Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Almanac 2025 | 2025 | Art Asia Pacific Magazine 20 (): 20-109 | H6/KFY [ART] | 1039-3625 | |||
Repairability as a condition of the world: Ernesto Oroza's archives of dis/repair | 2025 | Theory, culture and society 42 (1): 53-68 | H6 [THEORY-] | 0263-2764 | |||
Indigenous artistry, intricate narratives: considering a 17th-century relief of Santiago in Tlatelolco, Mexico City | 2025 | First American art magazine 45 (): 30-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Hodinöšyö:nih: continuity | innovation | resilience. Collaborating with a 17th-century ancestor | 2025 | First American art magazine 45 (): 36-40 | H6/KUB [FIRST-] | 2333-5548 | |||
Threads of kinship: bridging global Indigenous communities through art in Kyrgyzstan | 2025 | First American art magazine 45 (): 42-6 | H6/KUB [FIRST-] | 2333-5548 | |||
Alison Bremner: Tlingit painter, collage artists and carver | 2025 | First American art magazine 45 (): 48-53 | H6/KUB [FIRST-] | 2333-5548 | |||
Carol Emarthle Douglas: Northern Arapaho/Seminole basket maker | 2025 | First American art magazine 45 (): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Chippewa Cree/Pawnee beadwork artist John Murie | 2025 | First American art magazine 45 (): 66-71 | H6/KUB [FIRST-] | 2333-5548 | |||
Magdalene Odundo: rites of passage | 2025 | Tribal art (115): 110-15 | *H6/KFY [WORLD-] | 1354-2990 | |||
Yasumasa Morimura: through the looking glass | 2025 | Art Asia Pacific Magazine (142): 50-9 | H6/KFY [ART] | 1039-3625 | |||
Memory and its loss: Huhana Smith and Ciaran Banks collaborate at Toi MAHARA | 2025 | Art New Zealand (193): 62-5 | H6/KX [ART-] | 0110-1102 | |||
From broadcast booth to center stage | 2025 | Inuit art quarterly 381 (): 36-41 | *H6/KFY [INUIT-] | 0831-6708 | |||
Performing, producing, and everything in-between | 2025 | Inuit art quarterly 381 (): 26-35 | *H6/KFY [INUIT-] | 0831-6708 | |||
Tasteful play: Christian artists, ambiguity and the theo-politics of taste | 2025 | Canadian review of sociology and anthropology 62 (2): 121-36 | H6/KUB [CANADIAN-] | 1755-6171 | |||
Riding the waves of history: how installation art reclaims and Indigenizes space | 2025 | First American art magazine 46 (): 50-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Diné interdisciplinary artist Dakota Mace | 2025 | First American art magazine 46 (): 56-63 | H6/KUB [FIRST-] | 2333-5548 | |||
Myaamia textile artist Jared Nally | 2025 | First American art magazine 46 (): 64-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Mi'kmaw quill artist Melissa Peter-Paul | 2025 | First American art magazine 46 (): 70-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Red Lake Band Ojibwe painter, animator & filmmaker Jonathan Thunder | 2025 | First American art magazine 46 (): 76-81 | H6/KUB [FIRST-] | 2333-5548 | |||
The permanence of Meta Vaux Warrick Fuller’s painted plaster | 2025 | Nka: journal of contemporary African art (56): 6-17 | H6/KY [NKA-] | 1075-7163 | |||
Norman Lewis: the tilled surface, 1935-42 | 2025 | Nka: journal of contemporary African art (56): 18-27 | H6/KY [NKA-] | 1075-7163 | |||
Kelly's environments | 2025 | Nka: journal of contemporary African art (56): 28-35 | H6/KY [NKA-] | 1075-7163 | |||
In the shadow of humanity: monsters and mimicry in the works of Jane Alexander | 2025 | Nka: journal of contemporary African art (56): 36-48 | H6/KY [NKA-] | 1075-7163 | |||
Wael Shawky’s revisionist histories | 2025 | Nka: journal of contemporary African art (56): 50-7 | H6/KY [NKA-] | 1075-7163 | |||
Echoes: delving into Chemu Ng'ok's psychological narratives and East Africa's contemporary art landscape | 2025 | Nka: journal of contemporary African art (56): 58-75 | H6/KY [NKA-] | 1075-7163 | |||
Generation 00; before and after the Arab Spring (preemption, hope, disillusion) | 2025 | Nka: journal of contemporary African art (56): 76-86 | H6/KY [NKA-] | 1075-7163 | |||
Beatrice Wanjiku | 2025 | Nka: journal of contemporary African art (56): 88-101 | H6/KY [NKA-] | 1075-7163 | |||
Between resistance and commodification: the art and cultural labor of Telangana 'Dhoom Dham' | 2025 | International journal of cultural studies 28 (3): 580-96 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Action and affect: ritual dynamics in Jackson Pollock's creative process | 2025 | Journal of material culture 30 (2): 171-90 | H6/KF [JOURNAL-] | 1359-1835 | |||
New voices, bold visions: Native artists redefine Santa Fe's summer scene | 2025 | First American art magazine 47 (): 42-9 | H6/KUB [FIRST-] | 2333-5548 | |||
The Chitto family: generating a large artistic legacy | 2025 | First American art magazine 47 (): 60-6 | H6/KUB [FIRST-] | 2333-5548 | |||
Grand Traverse Ottawa-Chippewa fine woodworker and painter Dennis Esquivel | 2025 | First American art magazine 47 (): 68-73 | H6/KUB [FIRST-] | 2333-5548 | |||
Roy Kady, Diné textile artist | 2025 | First American art magazine 47 (): 74-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Cherokee Nation painter Traci Rabbit | 2025 | First American art magazine 47 (): 80-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Mitchikanibikok Inik Algonquin birchbark, quillwork and beadwork artist | 2025 | First American art magazine 47 (): 86-91 | H6/KUB [FIRST-] | 2333-5548 | |||
Recherches artistiques sur les restes humains. Crânes et moulages dans les collections coloniales muséales | 2025 | Gradhiva: revue de anthropologie et museologie (39): 10-27 | H6 [GRADHIVA-] | 0764-8928 | |||
Entretien avec le collectif syrien Abounaddara. Par-delà la restitution : le corps du « Syrien fanatique » et ses images | 2025 | Gradhiva: revue de anthropologie et museologie (39): 124-8 | H6 [GRADHIVA-] | 0764-8928 | |||
Entretien avec Rosângela Rennó. Stratégies de réhumanisation | 2025 | Gradhiva: revue de anthropologie et museologie (39): 146-59 | H6 [GRADHIVA-] | 0764-8928 | |||
Entretien avec Delphine Zigoni. L’universalité du dessin | 2025 | Gradhiva: revue de anthropologie et museologie (39): 176-85 | H6 [GRADHIVA-] | 0764-8928 | |||
Israel Tangaroa Birch talks to Tina Ngata | 2024-25 | Art New Zealand (192): 56-63 | H6/KX [ART-] | 0110-1102 | |||
Picture the feminine: the art of Louise Fong | 2024-25 | Art New Zealand (192): 64-8 | H6/KX [ART-] | 0110-1102 | |||
Kupesi in her DNA: the barkcloth art of Tui Emma Gillies | 2024-25 | Art New Zealand (192): 69-73 | H6/KX [ART-] | 0110-1102 | |||
Mapping the earth's embrace: queer life-building in Mame-Diarra Niang's Éthérée | 2024 | African arts 57 (1): 32-45 | H6/KFY [AFRICAN-] | 0001-9933 | |||
In memoriam Atta Kwami, September 14, 1956–October 6, 2021 | 2024 | African arts 57 (1): 4-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Tragedy of the nation in Ndidi Dike’s State of the Nation | 2024 | African arts 57 (1): 64-75 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Anachronistic archives. Magdalena Jitrik on political deference | 2024 | Iberoamericana 24 (85): 13-25 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Leandro Mbomio, the “Black Picasso”: Spanish state propaganda, Blackness, and neocolonialism in Equatorial Guinea | 2024 | Ethnic and racial studies 47 (7): 1456-77 | H6/KD [ETHNIC-] | 1466-4356 | |||
In defense of Fabián Cháirez’s La Revolución: contemporary art as a possibility of queer resistance | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 197-224 | H6/KFY [MEXICO-] | 0185-1276 | |||
Watchful intimacies, botanical intricacies. Trevor Yeung | 2024 | Art Asia Pacific Magazine (137): 58-65 | H6/KFY [ART] | 1039-3625 | |||
Yuko Mohri. Electric smelly orchestra | 2024 | Art Asia Pacific Magazine (137): 66-73 | H6/KFY [ART] | 1039-3625 |