Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The precarious origins of the Iroquois Realists School | 2025 | First American art magazine 45 (): 20-8 | H6/KUB [FIRST-] | 2333-5548 | |||
Indigenous artistry, intricate narratives: considering a 17th-century relief of Santiago in Tlatelolco, Mexico City | 2025 | First American art magazine 45 (): 30-5 | H6/KUB [FIRST-] | 2333-5548 | |||
The Cholula polychrome pottery and its Mayan antecedents | 2025 | Estudios de cultura náhuatl 69 (): 89-137 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Centuries of flowers, crowns, and nosegays. A material culture study of crown nun paintings from Santa Inés de Montepulciano Monastery in Bogotá | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 55-82 | H6/KFY [MEXICO-] | 0185-1276 | |||
Leandro Mbomio, the “Black Picasso”: Spanish state propaganda, Blackness, and neocolonialism in Equatorial Guinea | 2024 | Ethnic and racial studies 47 (7): 1456-77 | H6/KD [ETHNIC-] | 1466-4356 | |||
Elizabeth Moore (1949-2024) | 2024 | Indonesia and the Malay world 52 (152): 150-4 | H6/KX [INDONESIA-] | 1469-8382 | |||
In memoriam: Eloise Quiñones Keber 1941–2023 | 2024 | Colonial Latin American review 33 (1): 105-7 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Risks, challenges, and possibilities building a future in African arts | 2024 | African arts 57 (2): 9-15 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Dakar's Salon confrontation of 1966 | 2024 | Nka: journal of contemporary African art (54): 80-101 | H6/KY [NKA-] | 1075-7163 | |||
André Breton, Giorgio de Chirico, and the Uli | 2024 | Tribal art (113): 102-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
Contradictions of culture and oppression: portraits of planters in power and of Black West Indians in eighteenth century Jamaican art | 2024 | New West Indian guide 98 (3-4): 237-76 | H6/KUL [NWIG-] | 0028-9930 | |||
The concealment of erotic images in art history: an inquiry inspired by cave paintings at the Brazilian archaeological site of Serra da Capivara | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 9-36 | H6/KFY [MEXICO-] | 0185-1276 | |||
The epigraphs of the conventual mural painting of the central highlands in New Spain (16th century) | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 119-59 | H6/KFY [MEXICO-] | 0185-1276 | |||
Josef Albers in Mexico. The Bauhaus in search of its Pre-Hispanic origins | 2024 | Iberoamericana 24 (87): 35-59 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Pre-Columbian art, on the horizon of modernity: presences and discourses in museums devoted to Latin American artists | 2024 | Iberoamericana 24 (87): 61-80 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Sign, color, spirit: Americanist ancestralist suggestions | 2024 | Iberoamericana 24 (87): 81-103 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Native horizons in contemporary American art. Introduction | 2024 | Iberoamericana 24 (87): 7-10 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Ancient Peru as a cultural and modern identity in the Peruvian arts in the first half of the 20th century | 2024 | Iberoamericana 24 (87): 11-34 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Chief-of-All-Women pole | 2024 | First American art magazine 44 (): 92-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Exploding the canon: Modernism from Africa at the 60th Venice Biennale | 2024 | Nka: journal of contemporary African art (55): 88-102 | H6/KY [NKA-] | 1075-7163 | |||
Stranieri Ovunque-Foreigners Everywhere and the history of global modernism | 2024 | Nka: journal of contemporary African art (55): 104-18 | H6/KY [NKA-] | 1075-7163 | |||
Your body is a battleground – facets of feminist art (from the end of the 60s to present day) | 2024 | Anuarul Institutului de Cercetări Socio-Umane Sibiu 31 (): 107-24 | H6/KVQ [ANUARUL-] | ||||
South Africa at the Tate: searching for a national school and a national identity | 2024 | Journal of southern African studies 50 (3): 447-68 | H6/KY [JOURNAL-] | 1465-3893 | |||
From Ninevah to Pergamon and back: animal hybrids in German historiography of the nineteenth century | 2024 | Res 81-82 (): 184-98 | *H6 [RES-] | 0277-1322 | |||
George Kubler and serial appreciation | 2024 | Res 81-82 (): 199-211 | *H6 [RES-] | 0277-1322 | |||
Against realism: the politics of Salvador Dalí's Christ of Saint John of the Cross | 2024 | Res 81-82 (): 212-28 | *H6 [RES-] | 0277-1322 | |||
The national and the mestizo matters. A reading about the actions of José de Mesa and Teresa Gisbert in the cultural field of La Paz (1952-1956) | 2023 | Iberoamericana 23 (82): 193-216 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Anthropological vision in interwar art and its publications: an ethnographic turn | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 175-98 | H6/KFY [MEXICO-] | 0185-1276 | |||
Between the museum and the street: Roberto Matta's work in Chile during the Unidad Popular | 2023 | Bulletin of Latin American research 42 (2): 220-32 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
Beyond the “popular” versus “serious” criticism binary: towards new histories of Black art criticism | 2023 | African arts 56 (2): 64-77 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Framing the 'hanging garden' of Seoul - querying heritage transculturally. Jung Yeondoo re-stages (art) history in South Korea in 2009 | 2023 | World art 13 (3): 271-83 | H6 [WORLD-] | 2150-0908 | |||
Textiles in the history of African art | 2023 | African arts 56 (3): 82-91 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Mire a mi ilustre ancestro: el mensaje personalizado en los queros incas coloniales | 2023 | Latin American antiquity 34 (3): 515-31 | *H6/KE [LATIN-] | 1045-6635 | |||
Religious repercussions in Hans Belting's anthropology of images | 2023 | Material religion 19 (3): 307-9 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Agency, images, and visual culture: the impact of Hans Belting | 2023 | Material religion 19 (3): 310-11 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Presence and life in the work of Hans Belting | 2023 | Material religion 19 (3): 312-13 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Painting the town: an urban perspective in New Zealand art | 2023 | Art New Zealand (187): 99-105, 110 | H6/KX [ART-] | 0110-1102 | |||
Preserving history and art in the Andes. The integral conservation of the Ayaviri Cathedral, valuable testimony of the architecture of the Peruvian highlands | 2023 | Allpanchis 50 (92): 331-46 | H6/KUL [ALLPANCHIS-] | 0252-8835 | |||
The digital catalogue raisonné: new perspectives for studying the works of an artist | 2023 | Suomen Museo/Finskt Museum 130 (): 46-73 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 0355-1814 | |||
American art historiography, slavery, and its aftermath | 2023 | Nka: journal of contemporary African art 53 (1): 6-15 | H6/KY [NKA-] | 1075-7163 | |||
In memoriam Margaret Archuleta (1950-2023) | 2023 | First American art magazine 39 (): 22-3 | H6/KUB [FIRST-] | 2333-5548 | |||
Power and devotion in the art of the Catholic missions in Asia during the early modern period | 2023 | Culture and religion 23 (4): 373-402 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
Otxarkoaga (1960-1964) and its artistic treasures | 2023 | Kobie: antropología cultural (25): 133-64 | H6/KVE [KOBIE-] | 0214-7971 | |||
The indigenous Christian tradition in images of fauna in the Novo-Hispanic convents of Ixquimilpan, Actopan and Tepeapulco, Mexico | 2023 | Indiana 40 (1): 181-208 | H6/KUL [INDIANA-] | 0341-8642 | |||
Pacienți psihiatrici și artiști plastici – Adolf Wölffli (1864 Berna – 1930 Waldau/Berna) și Else Blankenhorn (1873 Karlsruhe – 1920 Konstanz) | 2023 | Anuarul Institutului de Cercetări Socio-Umane Sibiu 30 (): 45-58 | H6/KVQ [ANUARUL-] | ||||
Portrait and bourgeois identity. Pelegrín Clavé and Édouard Pingret in Mexico, 1850-1851 | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 9-38 | H6/KFY [MEXICO-] | 0185-1276 | |||
An unpublished iconographic description of the 18th century, regarding the main altarpiece of the Monastery of San Jerónimo de Granada | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 315-38 | H6/KFY [MEXICO-] | 0185-1276 |