| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Almanac 2025 | 2025 | Art Asia Pacific Magazine 20 (): 20-109 | H6/KFY [ART] | 1039-3625 | |||
| The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| "Bring the objects out of the basement!" The Wellcome African collection at Manchester Museum | 2025 | African arts 58 (1): 10-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Collecting the past, facing the future: revealing collectors' connections using the archives of the Wellcome Historical Medical Museum and Library | 2025 | African arts 58 (1): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The early Egyptian and Sudanese collections of Sir Henry Wellcome | 2025 | African arts 58 (1): 44-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Beyond narratives: intersitial provenance as a methodology for transfers of African arts | 2025 | African arts 58 (1): 64-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Under the yoke of origin. The ethnographic halls of the National Museum of Anthropology, Mexico | 2025 | Boletín de antropología (Antioquia) 40 (69): 95-120 | H6/KUL [BOLETIN-] | 0120-2510 | |||
| Pluralizing narratives about Indigenous peoples in the Northeast. Training and performance of students in the midst of the ethnographic exhibition The First Brazilians | 2025 | Boletín de antropología (Antioquia) 40 (69): 41-65 | H6/KUL [BOLETIN-] | 0120-2510 | |||
| Things fall apart at the Seattle Art Museum | 2025 | African arts 58 (2): 30-8 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| More than a glow up: the development of the new AOA galleries at the MET | 2025 | Tribal art (116): 54-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Afrosonica soundscapes: an interview with Madeleine Leclair | 2025 | Tribal art (116): 60-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Momínm Wadaahá (water wellness) | 2025 | News from native California 38 (3): | *H6/KUB [NEWS-] | 1040-5437 | |||
| Curating and co-producing atmospheres in street food markets: exploring the roles and interplay between people, food and spaces | 2025 | Journal of consumer culture 25 (1): 47-64 | H6 [JOURNAL-] | 1469-5405 | |||
| Spirits in the museum | 2025 | Material religion 21 (3): 336 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Colonial vision and decolonization of ethnography in museums | 2025 | Human evolution 40 (1-2): 99-134 | H6/HB [HUMAN-] | 0393-9375 | |||
| How to not exhibit a skull: The Who is ID8470? Project | 2025 | Gradhiva: revue de anthropologie et museologie (39): 28-51 | H6 [GRADHIVA-] | 0764-8928 | |||
| Arts of Oceania at the Met: theatres of power, constellations of connections | 2025 | Art New Zealand (195): 86-92 | H6/KX [ART-] | 0110-1102 | |||
| ‘A laboratory habit of mind’: exhibit making and nineteenth century experimental anthropology at the United States National Museum | 2025 | History and anthropology 36 (4): 601-31 | H6 [HISTORY-] | 1477-2612 | |||
| Africa Fashion in focus: three objects from the exhibition | 2025 | Fashion theory 29 (3): 301-25 | H6/KFY [FASHION-] | 1362-704X | |||
| (De)colonial deal at the Musée National des Arts, Rites, et Traditions. The Franco-Gabonese heritage in transit | 2025 | African arts 58 (3): 12-31 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Dancing with smoke: Géraldine Tobe in conversation with Z.S. Strother and Toma Muteba Luntumbue | 2025 | African arts 58 (3): 46-59 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| In Memoriam: Koyo Kouoh | 2025 | Nka: journal of contemporary African art (57): 4-5 | H6/KY [NKA-] | 1075-7163 | |||
| Black figuration and Pan-Africanism in two US exhibitions | 2025 | Nka: journal of contemporary African art (57): 33-45 | H6/KY [NKA-] | 1075-7163 | |||
| The Five Continents Gallery: a space for dialogue between cultures at the Louvre | 2025 | Tribal art (118): 42-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Egypt in/and Africa exhibitions, questions and complexities in American art museums | 2024 | African arts 57 (2): 1-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Dakar's Salon confrontation of 1966 | 2024 | Nka: journal of contemporary African art (54): 80-101 | H6/KY [NKA-] | 1075-7163 | |||
| Contemporary ethnographic aesthetics: the TikTok turn | 2024 | Visual anthropology 37 (3): 195-211 | *H6 [VISUAL-] | 1545-5920 | |||
| A collaborative approach to the analysis of Northwest Coast treasures from the Ehlers collection in Denmark | 2024 | American Indian culture and research journal 47 (2): 63-96 | H6/KUB [AMERICAN-] | 0161-6463 | |||
| Making room for Inuit curators to thrive | 2024 | Inuit art quarterly 372 (): 50-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Touching distance: finder-collector relationship with and experiences of archaeological objects | 2024 | Time and mind: the journal of archaeology, consciousness and culture 17 (1-2): 119-33 | H6/KH [TIME-] | 1751-696X | |||
| A fresh look at the Museum of Anthropology, University of British Columbia, Vancouver | 2024 | Tribal art (113): 68-77 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Baz'art: art and trade among the Kongo | 2024 | Tribal art (113): 78-85 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Alternative icons: rethinking symbols of power in 'The World of Stonehenge' | 2024 | Antiquity 98 (400): 1076-87 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Exu’s journey: transfer of authority and decolonization of matter at the Museu do Homem do Nordeste, in Recife - PE | 2024 | Mana 30 (2): 1-32 | H6/KUL [MANA-] | 1678-4944 | |||
| The wandering sheep or how I set off to conduct fieldworks | 2024 | Martor: revue d'anthropologie du Musée du Paysan Roumain (29): 186-95 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| How to feel the world and share it with others | 2024 | Martor: revue d'anthropologie du Musée du Paysan Roumain (29): 196-203 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| Africa in Venice | 2024 | Nka: journal of contemporary African art (55): 4-5 | H6/KY [NKA-] | 1075-7163 | |||
| Experiencing the divine? Museum presentations of religion in Roman Britain | 2024 | Antiquity 98 (401): 1321-39 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Curating commonality: multimodal materialities of intercommunal Northern African heritage | 2024 | Material religion 20 (5): 324-38 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Museums and archaeology: feminism to change narratives | 2024 | Munibe 75 (): 233-40 | H6/KE [MUNIBE-] | 2172-4555 | |||
| Mixtec social memory in late Renaissance Rome: Ulisse Aldrovandi, Tommaso de’ Cavalieri, and “the skull of an Indian king” | 2024 | Journal de la Société des Américanistes 110 (2): 51-76 | H6/KUB [SOCIETE-] | 0037-9174 | |||
| Tunteet, jännitteet ja valta museoiden yhteiskuratointihankkeissa | 2024 | Suomen Museo/Finskt Museum 131 (): 133-47 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1814 | |||
| Korjaavan kuratoinnin kokemuksia Arkkitehtuurimuseon Eläköön Wivi Lönn! -näyttelyprojektissa | 2024 | Suomen Museo/Finskt Museum 131 (): 171-84 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1814 | |||
| Estela Raimondi. Piedra fundacional del Perú | 2024 | Boletín de Lima 46 (217): 7-34 | *H6/KE [BOLETIN-] | 0253-0015 | |||
| Thoughts on decolonial curatorship: the "Nhande Mbya Reko - Nosso Jeito de Ser Guarani" exhibition | 2023 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 18 (1): | H6/KUL [BOLETIM-] | 1981-8122 | |||
| Polynesia comes to Brussels | 2023 | Tribal art (108): 56-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Songlines: songs of the Australian desert tracks: a guided tour | 2023 | Tribal art (108): 64-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| All the world's histories at the 59th Venice Biennale | 2023 | Nka: journal of contemporary African art (52): 120-35 | H6/KY [NKA-] | 1075-7163 | |||
| The long view: leadership at a critical juncture for "African art" in America | 2023 | African arts 56 (1): 10-12 | H6/KFY [AFRICAN-] | 0001-9933 |