| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The precarious origins of the Iroquois Realists School | 2025 | First American art magazine 45 (): 20-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Threads of kinship: bridging global Indigenous communities through art in Kyrgyzstan | 2025 | First American art magazine 45 (): 42-6 | H6/KUB [FIRST-] | 2333-5548 | |||
| Alison Bremner: Tlingit painter, collage artists and carver | 2025 | First American art magazine 45 (): 48-53 | H6/KUB [FIRST-] | 2333-5548 | |||
| Carol Emarthle Douglas: Northern Arapaho/Seminole basket maker | 2025 | First American art magazine 45 (): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Chippewa Cree/Pawnee beadwork artist John Murie | 2025 | First American art magazine 45 (): 66-71 | H6/KUB [FIRST-] | 2333-5548 | |||
| Jaatłoh4ye'iitsoh [17-18] +[][][][]. Soft sculpture installation activated through performance by Eric Paul Riege (Diné) | 2025 | First American art magazine 45 (): 72-3 | H6/KUB [FIRST-] | 2333-5548 | |||
| The Cihuacóatl of Calixtlahuaca: an expression of power and religiosity in the Toluca Valley | 2025 | Estudios de cultura náhuatl 69 (): 55-88 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
| The Cholula polychrome pottery and its Mayan antecedents | 2025 | Estudios de cultura náhuatl 69 (): 89-137 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
| Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Kings and queens of Africa at the Musée du Louvre Abu Dhabi | 2025 | Tribal art (115): 52-61 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Presenting the arts of the Pacific: the Thomas Jaffe collection at the Yale Peabody Museum | 2025 | Tribal art (115): 62-75 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The iconic Akan Akua'ba | 2025 | Tribal art (115): 76-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The descent of the sun into the underworld. Iconographic analysis of the murals of Patio 3 of the Palacio del Sol, Teotihuacan | 2025 | Revista española de antropología americana 55 (1): 11-29 | H6/KUL [MADRID-] | 0556-6533 | |||
| Yasumasa Morimura: through the looking glass | 2025 | Art Asia Pacific Magazine (142): 50-9 | H6/KFY [ART] | 1039-3625 | |||
| Recent investigations on the unique Maya wall paintings from Chajul (Guatemala) | 2025 | Estudios de cultura maya 65 (): 119-53 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
| Portraits of women in Mayan art. Sixty years after Proskouriakoff | 2025 | Estudios de cultura maya 65 (): 85-117 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
| Rising up: digital traces and performative Indigenous culture in Australian rock art | 2025 | Antiquity 99 (405): 624-37 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Perspectives on the new Michael C. Rockefeller Wing at the Metropolitan Museum of Art | 2025 | Tribal art (117): 70-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Africa | 2025 | Tribal art (117): 74-83 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Oceania | 2025 | Tribal art (117): 84-95 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The ancient Americas | 2025 | Tribal art (117): 96-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Learning through Ngatu: recent work by Salome Tuanuvasa | 2025 | Art New Zealand (195): 62-5 | H6/KX [ART-] | 0110-1102 | |||
| Travels with a bark cloth: Robin White and Taeko Ogawa in Japan | 2025 | Art New Zealand (195): 70-6 | H6/KX [ART-] | 0110-1102 | |||
| The Indigenous observer: Europeans in Native North American Plains' visual cultures | 2025 | Cadernos de arte e antropologia 14 (): 112-29 | |||||
| African objects and restitution in the thought of Achille Mbembe | 2025 | Nka: journal of contemporary African art (57): 20-31 | H6/KY [NKA-] | 1075-7163 | |||
| Keanu Jones: Navajo filmmaker, photographer and digital artist | 2025 | First American art magazine (48): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
| Brenda Mallory: Cherokee Nation sculptor and installation artist | 2025 | First American art magazine (48): 62-7 | H6/KUB [FIRST-] | 2333-5548 | |||
| Marty Two Bulls Jr. Oglala Lakota printmaker, sculptor and mixed-media artist | 2025 | First American art magazine (48): 68-73 | H6/KUB [FIRST-] | 2333-5548 | |||
| Aamjiwnaag Ojibway beadwork and installation artist Nico Williams | 2025 | First American art magazine (48): 74-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| The Five Continents Gallery: a space for dialogue between cultures at the Louvre | 2025 | Tribal art (118): 42-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Hans Sibbelee and The Sculpture of Primitive Man | 2025 | Tribal art (118): 100-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Thick tighs and tattoo lines: artists who push for visual sovereignty | 2025 | Inuit art quarterly 38 (3): 24-31 | *H6/KFY [INUIT-] | 0831-6708 | |||
| The language of silence | 2025 | Inuit art quarterly 38 (3): 32-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Ataatsimoornermi nukittussuseq/Power in collectivity | 2025 | Inuit art quarterly 38 (3): 40-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Israel Tangaroa Birch talks to Tina Ngata | 2024-25 | Art New Zealand (192): 56-63 | H6/KX [ART-] | 0110-1102 | |||
| Picture the feminine: the art of Louise Fong | 2024-25 | Art New Zealand (192): 64-8 | H6/KX [ART-] | 0110-1102 | |||
| Kupesi in her DNA: the barkcloth art of Tui Emma Gillies | 2024-25 | Art New Zealand (192): 69-73 | H6/KX [ART-] | 0110-1102 | |||
| Colourful & intense: 2024 Sydney Contemporary | 2024-25 | Art New Zealand (192): 86-9 | H6/KX [ART-] | 0110-1102 | |||
| The invention of a hybrid ethnic art: the case of the visionary shamanic paintings of the Shipibo collective Barin Bababo (Peruvian Amazon) | 2024 | Mundo Amazonico 15 (1): e104761 | 2145-5082 | ||||
| Mapping the earth's embrace: queer life-building in Mame-Diarra Niang's Éthérée | 2024 | African arts 57 (1): 32-45 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| That the House May Stand Again: veranda posts in Ọyọ́ Palace | 2024 | African arts 57 (1): 46-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Barbier-Mueller: art as a legacy | 2024 | Tribal art (111): 18-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Treasures of Oceania in Mexico City | 2024 | Tribal art (111): 44-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Rethinking the collection: provenance research at the African Museum | 2024 | Tribal art (111): 50-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Native baskets of Arizona at the Heard Museum | 2024 | Tribal art (111): 56-61 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Didier Hirsch: collecting narratives | 2024 | Tribal art (111): 88-95 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Mort Golub: from Mahakala to outsider art | 2024 | Tribal art (111): 96-107 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Dating perishables to refine the chronology of Shrine Cave use, the goggle-eye motif, and other Jornada and Mimbres Mogollon iconography | 2024 | Kiva 90 (1): 98-127 | *H6/KE [KIVA-] | 2051-6177 | |||
| Acts of inventory: Te Hau Whakaton at Govett-Brewster | 2024 | Art New Zealand (189): 60-3 | H6/KX [ART-] | 0110-1102 | |||
| Reckoning with history: Richard Lewer paints the Waikato Wars | 2024 | Art New Zealand (189): 78-82 | H6/KX [ART-] | 0110-1102 |