Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The great outboard debate: negotiating materiality and dispossession in a Southeast Asian marine hunting community | An urban political from the "end of the world": do | Anthropological quarterly 97 (1): 153-82 | H6 [PRIMITIVE-] | 0003-5491 | |||
A sonic biography of an afterlife: the expelled liberation leader Uria Simango in Mozambican Rap | 2024 | Journal of southern African studies 50 (1): 153-77 | H6/KY [JOURNAL-] | 1465-3893 | |||
Musealización de las subculturas urbanas, Hip hop, graffiti, mods y rockers en el MNA | 2024 | Anales del Museo Nacional de Antropología 23 (): 93-103 | H6/KVE [ANALES-] | 1135-1853 | |||
Et si on changeait la musique? Déterminants sociaux des préférences pour le hip-hop, le rap et les musiques urbaines en Grande Bretagne | 2023 | Canadian review of sociology and anthropology 60 (1): 69-87 | H6/KUB [CANADIAN-] | 1755-6171 | |||
Laying waste to history: recyclia and urban art traditions in Mozambique | 2023 | African studies 82 (3-4): 215-40 | H6/KY [BANTU-] | 0002-0184 | |||
Popular culture and decolonisation: themes, tropes and trajectories in Nigerian hip hop | 2023 | African studies 82 (3-4): 241-63 | H6/KY [BANTU-] | 0002-0184 | |||
Dancehall city: zongo identity and Jamaican rude performance in Ghanaian popular culture | 2023 | African studies review 66 (1): 211-33 | *H6/KY [AFRICAN-] | 0002-0206 | |||
The politics of Black and Brown solidarities: race, space, and hip-hop cultural production in Los Angeles | 2022 | Ethnic and racial studies 45 (5): 942-65 | H6/KD [ETHNIC-] | 1466-4356 | |||
The long road: hope, violence, and ethics register in London street culture | 2022 | American ethnologist 49 (1): 64-76 | H6 [AMERICAN-] | 0094-0496 | |||
Accommodiation and resistance in Hokkaido hip hop practitioners: an ethnographic analysis of generation resignation in post-growth Japan | 2022 | Ethnography 23 (1): 83-103 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
From East Harlem to Cape Town: Tupac Shakur's legacy as a globalised oppositional repertoire | 2022 | Ethnography 23 (2): 204-25 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
Critical hip-hop pedagogy, moral ambiguity, and social technologies | 2022 | Anthropology and education quarterly 53 (3): 258-79 | H6 [COUNCIL-] | 0161-7761 | |||
Dancehall city: Zongo identity and Jamaican rude performance in Ghanaian popular culture | 2022 | African studies review 65 (1): 211-33 | *H6/KY [AFRICAN-] | 0002-0206 | |||
Hindsight beyond 2020 | 2021 | Journal of American folklore 134 (534): 475-81 | H6/KF [JOURNAL-] | 0021-8751 | |||
Nep-hop for peace? Political visions and divisions in the booming Nepalese hip-hop scene | 2021 | International journal of cultural studies 24 (3): 454-69 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Reflections on Afrika Bambaataa's Universal Zulu Nation: horizons, hip hop, and hybridity | 2021 | Journal of contemporary religion 36 (1): 19-36 | H6/KFO [JOURNAL-] | 1353-7903 | |||
A collaborative approach to revitalisation and the repatriation of isiXhosa music recordings archived at the International Library of African Music (ILAM) in South Africa | 2021 | Ethnomusicology forum 30 (1): 52-62 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Sampling ceremony: hip-hop workshops and intergenerational cultural production in the central Australian desert | 2021 | The Asia Pacific journal of anthropology 22 (2-3): 184-202 | H6 [CANBERRA-] | 1444-2213 | |||
Rappers, Rajas, and borderless spaces urban musical practices in Kepri province’s ‘Growth Triangle’, Indonesia | 2020 | Indonesia and the Malay world 48 (141): 190-205 | H6/KX [INDONESIA-] | 1363-9811 | |||
«À balles réelles»: SMOCKEY, Burkina Faso, 2008 | 2020 | Cahiers de litterature orale (): 59-66 | H6/KF [CAHIERS-] | 2266-1816 | |||
Negotiating Hip Hop persons: authenticity, participation and breaking in Perth, Western Australia | 2020 | The Australian journal of anthropology 31 (3): 347-62 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
A. B. Original's “Dumb Things”: Decolonizing the postcolonial Australian dream | 2020 | ab-Original 4 (1-2): 103-23 | 2470-6221 | ||||
Defining authenticity in the mid-2000s Australian hip-hop scene: constructing and maintaining 'underground' status at a time of increasing popularity | 2020 | The Asia Pacific journal of anthropology 21 (2): 159-77 | H6 [CANBERRA-] | 1444-2213 | |||
Altogether now: symbolic recognition, musical media events and the forging of civic bonds among minority youth in Norway | 2019 | European journal of cultural studies 22 (1): 78-94 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Interactive oral composition: resources, strategies, and the construction of improvised utterances in a Finnish rap battle | 2019 | Journal of American folklore 132 (523): 3-35 | H6/KF [JOURNAL-] | 0021-8751 | |||
Framing the "Arab Spring": hip hop, social media, and the American news media | 2019 | Journal of folklore research 56 (1): 105-30 | H6/KF [INDIANA-] | 0737-7037 | |||
Forging traditions: continuity and change in the mid 2000s Australian hip-hop scene | 2019 | Ethnomusicology forum 28 (2): 2017-40 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Performances on planet break | 2019 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 4 (1): 321-4 | 2525-3123 | ||||
A poetics of dwelling with music and dance: le hip hop as homing practice | 2019 | The World of Music 8 (1): 49-64 | H6/KFY [WORLD-] | 0043-8774 | |||
From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam | 2018 | Journal of African cultural studies 30 (1): 65-80 | *H6/KY [JOURNAL-] | 1369-6815 | |||
Love, struggle, and compromises: the political seriousness of Nairobi underground hip-hop | 2018 | African studies review 61 (2): 111-33 | *H6/KY [AFRICAN-] | 0002-0206 | |||
Hip Hop matters: race, space, and Islam in Chicago | 2018 | City and society 30 (2): 141-64 | H6/KD [CITY-] | 0893-0465 | |||
Authorship, subjectivity and resistance in the mainstream: a lesson from Israeli rap | 2018 | European journal of cultural studies 21 (4): 452-68 | H6/KF [EUROPEAN-] | 1367-5494 | |||
'That $hit ain't gangsta': symbolic boundary making in an online urban gossip community | 2018 | Journal of contemporary ethnography 47 (5): 609-39 | H6/KY [JOURNAL-] | 0891-2416 | |||
Bilingual hip hop from community to classroom and back: a study in decolonial applied ethnomusicology | 2018 | Ethnomusicology 62 (3): 375-402 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
"I got this AB original soul / I got this AB original flow": Frank Waln, the postmasculindian, and hip hop as survivance | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (3-4): 121-50 | *H6/KUB [SAIL-] | 0730-3238 | |||
The moral priorities of rap listeners | 2018 | Journal of cognition and culture 18 (3-4): 312-42 | H6 [JOURNAL-] | 1567-7095 | |||
Love, struggle, and compromises: the political seriousness of Nairobi underground hip hop | 2018 | African studies review 61 (2): 111-33 | *H6/KY [AFRICAN-] | 0002-0206 | |||
Bilingual hip hop from community to classroom and back: a study in decolonial applied ethnomusicology | 2018 | Ethnomusicology 62 (3): 375-402 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Globalisation, the practice of devotional songs and poems and the linguistic repertoires of young British Muslims | 2018 | Culture and religion 19 (1): 90-112 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
Du bwiti en clips et en cassettes: la transnationalisation des musiques initatiques du Gabon | 2018 | Civilisations 67 (): 57-75 | H6 [CIVILISATIONS-] | 0009-8140 | |||
Affective experience of music: emotional and color perception of folk and other musical genres | 2018 | Traditiones: acta Instituti Ethnographiae Slovenorum 47 (2): 69-86 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Strategic ethnic performance and the construction of authenticity in urban Japan | 2017 | Ethnic and racial studies 40 (1): 172-89 | H6/KD [ETHNIC-] | 0141-9870 | |||
A hip-hopera in Cape Town: the aesthetics, and politics of performing 'Afrikaaps' | 2017 | Journal of African cultural studies 29 (2): 211-26 | *H6/KY [JOURNAL-] | 1369-6815 | |||
Coyote's way: Missy Whiteman's indigenous new media | 2017 | SAIL: studies in American Indian literatures (Series 2) 29 (1): 100-15 | *H6/KUB [SAIL-] | 0730-3238 | |||
Parody after identity: digital music and the politics of uncertainty in West Africa | 2017 | American ethnologist 44 (2): 249-62 | H6 [AMERICAN-] | 0094-0496 | |||
Guest editors’ introduction: hip hop constellations | 2017 | Suomen antropologi 42 (2): 3-9 | H6 [SUOMEN -] | 0355-3930 | |||
Thugs and gangsters: imagination and the practice of rapping in Dar es Salaam | 2017 | Suomen antropologi 42 (2): 10-24 | H6 [SUOMEN -] | 0355-3930 | |||
The discursive creation of a subculture by conscious rap adherents in South Africa | 2017 | Suomen antropologi 42 (2): 25-42 | H6 [SUOMEN -] | 0355-3930 | |||
The ethnography of hip hop nostalgia: indigeneity, intimacy and ‘roots’ in Mexico | 2017 | Suomen antropologi 42 (2): 43-59 | H6 [SUOMEN -] | 0355-3930 |