| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The precarious origins of the Iroquois Realists School | 2025 | First American art magazine 45 (): 20-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Indigenous artistry, intricate narratives: considering a 17th-century relief of Santiago in Tlatelolco, Mexico City | 2025 | First American art magazine 45 (): 30-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| The Cholula polychrome pottery and its Mayan antecedents | 2025 | Estudios de cultura náhuatl 69 (): 89-137 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
| Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Centuries of flowers, crowns, and nosegays. A material culture study of crown nun paintings from Santa Inés de Montepulciano Monastery in Bogotá | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 55-82 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The princess who saved the captain: the allegorization of Pocahontas’ body in the engravings of Robert Vaughan (1624) and Matthäus Merian (ca. 1634) | 2025 | Fronteras de la Historia 30 (2): 86-114 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Children’s drawing put to the test of realism: a study of Russian and Soviet artistic and educational discourse, 1901-1934 | 2025 | Gradhiva: revue de anthropologie et museologie (39): 210-28 | H6 [GRADHIVA-] | 0764-8928 | |||
| Boa (Buenos Aires, 1958-1960) magazine, a Surrealism expanded towards informalism and Existentialism | 2025 | Iberoamericana 25 (89): 149-70 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Manuel de los Santos Salazar: the art commissions of a Tlaxcaltecan priest | 2025 | Estudios de historia novohispana (73): 89-117 | H6/KUL [ESTUDIOS-] | 2448-6922 | |||
| Victim and prey. An iconography of the manhunt | 2025 | Journal des africanistes 95 (1): 6-42 | H6/KY [SOCIETE-] | 0399-0346 | |||
| Hans Sibbelee and The Sculpture of Primitive Man | 2025 | Tribal art (118): 100-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Leandro Mbomio, the “Black Picasso”: Spanish state propaganda, Blackness, and neocolonialism in Equatorial Guinea | 2024 | Ethnic and racial studies 47 (7): 1456-77 | H6/KD [ETHNIC-] | 1466-4356 | |||
| Elizabeth Moore (1949-2024) | 2024 | Indonesia and the Malay world 52 (152): 150-4 | H6/KX [INDONESIA-] | 1469-8382 | |||
| In memoriam: Eloise Quiñones Keber 1941–2023 | 2024 | Colonial Latin American review 33 (1): 105-7 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
| Risks, challenges, and possibilities building a future in African arts | 2024 | African arts 57 (2): 9-15 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Dakar's Salon confrontation of 1966 | 2024 | Nka: journal of contemporary African art (54): 80-101 | H6/KY [NKA-] | 1075-7163 | |||
| André Breton, Giorgio de Chirico, and the Uli | 2024 | Tribal art (113): 102-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Contradictions of culture and oppression: portraits of planters in power and of Black West Indians in eighteenth century Jamaican art | 2024 | New West Indian guide 98 (3-4): 237-76 | H6/KUL [NWIG-] | 0028-9930 | |||
| The concealment of erotic images in art history: an inquiry inspired by cave paintings at the Brazilian archaeological site of Serra da Capivara | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 9-36 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The epigraphs of the conventual mural painting of the central highlands in New Spain (16th century) | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 119-59 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Josef Albers in Mexico. The Bauhaus in search of its Pre-Hispanic origins | 2024 | Iberoamericana 24 (87): 35-59 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Pre-Columbian art, on the horizon of modernity: presences and discourses in museums devoted to Latin American artists | 2024 | Iberoamericana 24 (87): 61-80 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Sign, color, spirit: Americanist ancestralist suggestions | 2024 | Iberoamericana 24 (87): 81-103 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Native horizons in contemporary American art. Introduction | 2024 | Iberoamericana 24 (87): 7-10 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Ancient Peru as a cultural and modern identity in the Peruvian arts in the first half of the 20th century | 2024 | Iberoamericana 24 (87): 11-34 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Chief-of-All-Women pole | 2024 | First American art magazine 44 (): 92-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Exploding the canon: Modernism from Africa at the 60th Venice Biennale | 2024 | Nka: journal of contemporary African art (55): 88-102 | H6/KY [NKA-] | 1075-7163 | |||
| Stranieri Ovunque-Foreigners Everywhere and the history of global modernism | 2024 | Nka: journal of contemporary African art (55): 104-18 | H6/KY [NKA-] | 1075-7163 | |||
| Your body is a battleground – facets of feminist art (from the end of the 60s to present day) | 2024 | Anuarul Institutului de Cercetări Socio-Umane Sibiu 31 (): 107-24 | H6/KVQ [ANUARUL-] | ||||
| South Africa at the Tate: searching for a national school and a national identity | 2024 | Journal of southern African studies 50 (3): 447-68 | H6/KY [JOURNAL-] | 1465-3893 | |||
| From Ninevah to Pergamon and back: animal hybrids in German historiography of the nineteenth century | 2024 | Res 81-82 (): 184-98 | *H6 [RES-] | 0277-1322 | |||
| George Kubler and serial appreciation | 2024 | Res 81-82 (): 199-211 | *H6 [RES-] | 0277-1322 | |||
| Against realism: the politics of Salvador Dalí's Christ of Saint John of the Cross | 2024 | Res 81-82 (): 212-28 | *H6 [RES-] | 0277-1322 | |||
| Thinking on the American viceragal-period art from Asia: Japanese art and its remnants | 2024 | Anales. Museo de América (Madrid) (30): 281-302 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
| European erotica as house ornament in Safavid Iran | 2024 | Visual anthropology 37 (5): 410-37 | *H6 [VISUAL-] | 1545-5920 | |||
| Bruno Dagens (19 février 1935 - 17 septembre 2023) | 2024 | Bulletin de l’Ecole Française d’Extrême-Orient 110 (): 11-25 | H6/KWY [ECOLE-] | 0336-1519 | |||
| The national and the mestizo matters. A reading about the actions of José de Mesa and Teresa Gisbert in the cultural field of La Paz (1952-1956) | 2023 | Iberoamericana 23 (82): 193-216 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Anthropological vision in interwar art and its publications: an ethnographic turn | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 175-98 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Between the museum and the street: Roberto Matta's work in Chile during the Unidad Popular | 2023 | Bulletin of Latin American research 42 (2): 220-32 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
| Beyond the “popular” versus “serious” criticism binary: towards new histories of Black art criticism | 2023 | African arts 56 (2): 64-77 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Framing the 'hanging garden' of Seoul - querying heritage transculturally. Jung Yeondoo re-stages (art) history in South Korea in 2009 | 2023 | World art 13 (3): 271-83 | H6 [WORLD-] | 2150-0908 | |||
| Textiles in the history of African art | 2023 | African arts 56 (3): 82-91 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Mire a mi ilustre ancestro: el mensaje personalizado en los queros incas coloniales | 2023 | Latin American antiquity 34 (3): 515-31 | *H6/KE [LATIN-] | 1045-6635 | |||
| Religious repercussions in Hans Belting's anthropology of images | 2023 | Material religion 19 (3): 307-9 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Agency, images, and visual culture: the impact of Hans Belting | 2023 | Material religion 19 (3): 310-11 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Presence and life in the work of Hans Belting | 2023 | Material religion 19 (3): 312-13 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Painting the town: an urban perspective in New Zealand art | 2023 | Art New Zealand (187): 99-105, 110 | H6/KX [ART-] | 0110-1102 | |||
| Preserving history and art in the Andes. The integral conservation of the Ayaviri Cathedral, valuable testimony of the architecture of the Peruvian highlands | 2023 | Allpanchis 50 (92): 331-46 | H6/KUL [ALLPANCHIS-] | 0252-8835 |