Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Let me take a photo with the Shabaken: reflections on Ikam among the Bujuur Naga | 2025 | Ethnography 26 (1): 150-74 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
An Indigenous language and culture board game? Serious play and Yo'eme language reclamation | 2025 | American Indian culture and research journal 48 (1): 69-92 | H6/KUB [AMERICAN-] | 0161-6463 | |||
Reweaving language and lifeways in the western Amazon | 2025 | American Indian culture and research journal 48 (1): 113-36 | H6/KUB [AMERICAN-] | 0161-6463 | |||
Documenting the unexpected: repatriating Native American linguistic sovereignty in Northeastern ancestral lands | 2025 | American Indian culture and research journal 48 (1): 177-98 | H6/KUB [AMERICAN-] | 0161-6463 | |||
The artist who reconstructed Maya blue | 2025 | First American art magazine 46 (): 26-34 | H6/KUB [FIRST-] | 2333-5548 | |||
Myaamia textile artist Jared Nally | 2025 | First American art magazine 46 (): 64-9 | H6/KUB [FIRST-] | 2333-5548 | |||
"I have been to the country above": Indigenous revitalizations in late sixteenth-century Southeastern North America | 2025 | Ethnohistory 72 (2): 187-229 | H6/KUB [ETHNOHISTORY-] | 1527-5477 | |||
Wangayarta: employing architecture, landscape architecture and design for repatriation and reburial initiatives to address historical injustices to Australian First Nations People | 2025 | Australian Aboriginal studies (1): 1-23 | H6/KX [AUSTRALIAN-] | 0729-4352 | |||
To carry the wind: the revitalization of feather mantles, capes, and cultural memory | 2025 | First American art magazine 47 (): 30-9 | H6/KUB [FIRST-] | 2333-5548 | |||
maxiishung'aro: into a gift | 2024 | News from native California 37 (3): 13-18 | *H6/KUB [NEWS-] | 1040-5437 | |||
Paddle tribal waters: connecting youth to waterways | 2024 | News from native California 37 (3): 38-41 | *H6/KUB [NEWS-] | 1040-5437 | |||
Filming home: Isuma's media world and the making of Arctic cultural sovereignty | 2024 | Inuit art quarterly 371 (): 47-55 | *H6/KFY [INUIT-] | 0831-6708 | |||
(Re)itering the land: Sogorea Te' Land Trust, Amah Mutsun Land Trust, and Indigenous resurgence in California | 2024 | American Indian culture and research journal 47 (2): 1-20 | H6/KUB [AMERICAN-] | 0161-6463 | |||
Materializing the invisible: some preliminary notes on the study of shamanic artefacts | 2024 | Shaman 32 (1-2): 125-36 | *H6/KFO [SHAMAN-] | 1216-7827 | |||
Hakka blues and jazz: the inspiration of Black music in the Hakka Taiwanese musical revitalization movement in postdictatorial Taiwan | 2024 | Asian music 55 (2): 114-49 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
A second breath. Cultural "reaffirmation" of the dance of the búzios among the Pankararu Indians, in the northeast region of Brazil | 2024 | Journal de la Société des Américanistes 110 (1): 93-122 | H6/KUB [SOCIETE-] | 0037-9174 | |||
Through the influence of art: how ceremonial chairs, a talking stick, and senate chamber doors became part of one university's foundation for indigenization | 2024 | Canadian journal of native studies 41 (2): 132-45 | *H6/KUB [CANADIAN-] | ||||
Native American and Indigenous language practices and politics | 2024 | Annual review of anthropology 53 (): 249-60 | H1 [BIENNIAL-] | 0084-6570 | |||
On stone tools and the 'prehistoric': the value of Tasmanian Aboriginality at the Smithsonian | 2024 | History and anthropology 35 (5): 1198-217 | H6 [HISTORY-] | 1477-2612 | |||
Balioak gerogintzaren asmotan | 2024 | Anuario de Eusko folklore (58): 55-78 | H6/KVE [SOCIEDAD DE ESTUDIOS VASCOS. Anuario] | 0210-7732 | |||
Ainu puri as compass: from yukar musical epics to a contemporary contexts of transnational indigeneity of the Ainu | 2024 | Folklore (Tartu) 94 (): 99-132 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Postclassic Maya population recovery and rural resilence in the aftermath of collapse in northern Yucatan | 2024 | Journal of anthropological archaeology 76 (): 1-28 | *H6/KE [JOURNAL-] | 0278-4165 | |||
Tracing the history of Banyuwangi's cultural heritage through the Gandrung Sewu performance | 2024 | International journal of anthropology 39 (3-4): 255-71 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
The drum beats on | 2024 | Inuit art quarterly 37 (4): 40-7 | *H6/KFY [INUIT-] | 0831-6708 | |||
Revitalising Meisen Kimono in Chichibu through storytelling - craft, community, and sense-making | 2024 | Fashion theory 28 (1): 59-83 | H6/KFY [FASHION-] | 1362-704X | |||
“Feeling their way through their cultural roots”: theorising the Khoisan revivalist critique of authenticity from below | 2024 | Anthropology Southern Africa 47 (3): 328-39 | *H6 [SOUTH-] | 2332-3256 | |||
Introduction to "Alaska and the American boarding school system" | 2024 | Alaska journal of anthropology 22 (1-2): 3-10 | 1544-9793 | ||||
Heritage communities as articulators and custodians of the Mayan culture: the Canicab’ Community Center Uj-Ja’ Síijo’ob (Yucatan, Mexico) | 2023 | Estudios de cultura maya 61 (): 257-80 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
Plurality of activisms: indigenous women's collectives in Olenek District (Sakha Republic) | 2023 | Sibirica: journal of Siberian studies 22 (1): 128-42 | H6/KW [SIBIRICA-] | 1361-7362 | |||
Reawakening ancestors, gods and spirits: an investigation into reconfigurations of “sacred space” in the Red River delta of northern Vietnam | 2023 | Material religion 19 (2): 126-47 | H6/KFO [MATERIAL-] | 1743-2200 | |||
‘Gan qey bedenî yeno çi mana’ (what the soul means for the body): collecting and archiving Kurdish folklore as a strategy for language revitalization and indigenous knowledge production | 2023 | Folklore 134 (3): 344-69 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Below the surface | 2023 | Inuit art quarterly 36 (1): 40-51 | *H6/KFY [INUIT-] | 0831-6708 | |||
Ideal distribution models and the tempo of agricultural development in a windward valley of Hawaiʻi | 2023 | Antiquity 97 (395): 1313-31 | H6/KE [ANTIQUITY-] | 0003-598X | |||
The struggle for the recognition of the rights of the Kanela indigenous people from Araguaia | 2023 | Habitus: revista do Instituto Goiano de Pre-Historia e Antropologia 21 (1): 20-33 | |||||
The Great Spirit and Facebook in the Kelabit highlands, Borneo | 2023 | Shaman 38 (1-2): 33-60 | *H6/KFO [SHAMAN-] | 1216-7827 | |||
Reflections on craft recovery policies in Latin America and its relationship with the Collection of the Ethnology Laboratory “María Eugenia Bozzoli” in Costa Rica | 2023 | Boletín de antropología (Antioquia) 38 (66): 15-45 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Fieldwork through filmmaking: listening to narrative medicine in "Tåhdong Marianas" | 2023 | The World of Music 12 (1): 119-46 | H6/KFY [WORLD-] | 0043-8774 | |||
Turkeys befriend a girl: turkey husbandry, ceremonialism, and tales of resistance during the Pueblo Revolt era | 2022 | American antiquity 87 (1): 18-41 | *H6/KE [AMERICAN-] | 0002-7316 | |||
Indigenous language revitalisation: Mapuzungun workshops in Santiago de Chile | 2022 | Bulletin of Latin American research 41 (1): 69-84 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
Tasmanian Aboriginal material culture, compensation, belonging | 2022 | Museum anthropology 45 (1): 15-27 | H6 [MUSEUM-] | 0892-8339 | |||
Onöndowa'ga:' combs. An historic Seneca art form revived | 2022 | First American art magazine 34 (): 26-31 | H6/KUB [FIRST-] | 2333-5548 | |||
Local food development in the Moose Cree First Nation: taking steps to build local food sustainability | 2022 | Food Culture and Society 25 (3): 561-80 | H6/KF [FOOD-] | 1751-7443 | |||
Shifts in the stature of professional music-making in Kurdistan (or how Kurds from around Mardin became professional musicians) | 2022 | The World of Music 11 (2): 25-64 | H6/KFY [WORLD-] | 0043-8774 | |||
Mersin and the Çukurova region as emerging spaces for Kurdish music production | 2022 | The World of Music 11 (2): 113-39 | H6/KFY [WORLD-] | 0043-8774 | |||
Cultural reconstruction of Ọzọ initiation rites in Igbo-Ukwu southeast, Nigeria and identity preservation | 2022 | Journal of religion in Africa 52 (1-2): 220-35 | H6/KFO [JOURNAL-] | 0022-4200 | |||
Inchelium Cultural Research Center | 2022 | Journal of northwest anthropology 56 (2): 323-30 | H6/KUB [NORTHWEST-] | 1538-2834 | |||
Embrodiery with a cause: ten-year anniversary of Semne Cusute [Sewn Signs] | 2022 | Martor: revue d'anthropologie du Musée du Paysan Roumain (27): 179-91 | H6/KVQ [MARTOR-] | 2734-8350 | |||
Repair in Australian Indigenous art | 2022 | Journal of visual culture 21 (1): 190-205 | H6/KF [JOURNAL-] | 1470-4129 | |||
Formosa artisan field and Pilagá basketry transformations (1970-2016) | 2022 | Cuadernos de antropologia social (56): 123-40 | H6/KF [CUADERNOS-] | 1850-275x | |||
The Mbyá Guaraní children’s choir: between tourist marketing and ethnic demands | 2022 | Cuadernos de antropologia social (56): 141-56 | H6/KF [CUADERNOS-] | 1850-275x |