Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Genèse atikamekw du Wapikoni mobile | 2104 | Recherches amérindiennes au Québec 44 (1): 119-21 | H6/KUB [RECHERCHES-] | 0318-4137 | |||
Representing Muhammad: the prophet on screen | 2025 | Material religion 21 (1): 74-106 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Film cultures of conquest and domesticity: the family films of Silvino Santos and Agesilau de Araújo (1927-1929) | 2025 | History and anthropology 36 (2): 260-84 | H6 [HISTORY-] | 1477-2612 | |||
Bachelard, Besson and Bakhtin: a dialogical discourse on the potential of intimate space | 2025 | Space and culture 28 (2): 137-49 | H6 [SPACE-] | 1206-3312 | |||
Wael Shawky’s revisionist histories | 2025 | Nka: journal of contemporary African art (56): 50-7 | H6/KY [NKA-] | 1075-7163 | |||
Viral nationalism: right wing media and the aesthetics of distributed participation | 2025 | International journal of cultural studies 28 (3): 597-616 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Sincere critique in Israeli filmmaking | 2025 | Journal of the Royal Anthropological Institute (New Series) 31 (2): 531-48 | H6 [JOURNAL-] | 1359-0987 | |||
Contemporary trends in Latin American cinema | 2025 | Studies in Latin American popular culture 43 (): 1-3 | *H6/KUL [STUDIES-] | 0730-9139 | |||
México 2010: cine historia (y para las mujeres), nada que celebrar | 2025 | Studies in Latin American popular culture 43 (): 4-27 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Moviegoing experience, gender, and socioeconomic distribution in São Paulo during the 1920s | 2025 | Studies in Latin American popular culture 43 (): 28-47 | *H6/KUL [STUDIES-] | 0730-9139 | |||
El escarabajo de oro y las posibilidades de ars combinatoria | 2025 | Studies in Latin American popular culture 43 (): 48-63 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Un archipélago cinemático: Chiloé en el imaginario fílmico chileno, 2000-2023 | 2025 | Studies in Latin American popular culture 43 (): 64-90 | *H6/KUL [STUDIES-] | 0730-9139 | |||
"Mi sueño es cantar": Natalia Oreiro en Miss Tacuarembó y Gilda, no me arrepiento de este amor | 2025 | Studies in Latin American popular culture 43 (): 91-103 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Retour sur l’édition 2024 des « Regards comparés » (Festival international Jean Rouch – Inalco) : Corées, déjouer les destins | 2025 | Gradhiva: revue de anthropologie et museologie (39): 236-9 | H6 [GRADHIVA-] | 0764-8928 | |||
Sex exceptionalism and erasure in porn health protocols | 2024 | Culture, health & sexuality 26 (1): 126-41 | H6/KGT [CULTURE-] | 1464-5351 | |||
The vacillating imagination of 'us' in Black Panther (2018) | 2024 | International journal of cultural studies 27 (2): 199-216 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Streaming and India's film-centred video culture: linguistic and formal diversity | 2024 | International journal of cultural studies 27 (1): 65-81 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
(M)apping films in Scotland: film tour maps, apps and 'real' engagements with virtual space | 2024 | Tourist studies 24 (1): 7-33 | H6/KD [TOURIST-] | 1468-7976 | |||
A wondering archive: Super 8, music and temporality in Avanti popolo (Brazil, 2012) | 2024 | Iberoamericana 24 (85): 69-84 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Black extras and actors in Francoist cinema | 2024 | Ethnic and racial studies 47 (7): 1420-37 | H6/KD [ETHNIC-] | 1466-4356 | |||
Racial rhetoric in black and white: situational whiteness in Francoist Spanish Guinea through Misión blanca | 2024 | Ethnic and racial studies 47 (7): 1478-94 | H6/KD [ETHNIC-] | 1466-4356 | |||
Family, power, and nationalism | 2024 | Bijdragen tot de taal-, land- en volkenkunde 180 (1): 36-61 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Family, power, and nationalism. Children in post-independence Indonesian cinema | 2024 | Bijdragen tot de taal-, land- en volkenkunde 180 (1): 36-61 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Beyond triage work: a conversation on representation and ethics in film | 2024 | Inuit art quarterly 371 (): 28-33 | *H6/KFY [INUIT-] | 0831-6708 | |||
Epistemology of the ethnographic image: hybridizing genre in South Sudan's autobiographical cinema | 2024 | Visual anthropology 37 (3): 283-300 | *H6 [VISUAL-] | 1545-5920 | |||
Alien nights: between the fantastic and the ordinary in the speculative anthropology of Acrean cinema | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-21 | 2525-3123 | ||||
Botanizing the city of Kolkata: exploring the modern-day flâneuse and a refashioned mode of flânerie in Sujoy Ghosh’s Film Kahaani | 2024 | Visual anthropology 37 (4): 376-492 | *H6 [VISUAL-] | 1545-5920 | |||
Entanglement of values: examining the phenomenon of pesantren producing films in the post-reformasi era | 2024 | The Asia Pacific journal of anthropology 25 (1): 69-74 | H6 [CANBERRA-] | 1444-2213 | |||
The Good , The Bad and the Disney: employing princesses to examine Hungarian tweens' understanding of gender | 2024 | European journal of cultural studies 27 (2): 195-214 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Bound by nothing: Tsai Ming-Liang | 2024 | Art Asia Pacific Magazine (140): 54-61 | H6/KFY [ART] | 1039-3625 | |||
"The good Italian": fashion films as lifestyle manifestos. A study based on thematic analysis and digital analytics | 2024 | Fashion theory 28 (2): 151-73 | H6/KFY [FASHION-] | 1362-704X | |||
Nationhood in South Sudan cinema: The iconicity of motherhood in Akuol de Mabior's No simple way home (2023) | 2024 | African studies review 67 (2): 372-95 | *H6/KY [AFRICAN-] | 0002-0206 | |||
Sufi aesthetics and cinematic journeys: a close reading of Bab’Aziz: The Prince Who Contemplated His Soul | 2024 | Visual anthropology 37 (5): 499-516 | *H6 [VISUAL-] | 1545-5920 | |||
Transgressing the limits of political critique in Iranian cinema | 2024 | Anthropology of the Middle East 19 (2): 88-110 | *H6/KW [ANTHRO-] | 1746-0719 | |||
Folkloric filmmaking. Tricksters, retelling, and meaningful violence in Hazarika's Kothanodi (2015) | 2024 | Asian ethnology 83 (2): 279-300 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
Diaries of an impasse: the video works of Basma Alsharif | 2024 | Journal of visual culture 23 (2): 238-55 | H6/KF [JOURNAL-] | 1470-4129 | |||
Otherized food, racialized bodies: discourses of food, smell and racism in Nicholas Kharkongor’s Axone | 2024 | South Asian popular culture 22 (1): 1-15 | H6/KW [SOUTH-] | 1474-6689 | |||
Identity in corporeality: interplay of disability and masculinity in Sanjay Leela Bhansali’s Guzaarish (2010) and Anurag Basu’s Barfi! (2012) | 2024 | South Asian popular culture 22 (1): 17-41 | H6/KW [SOUTH-] | 1474-6689 | |||
Bollywoodizing Netflix or globalizing Hotstar? The cultural-industrial logics of global streaming platforms in India | 2024 | South Asian popular culture 22 (1): 65-83 | H6/KW [SOUTH-] | 1474-6689 | |||
Screening trauma and violence: representation and insurgency in select films from Assam | 2024 | South Asian popular culture 22 (1): 103-19 | H6/KW [SOUTH-] | 1474-6689 | |||
Shammi hero a da hero: construction of masculinity in recent Malayalam cinema | 2024 | South Asian popular culture 22 (1): 121-33 | H6/KW [SOUTH-] | 1474-6689 | |||
Dressing up ‘justice’: the cinematic body and the body of the cinematic medium in Mard Ko Dard Nahi Hota (2018) | 2024 | South Asian popular culture 22 (4): 167-80 | H6/KW [SOUTH-] | 1474-6689 | |||
Locating and dislocating gender and middle-class moralities in Malayalam cinema: a study of Shyamaprasad’s Ore Kadal and Artist | 2024 | South Asian popular culture 22 (4): 195-209 | H6/KW [SOUTH-] | 1474-6689 | |||
Dark days of Indian democracy: a historical study on the portrayal, censorship, and representation of 'Indian emergency' in Malayalam cinema | 2024 | South Asian popular culture 22 (4): 245-62 | H6/KW [SOUTH-] | 1474-6689 | |||
Negotiating the exigencies of nationalism: Tipu Sultan in Pakistani cinema | 2024 | South Asian popular culture 22 (4): 225-43 | H6/KW [SOUTH-] | 1474-6689 | |||
Staging pleasures and excesses of modernity: clubs in Urdu social films | 2024 | South Asian popular culture 22 (4): 263-79 | H6/KW [SOUTH-] | 1474-6689 | |||
Disrupting heteronormativity: queer subjectivities and the family in Badhaai Do | 2024 | South Asian popular culture 22 (4): 297-312 | H6/KW [SOUTH-] | 1474-6689 | |||
The Routledge companion to caste and cinema in India; exploring alternative voices, suppressed gazes, and caste dynamics in film | 2024 | South Asian popular culture 22 (4): 313-19 | H6/KW [SOUTH-] | 1474-6689 | |||
Madrasis and Meenakshi Sundareswars: representation of Tamil culture in popular Hindi cinema | 2024 | South Asian popular culture 22 (3): 343-53 | H6/KW [SOUTH-] | 1474-6689 | |||
Hindi cinema’s regional (re)turn: the case of Swades (2004) and its Kannada regional and linguistic antecedents | 2024 | South Asian popular culture 22 (3): 355-66 | H6/KW [SOUTH-] | 1474-6689 |