Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Egúngún: reminiscence of colors, dance, and fun | 2025 | African arts 57 (4): 60-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Carnival in Trinidad: the Pierrot and the Pisse-en-lit in the late nineteenth century | 2025 | New West Indian guide 99 (1-2): 31-55 | H6/KUL [NWIG-] | 0028-9930 | |||
The meaning of Mamuthones: tradition meets heritage in the highlands of Sardinia | 2024 | Journal of folklore research 61 (1): 1-37 | H6/KF [INDIANA-] | 0737-7037 | |||
Two-time Parranda. The slow death of the Matachín of Capitanejo | 2024 | Revista colombiana de antropología 60 (3): 1-37 | H6/KUL [REVISTA-] | 0486-6525 | |||
Canciones de comparsas de blancos tiznados del carnaval de Buenos Aires (1866-1877): inventario y análisis de sus letras y géneros musicales | 2024 | Etnografías Contemporáneas (18): 78-104 | 2451-8050 | ||||
Of masks and men: Stéphan Gladieu's perspective | 2023 | Tribal art (108): 110-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
Artifacts from the perspective of Effutu masquerade performance, an aesthetic album | 2023 | African arts 56 (2): 48-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Tejorones negros in the Ñuu Savi carnival, dance as a cosmopolitical exercise | 2023 | Mana 29 (2): 1-27 | H6/KUL [MANA-] | 1678-4944 | |||
Commodification of the performing arts of Thak-Thakan Gembong Singo Lawe in east Java | 2023 | International journal of anthropology 38 (1-2): 117-38 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
Nkwọ Onunu cultural heritage in Nsukka Igbo, Nigeria: a festival in honor of a Mother Goddess | 2022 | African arts 55 (2): 50-65 | H6/KFY [AFRICAN-] | 0001-9933 | |||
História e ritual: relaçõe possíveis entre guerras, missões e devoção | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-26 | 2525-3123 | ||||
The altar as performance in popoular religiosity | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-18 | 2525-3123 | ||||
Trying to make the intangible tangible, or observations on the cosmology of the Yoruba of Nigeria | 2022 | Arts & cultures (22): 116-27 | *H6/KFY [ARTS-] | ONLY ISBN | |||
Carnival in Africa: join the party! | 2022 | African arts 55 (4): 6-17 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Carnival and the theme of migration: a designer's perspective | 2022 | African arts 55 (4): 18-31 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Calabar carnival: visualizing cultural authenticity and the paradigm of the street | 2022 | African arts 55 (4): 32-41 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The ritual solidarity of masked processions in Calabar, Cameroon, and Cuba | 2022 | African arts 55 (4): 42-53 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Dancing altars: carnivalesque performance in a festival in Togo | 2022 | African arts 55 (4): 54-67 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Power and play: fancy dress carnival in Ghana | 2022 | African arts 55 (4): 68-81 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The mute: ritual and transgressive meanings of the masked character in the Romanian Căluş ritual | 2022 | Folklore (Tartu) 87 (): 37-72 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
The proto-Slavic pre-Christian ritual scenario of a Međimurje weddings as an imitation of the divine wedding | 2022 | Cosmos 33-36 (): 61-83 | H6/KFO [COSMOS-] | 0269-8773 | |||
Art, travail et miracle: le système technique du carnaval des écoles de samba | 2022 | Techniques et culture (78): 27-49 | *H6 [TECHNIQUES-] | 0248-6016 | |||
From Africans to the Black Indians of New Orleans | 2022 | Tribal art (106): 52-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
Genre transformation of folk drama in the space of ritual culture | 2022 | Vestsi Akademii Navuk Belarusi 67 (1): 80-7 | H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk] | 0321-1649 | |||
The urban carnival in Bizkaia. A significant local case: Barakaldo and Alonsotegi (1892-1936) | 2022 | Kobie: antropología cultural (24): 37-66 | H6/KVE [KOBIE-] | 0214-7971 | |||
"Unlearning to see" in Melanesia. Visual and ritual practices in the north of Vanuatu | 2022 | Annales de la Fondation Fyssen (37): 11-30 | *H6 [ANNALES-] | 0980-157X | |||
Rethinking the historical development of Caribbean performance culture from an Afro-Iberian perspective: the case of Jankunu | 2021 | New West Indian guide 25 (3-4): 223-53 | H6/KUL [NWIG-] | 0028-9930 | |||
Embodied morality: Ekpri Àkàtà masquerade of Efik society, Nigeria | 2021 | African arts 54 (4): 64-77 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Kayan-Busang myths and epics about the origins of their old religion: ancient deities and ancestors before the reign of "Iné:aya'/Dipuy" | 2021 | Borneo research bulletin 52 (): 152-209 | H6/KX [BORNEO-] | 0006-7806 | |||
Christianity and masquerade practices among the youth in Nsukka, Nigeria | 2021 | African studies 80 (1): 40-59 | H6/KY [BANTU-] | 0002-0184 | |||
“How ELSE are you supposed to dress up like a Black Guy??”: negotiating accusations of Blackface in online newspaper comments | 2020 | Ethnic and racial studies 43 (16): 57-75 | H6/KD [ETHNIC-] | 1466-4356 | |||
Further perspectives on Kifwebe masquerades | 2020 | African arts 53 (1): 6-23 | H6/KFY [AFRICAN-] | 0001-9933 | |||
"A god dances within me": the spirituality of the Yaure | 2020 | Arts & cultures (21): 122-35 | *H6/KFY [ARTS-] | ONLY ISBN | |||
Ancestors and spirits in the traditions of Gabon | 2020 | Arts & cultures (21): 126-49 | *H6/KFY [ARTS-] | ONLY ISBN | |||
The missing women of Sande: a necessary exercise in museum decolonization | 2020 | African arts 53 (3): 72-83 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Incremental shifts: the contemporaryness of masquerade | 2020 | African arts 53 (4): 38-45 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Blurred boundaries: zoomorphic masking rituals and the human-animal relationship in ancient Cyprus | 2020 | World archaeology 52 (5): 724-45 | H6/KE [WORLD-] | 1470-1375 | |||
Masking and oral tradition in the re-enactment of village-based hierarchy among the acephalous Igbo of southeastern Nigeria | 2020 | World archaeology 52 (5): 746-64 | H6/KE [WORLD-] | 1470-1375 | |||
From the girls’ point of view: the circulation of affections in the Ticuna Festa da Moça Nova | 2020 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 15 (1): 1-21 | H6/KUL [BOLETIM-] | 1981-8122 | |||
L'assunzione di bevande alcoliche nelle feste andine | 2020 | Thule (48/49): 473-82 | H6/KUL [THULE-] | 1126-8611 | |||
How masks travel. Aesthetics, trade, war, and authority in Eastern Nigeria, an introduction | 2019 | African arts 52 (1): 15-17 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Expressive currencies. Artistic transactions and transformations of warrior-inspired masquerades in Calabar | 2019 | African arts 52 (1): 18-33 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Warrior masking, youth culture, and gender roles. Masks and history in Aro Ikeji festival | 2019 | African arts 52 (1): 34-45 | H6/KFY [AFRICAN-] | 0001-9933 | |||
In the spirit and in the flesh. Women, masquerades, and the Cross River | 2019 | African arts 52 (1): 46-61 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Igala's royal masks. Borrowed, invented, or stolen? | 2019 | African arts 52 (1): 62-71 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The Amazonian past, having been sacrificed on the altar of forgetfulness, is finally honoured | 2019 | Arts & cultures (): 168-81 | *H6/KFY [ARTS-] | ONLY ISBN | |||
Samāğa performances in third/ninth-century Abbasid courts | 2019 | Bulletin of the School of Oriental and African Studies (London) 82 (2): 289-302 | H6/KW [LONDON-] | 0041-977X | |||
The Epa masquerades of Èkìtì: a structural approach | 2019 | African arts 52 (3): 16-27 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Homo viridis contra strigas: ethnographic description and historical - religious archaeology in rural Transylvania | 2019 | Revista de etnografie şi folclor (NS) (1-2): 69-93 | H6/KVQ [REVISTA-] | 0034-8198 | |||
Esclavage, créolisation et constitution des identités en Afrique de l'Ouest: le cas des Agudàs du Bénin | 2019 | Civilisations 68 (): 47-71 | H6 [CIVILISATIONS-] | 0009-8140 |