easter European region in hymnals of the global ecumenical movement | 2025 | Journal of ethnology and folkloristics 19 (1): 262-90 | H6/KVT [JOURNAL-] | 1736-6518 | |||
| Sounds of resistance: nuns, music, and power in Córdoba del Tucumán (18th Century) | 2025 | Fronteras de la Historia 30 (2): 155-78 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| "Mi sueño es cantar": Natalia Oreiro en Miss Tacuarembó y Gilda, no me arrepiento de este amor | 2025 | Studies in Latin American popular culture 43 (): 91-103 | *H6/KUL [STUDIES-] | 0730-9139 | |||
| Life-cycle celebrations in Senegal: the Balafon's role in early Balante culture | 2025 | International journal of African historical studies 58 (1): 41-64 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
| José Vasconcelos’s Neoplatonist politics of music: theory and praxis | 2025 | Mexican studies 41 (2): 273-303 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
| Taste externalization practices amog Brazilian metal consumers who learn to play musical instruments | 2025 | European journal of cultural studies 28 (4): 1115-32 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Coupé-Décalé in the Ivorian crisis (2002-2012): mere entertainment or a form of pacific contestation? | 2025 | Cadernos de arte e antropologia 14 (): 85-97 | |||||
| "She doesn't know anything, she doesn't heal, she just plays!" Concerning playfulness in a Tandroy possession ritual (Madagascar) | 2025 | Journal des africanistes 95 (1): 44-77 | H6/KY [SOCIETE-] | 0399-0346 | |||
| On the use of loudspeakers in mosques and churches in Bouaké (Côte d'Ivoire) | 2025 | Journal des africanistes 95 (1): 78-89 | H6/KY [SOCIETE-] | 0399-0346 | |||
| Between stone plaques and dance steps: tensions and creativities around Cuarteto as heritage on the pedestrian street of Córdoba, Argentina | 2025 | Revista colombiana de antropología 61 (3): 1-29 | H6/KUL [REVISTA-] | 0486-6525 | |||
| The power of words: linguistic reflections on Shipibo-Konibo ethnography | 2024 | Revista colombiana de antropología 60 (1): 127-49 | H6/KUL [REVISTA-] | 0486-6525 | |||
| Cruzando las fronteras de sur a norte y de norte a sur: Mexican wind bands, politics, and revolution across the US-Mexico border, circa 1900–1930 | 2024 | Mexican studies 40 (1): 131-72 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
| Mozart in Africa. Reminiscence of a strange and unfortunate dissonance during “the guinea fowl festival” among the Moundang of Lere | 2024 | Gradhiva: revue de anthropology et museologie (37): 118-31 | H6 [GRADHIVA-] | 0764-8928 | |||
| Entretien avec Marc Chemillier | 2024 | Gradhiva: revue de anthropology et museologie (37): 132-9 | H6 [GRADHIVA-] | 0764-8928 | |||
| A wondering archive: Super 8, music and temporality in Avanti popolo (Brazil, 2012) | 2024 | Iberoamericana 24 (85): 69-84 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Beyond the words. Variations on Martha Argerich | 2024 | Iberoamericana 24 (85): 85-100 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| #Detroit music city: analyzing Detroit's musical urban imaginary through a cultural justice lens | 2024 | Space and culture 27 (1): 14-30 | H6 [SPACE-] | 1206-3312 | |||
| Library music as a matter of time | 2024 | Time and society 33 (2): 212-33 | H6 [TIME-] | 0961-463X | |||
| The lancang kuning song in North Sumatran performance traditions | 2024 | Indonesia and the Malay world 52 (152): 29-50 | H6/KX [INDONESIA-] | 1469-8382 | |||
| Performing indigeneity through the musical piece 'Miti Sunai' on Yonaguni Island, Okinawa | 2024 | Asian music 55 (1): 126-59 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| The birth of Yamatogoto culture: stringed instruments and the formation of complex society in pre- and protohistoric Japan | 2024 | Asian perspectives 63 (1): 98-128 | H6/KE [ASIAN-] | 0066-8435 | |||
| Scenes of precarity: conditions, dynamics and challenges for the post-pandemic future of cultural labour in Argentina | 2024 | International journal of cultural studies 27 (3): 474-91 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| What is the shape of institutions? Materializing the cycles of life in an East African age class society | 2024 | Journal of the Royal Anthropological Institute (New Series) 30 (2): 457-77 | H6 [JOURNAL-] | 1359-0987 | |||
| Globalization and Islamic music (Asalatu) in Nigeria | 2024 | Journal of religion in Africa 54 (2): 193-208 | H6/KFO [JOURNAL-] | 0022-4200 | |||
| Introduction | 2024 | American anthropologist 126 (2): 227-32 | *H6 [AMERICAN-] | 0002-7294 | |||
| FandangObon: amplification, counter-publics, and fugitive spaces of belonging in Los Angeles | 2024 | American anthropologist 126 (2): 260-70 | *H6 [AMERICAN-] | 0002-7294 | |||
| El disco es cultura: sonic artifacts and Latinx Chicago | 2024 | American anthropologist 126 (2): 282-94 | *H6 [AMERICAN-] | 0002-7294 | |||
| Textures of Black sound and affect: life and death in New Orleans | 2024 | American anthropologist 126 (2): 295-310 | *H6 [AMERICAN-] | 0002-7294 | |||
| Listenting to Amīt Ḳhusraw in the Mughal court: Indian sultanate epistemologies of Persian music and the construction of Hindustani music history in the Mughal imaginary | 2024 | Asian music 55 (2): 5-39 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| Toward a dialectical understanding of North Indian drumming traditions: musical labor, dance, and the folk/classical distinction in Banaras | 2024 | Asian music 55 (2): 40-74 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| Outside the institution: other spaces of art | 2024 | Inuit art quarterly 372 (): 38-49 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Musical activity, show business and post-colonial politics in socialist Maputo, or 'the multiple sides of a full circle' (1975-1994) | 2024 | Journal of Eastern African studies 18 (3): 408-30 | H6/KY [EASTERN-] | 1753-1063 | |||
| Producing nocturnities: rock and fandango scenes in Xalapa, Veracruz | 2024 | Alteridades (68): 25-36 | H6/KF [ALTERIDADES-] | 0188-7017 | |||
| Mapping the music of migration: emergent themes and challenges | 2024 | European journal of cultural studies 27 (1): 3-16 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| The spatialization of music and politics in festival spaces: the social, symbolic and emotional structuring of the Festival of Political Songs in the German Democratic Republic | 2024 | European journal of cultural studies 27 (1): 52-69 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Sharing our experiences, stories, and territories in our voices, with our hands | 2024 | Cultural Survival quarterly 48 (3): 18-19 | H6/KD [CULTURAL-] | 0740-3291 | |||
| Improvisations towards a sonorous ethics in Aotearoa New Zealand | 2024 | The Australian journal of anthropology 35 (1-2): 135-42 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
| Hearing heat: Anthropocene acoustemology | 2024 | The Australian journal of anthropology 35 (1-2): 143-4 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
| Social life of zines and other DIY micro-media constituting American DIY communities and scenes | 2024 | Journal of contemporary ethnography 53 (4): 544-81 | H6/KY [JOURNAL-] | 0891-2416 | |||
| Canciones de comparsas de blancos tiznados del carnaval de Buenos Aires (1866-1877): inventario y análisis de sus letras y géneros musicales | 2024 | Etnografías Contemporáneas (18): 78-104 | 2451-8050 | ||||
| Music, sound, politics | 2024 | Annual review of anthropology 53 (): 261-75 | H1 [BIENNIAL-] | 0084-6570 | |||
| Dance and music in ancient India: a performative approach to materiality via the Nāṭyaśāstra | 2024 | Revista do Museu de Arqueologia e Etnologia (São Paulo) 42 (): 51-68 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
| Performing, teaching, and listening to ragas in Hindustani classical music | 2024 | Bulletin of the National Museum of Ethnology (Osaka) 48 (4): 429-74 | H6 [OSAKA-] | 0385-180X | |||
| Markers of self-identities for young Polish diasporic female viewers of The magnificent century (Turkish TV series, 2011-2014) | 2024 | European journal of cultural studies 27 (5): 803-18 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Masters of places: music and territory in Makadade (Atauro, East Timor) | 2024 | Archipel (104): 111-36 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
| Dances with zigzags in Toro Muerto, Peru: geometric petroglyphs as (possible) embodiments of songs | 2024 | Cambridge archaeological journal 34 (4): 671-91 | H6/KE [CAMBRIDGE-] | 0959-7743 |