Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
“A precious gift for Mexicans.” Approaches to the history of the mortuary masks of Napoleon Bonaparte in Mexico (1835-2005) | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 169-216 | H6/KFY [MEXICO-] | 0185-1276 | |||
Penetrating expressions: Kifwebe masks of the Songye and Luba | 2024 | Tribal art (112): 58-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
Keith Haring, techno-primitive iconography | 2024 | Tribal art (114): 90-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
Of masks and men: Stéphan Gladieu's perspective | 2023 | Tribal art (108): 110-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
De palacios a mausoleos: nuevas evidencias e interpretaciones sobre los accesos de los conjuntos amurallados de Chan Chan, Peru | 2023 | Latin American antiquity 34 (1): 97-115 | *H6/KE [LATIN-] | 1045-6635 | |||
Artifacts from the perspective of Effutu masquerade performance, an aesthetic album | 2023 | African arts 56 (2): 48-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Ilé L’àbọ̀ Simi Oko: cogitations and reflections about homeland, maxim and theoretical propensity for Yorùbá religion influences between Ọ̀yọ́, Sábę and Ifè̩-Ana | 2023 | Journal of religion in Africa 53 (2): 197-219 | H6/KFO [JOURNAL-] | 0022-4200 | |||
New discoveries at the Sanxingdui Bronze Age site in south-west China | 2023 | Antiquity 97 (391): e4, 1-8 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Tejorones negros in the Ñuu Savi carnival, dance as a cosmopolitical exercise | 2023 | Mana 29 (2): 1-27 | H6/KUL [MANA-] | 1678-4944 | |||
A century in the life of an ancient Dan mask | 2023 | Tribal art (109): 112-19 | *H6/KFY [WORLD-] | 1354-2990 | |||
Restitute Dogon Art? Malian perspectives and Western imaginations | 2023 | Cahiers d'études africaines (251-252): 543-63 | H6/KY [CAHIERS-] | 0008-0055 | |||
Making masks: the women behind Ghana's nose covering mandate during the COVID-19 outbreak | 2023 | Journal of material culture 28 (3): 426-50 | H6/KF [JOURNAL-] | 1359-1835 | |||
Beneath the Laarve: masking during the Basel carnival of Fasnacht (Faasnacht) | 2023 | Journal of material culture 28 (3): 451-78 | H6/KF [JOURNAL-] | 1359-1835 | |||
Commodification of the performing arts of Thak-Thakan Gembong Singo Lawe in east Java | 2023 | International journal of anthropology 38 (1-2): 117-38 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
La máscara mortuoria de K'inich Jannab' Pakal | 2023 | Arqueología mexicana (111): 20-33 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
The face, emblem and enigma of our relationship with the Other. Interview with David Le Breton | 2023 | Journal des anthropologues (174-175): 125-40 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
Unmasked: COVID-19, face coverings, and navigating dis/abling spaces and cultures | 2023 | Space and culture 26 (3): 296-308 | H6 [SPACE-] | 1206-3312 | |||
Manifestations of presence in Korea and Bali. Crossroads, intersections, divergences | 2023 | Asian ethnology 82 (1): 25-43 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
The sci-commodity sensibilities of performative Covid-19 face masking | 2023 | European journal of cultural studies 26 (4): 475-92 | H6/KF [EUROPEAN-] | 1367-5494 | |||
'Come and get a taste of normal': advertising, consumerism and the Coronavirus pandemic | 2023 | European journal of cultural studies 26 (4): 493-509 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Black prolepses: the mask “de Sérent”, from Afrofuturism to African futurism | 2023 | Terrain (79): 94-111 | H6 [TERRAIN-] | 0760-5668 | |||
"Eskimo and Aleut masks of the Pinart collection" with an introduction by Richard L. Bland | 2022 | Journal of northwest anthropology 56 (1): 92-126 | H6/KUB [NORTHWEST-] | 1538-2834 | |||
Uso acerca de la muerte y el duelo en la cultura | 2022 | Archivos 20 (): 57-130 | H6/KUL [ARCHIVOS-] | 1668-4737 | |||
Los mascarones de Uxmal: una nueva lectura | 2022 | Arqueología mexicana 29 (174): 18-23 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
The Preclassic architectural mask of structure 3 at Chacté, Guatemala | 2022 | Journal de la Société des Américanistes 108 (1): 117-50 | H6/KUB [SOCIETE-] | 0037-9174 | |||
Material culture studies in the age of big data: digital excavation of home-made mask production during the COVID-19 pandemic | 2022 | American antiquity 87 (4): 683-703 | *H6/KE [AMERICAN-] | 0002-7316 | |||
Behind the mask: African art history in a pandemic era | 2022 | African arts 55 (4): 1-4 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Coups, pandemics, and careers in African art history | 2022 | African arts 55 (4): 4-5 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Carnival in Africa: join the party! | 2022 | African arts 55 (4): 6-17 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Carnival and the theme of migration: a designer's perspective | 2022 | African arts 55 (4): 18-31 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Calabar carnival: visualizing cultural authenticity and the paradigm of the street | 2022 | African arts 55 (4): 32-41 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The ritual solidarity of masked processions in Calabar, Cameroon, and Cuba | 2022 | African arts 55 (4): 42-53 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Dancing altars: carnivalesque performance in a festival in Togo | 2022 | African arts 55 (4): 54-67 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Power and play: fancy dress carnival in Ghana | 2022 | African arts 55 (4): 68-81 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The mute: ritual and transgressive meanings of the masked character in the Romanian Căluş ritual | 2022 | Folklore (Tartu) 87 (): 37-72 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Merapi multiple: protection around Yogyakarta’s celebrity volcano through masks, dreams, and seismographs | 2022 | History and anthropology 33 (5): 588-610 | H6 [HISTORY-] | 1477-2612 | |||
Masked before the Lord: on the shamanistic origin of Tefillin | 2022 | Cosmos 33-36 (): 191-206 | H6/KFO [COSMOS-] | 0269-8773 | |||
Epa masks of Moshood Olúsomo Bámigbóyè | 2022 | Tribal art (106): 72-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Evaluating the dating and context of long-nosed god maskettes and iconography in the American midcontinent | 2022 | Southeastern archaeology 41 (3): 155-70 | H6/KE [SOUTHEASTERN-] | 0734-578X | |||
Hej kolęda, kolęda: a necessary commentary on an antisemitc mask | 2022 | Konteksty 76 (3): 137-41 | H6/KVM [POLSKA-] | 1230-6142 | |||
Masked narratives: manifestations of a disaster | 2022 | Textile: the journal of cloth and culture 20 (3): 274-91 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Tradition as a field of people: the mobilization of folkloric practices by Art Collective Turŏng | 2022 | Journal of folklore research 59 (1): 101-45 | H6/KF [INDIANA-] | 0737-7037 | |||
The urban carnival in Bizkaia. A significant local case: Barakaldo and Alonsotegi (1892-1936) | 2022 | Kobie: antropología cultural (24): 37-66 | H6/KVE [KOBIE-] | 0214-7971 | |||
Weighing sacrum? Remarks on the study methodology of the early medieval masks from Opole | 2022 | Archeologia polski 67 (): 235-48 | H6/KE [ARCHEOLOGIA-] | 0003-8180 | |||
What do archaeologists need archaeology for? Once again about the 'masks' from Opole | 2022 | Archeologia polski 67 (): 249-64 | H6/KE [ARCHEOLOGIA-] | 0003-8180 | |||
A woman's place is in the (greasepaint) White House: how the 2016 presidential election sparked a creepy clown craze | 2021 | Journal of American folklore 134 (531): 25-52 | H6/KF [JOURNAL-] | 0021-8751 | |||
Africa in the Surrealist imaginary: photographs of sculpture in Minotaure and Documents | 2021 | Visual anthropology 34 (3): 185-213 | *H6 [VISUAL-] | 1545-5920 | |||
Menhirs, Kollones (masks) and granite oracles in the Lácar Basin, northwestern Argentinian Patagonia | 2021 | Boletín del Museo chileno de Arte precolombino 26 (1): 11-25 | H6/KE [BOLETIN-] | 0716-1530 | |||
Public folklore? German Fastnacht and knowledge production between application, participation, and intervention | 2021 | Journal of folklore research 58 (2): 105-30 | H6/KF [INDIANA-] | 0737-7037 |