| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Everyone’s an artist? Class, precarity, and the distribution of creative labor | 2025 | Focaal (101): 82-95 | H6/KF [FOCAAL-] | 0920-1297 | |||
| Threads of kinship: bridging global Indigenous communities through art in Kyrgyzstan | 2025 | First American art magazine 45 (): 42-6 | H6/KUB [FIRST-] | 2333-5548 | |||
| My cigarette wife and other queer tales of kinship from Tunisia's contemporary public art scene | 2025 | Journal of contemporary ethnography 54 (1): 30-59 | H6/KY [JOURNAL-] | 0891-2416 | |||
| Language and conflict de-escalation: preserving peace in Ambon through literature and art | 2025 | Indonesia and the Malay world 53 (155): 16-35 | H6/KX [INDONESIA-] | 1469-8382 | |||
| Tasteful play: Christian artists, ambiguity and the theo-politics of taste | 2025 | Canadian review of sociology and anthropology 62 (2): 121-36 | H6/KUB [CANADIAN-] | 1755-6171 | |||
| Portraits of women in Mayan art. Sixty years after Proskouriakoff | 2025 | Estudios de cultura maya 65 (): 85-117 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
| The city of Recife: the visualities of urban landscape modernization | 2025 | Ciência & Trópico 49 (1): 231-58 | H6/KUL [CIENCIA-] | 0304-2685 | |||
| The Melanesian way in the 21st century: culture, politics, and festivals | 2025 | Journal of Pacific history 60 (2): 201-22 | H6/KX [JOURNAL-] | 0022-3344 | |||
| Participating in the impasse? The cruel optimism of the youth participatory democratic project fantasy | 2025 | Qualitative research 25 (2): 824-44 | H6 [QUALITATIVE-] | 1468-7941 | |||
| Artistic activism in the centers of São Paulo and Mexico City | 2025 | Alteridades 35 (70): 105-16 | H6/KF [ALTERIDADES-] | 0188-7017 | |||
| Èdè Àyàyan: the language of drum in Yorùbá religious and cultural practices, particularly in Egúngún performances in Òkè-Igbó | 2025 | Journal of religion in Africa 55 (3): 323-404 | H6/KFO [JOURNAL-] | 0022-4200 | |||
| Being in dialogue: reflections on who and what we include in 'team science' | 2025 | Practicing anthropology 47 (3): 181-4 | qH6 [PRACTICING-] | 0888-4552 | |||
| El Museo Nacional de Antropología | 2025 | Arqueología mexicana (123): 7-81 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| Spectatorship of Medieval Nubian paintings: a cross-cultural eye movement stydy at the archaeological site of Old Dongola, Sudan | 2025 | Journal of African archaeology 23 (2): 145-59 | H6/KE [JOURNAL-] | ||||
| No room! Of course there's room | 2025 | European journal of cultural studies 28 (5): 1455-62 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| To curate a region | 2025 | Art Asia Pacific Magazine (146): 48-55 | H6/KFY [ART] | 1039-3625 | |||
| Celestial traces. An-My Lê | 2025 | Art Asia Pacific Magazine (146): 56-63 | H6/KFY [ART] | 1039-3625 | |||
| Pan Daijing, Hu Xiaoyuan, Tao Nguyen Phan | 2025 | Art Asia Pacific Magazine (146): 64-9 | H6/KFY [ART] | 1039-3625 | |||
| Site, sense, and parapainting in mid-fourteenth-century China | 2025 | Res 83 (): 49-75 | *H6 [RES-] | 0277-1322 | |||
| Expanding the corpus of the earliest Scythian animal-style artefacts | 2025 | Antiquity 99 (408): 1569-85 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Hacia una estética de lo monstruoso: el legado de Edmundo O’Gorman | 2025 | Mexican studies 41 (3): 396-417 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
| Inuit art as memory keeping | 2025 | Inuit art quarterly 38 (4): 42-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
| The passing of the forest: documenting destruction by fire and axe | 2024-25 | Art New Zealand (192): 102-7 | H6/KX [ART-] | 0110-1102 | |||
| Art rocks: atmospheres of connection and everyday creativity in hybrid public space | 2024 | International journal of cultural studies 27 (1): 1-23 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| The travelling art installation Prijedor '92: transnational memorialisation and the 1.5 generation | 2024 | Ethnic and racial studies 47 (2): 321-43 | H6/KD [ETHNIC-] | 1466-4356 | |||
| Cultural policies during the Progressive cycle in Uruguay (2005-2020). Advances and contradictions in a time of change | 2024 | Iberoamericana 24 (85): 185-207 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| La quiralidad: imágenes en espejo en el México central | 2024 | Arqueología mexicana 30 (185): 68-75 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| Art, object, religion and relationality | 2024 | Material religion 20 (1): 105-7 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Belief and art / art, Africa and religion | 2024 | Material religion 20 (1): 108-12 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Material religion, Material Religion, and the matter of critique: on “belief ” | 2024 | Material religion 20 (1): 113-16 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Alberto Ruz Lhuillier and his insights into art | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 9-34 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Etnografia retrospectiva 2.0: o gesto artístico na revolução | 2024 | Etnográfica: revista do Centro de Estudos de Antropologia Social 28 (1): 165-79 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
| "Le terrain" de Roger Rousseau | 2024 | Techniques et culture (79): 158-67 | *H6 [TECHNIQUES-] | 0248-6016 | |||
| “Anti-racist enunciation” in artistic practices in Colombia: dialogues and in-comprehensions in collaborative research | 2024 | Boletín de antropología (Antioquia) 39 (67): 59-89 | H6/KUL [BOLETIN-] | 0120-2510 | |||
| Uncolonialism/Bāb art | 2024 | Nka: journal of contemporary African art (54): 64-78 | H6/KY [NKA-] | 1075-7163 | |||
| Nature provides: subtle palettes from the earth | 2024 | First American art magazine 42 (): 22-31 | H6/KUB [FIRST-] | 2333-5548 | |||
| Celebrating seal in Alaska Native art | 2024 | First American art magazine 42 (): 34-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| NAGRA updates: closing loopholes exploited by institutions | 2024 | First American art magazine 42 (): 46-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| From river cane to pine needles: the journey and adaptation of Alabama and Koasati baskets | 2024 | First American art magazine 42 (): 50-4 | H6/KUB [FIRST-] | 2333-5548 | |||
| Dreams and lives: Raymond Sagapolutele photographs his world | 2024 | Art New Zealand 190 (): 48-53 | H6/KX [ART-] | 0110-1102 | |||
| Norman Lewis and African Negro Art | 2024 | Tribal art (112): 104-17 | *H6/KFY [WORLD-] | 1354-2990 | |||
| With endless articulations: conserving biodiversity in the infinity mirror | 2024 | The Cambridge journal of anthropology 42 (1): 100-17 | H6 [CAMBRIDGE-] | 2047-7716 | |||
| Preservation of artistic heritage: Joaquim Nabuco Foundation video art collection | 2024 | Ciência & Trópico 48 (1): 273-86 | H6/KUL [CIENCIA-] | 0304-2685 | |||
| Saqquitittiniq: bring them to light | 2024 | Inuit art quarterly 372 (): 28-37 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Outside the institution: other spaces of art | 2024 | Inuit art quarterly 372 (): 38-49 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Making room for Inuit curators to thrive | 2024 | Inuit art quarterly 372 (): 50-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Katsina carving in the art world. Reflecting on a century of evolving styles and techniques | 2024 | First American art magazine (43): 34-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| The body as theme and tool of artivism in young people | 2024 | European journal of cultural studies 27 (2): 232-52 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Aita o Paul Gauguin i ite i te parau i te reo Tahiti: the colonial implications of Paul Gauguin's inconrrect Tahitian | 2024 | Pacific studies 47 (1): 27-41 | *H6/KX [PACIFIC-] | 0275-3596 | |||
| Artificial intelligence and the question of creativity: art, data and the sociocultural archive of AI-imaginations | 2024 | European journal of cultural studies 27 (4): 788-95 | H6/KF [EUROPEAN-] | 1367-5494 |