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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Almanac 2025 | 2025 | Art Asia Pacific Magazine 20 (): 20-109 | H6/KFY [ART] | 1039-3625 | |||
| Jaatłoh4ye'iitsoh [17-18] +[][][][]. Soft sculpture installation activated through performance by Eric Paul Riege (Diné) | 2025 | First American art magazine 45 (): 72-3 | H6/KUB [FIRST-] | 2333-5548 | |||
| Narratives of the living. A possible perspective for imagining a non-dystopian future | 2025 | Runa: archivo para la ciencias del hombre 46 (1): 127-49 | 0325-1217 | ||||
| My cigarette wife and other queer tales of kinship from Tunisia's contemporary public art scene | 2025 | Journal of contemporary ethnography 54 (1): 30-59 | H6/KY [JOURNAL-] | 0891-2416 | |||
| Magdalene Odundo: rites of passage | 2025 | Tribal art (115): 110-15 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Yasumasa Morimura: through the looking glass | 2025 | Art Asia Pacific Magazine (142): 50-9 | H6/KFY [ART] | 1039-3625 | |||
| Time and microbes, tides and bodies: on fermentation as artistic practice and culinary cruising | 2025 | Food Culture and Society 28 (2): 346-63 | H6/KF [FOOD-] | 1751-7443 | |||
| Memory and its loss: Huhana Smith and Ciaran Banks collaborate at Toi MAHARA | 2025 | Art New Zealand (193): 62-5 | H6/KX [ART-] | 0110-1102 | |||
| City and body in Mexican video art at the end of the 20th century | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 283-314 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Riding the waves of history: how installation art reclaims and Indigenizes space | 2025 | First American art magazine 46 (): 50-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Diné interdisciplinary artist Dakota Mace | 2025 | First American art magazine 46 (): 56-63 | H6/KUB [FIRST-] | 2333-5548 | |||
| Myaamia textile artist Jared Nally | 2025 | First American art magazine 46 (): 64-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Mi'kmaw quill artist Melissa Peter-Paul | 2025 | First American art magazine 46 (): 70-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Red Lake Band Ojibwe painter, animator & filmmaker Jonathan Thunder | 2025 | First American art magazine 46 (): 76-81 | H6/KUB [FIRST-] | 2333-5548 | |||
| Simon Ottenberg's contribution to Coast Salish arts | 2025 | African arts 58 (2): 16-17 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Transactional acts: sculpture in the Nsukka School | 2025 | African arts 58 (2): 40-52 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Wael Shawky’s revisionist histories | 2025 | Nka: journal of contemporary African art (56): 50-7 | H6/KY [NKA-] | 1075-7163 | |||
| Echoes: delving into Chemu Ng'ok's psychological narratives and East Africa's contemporary art landscape | 2025 | Nka: journal of contemporary African art (56): 58-75 | H6/KY [NKA-] | 1075-7163 | |||
| Generation 00; before and after the Arab Spring (preemption, hope, disillusion) | 2025 | Nka: journal of contemporary African art (56): 76-86 | H6/KY [NKA-] | 1075-7163 | |||
| Beatrice Wanjiku | 2025 | Nka: journal of contemporary African art (56): 88-101 | H6/KY [NKA-] | 1075-7163 | |||
| Momínm Wadaahá (water wellness) | 2025 | News from native California 38 (3): | *H6/KUB [NEWS-] | 1040-5437 | |||
| The material world of textiles and its nostalgic renderings in Romanian contemporary art | 2025 | Journal of material culture 30 (2): 113-22 | H6/KF [JOURNAL-] | 1359-1835 | |||
| Collective action: Mataaho's new installation on DPAG's big wall | 2025 | Art New Zealand (194): 52-5 | H6/KX [ART-] | 0110-1102 | |||
| Rising up: digital traces and performative Indigenous culture in Australian rock art | 2025 | Antiquity 99 (405): 624-37 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| New voices, bold visions: Native artists redefine Santa Fe's summer scene | 2025 | First American art magazine 47 (): 42-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Grand Traverse Ottawa-Chippewa fine woodworker and painter Dennis Esquivel | 2025 | First American art magazine 47 (): 68-73 | H6/KUB [FIRST-] | 2333-5548 | |||
| Roy Kady, Diné textile artist | 2025 | First American art magazine 47 (): 74-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Cherokee Nation painter Traci Rabbit | 2025 | First American art magazine 47 (): 80-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Mitchikanibikok Inik Algonquin birchbark, quillwork and beadwork artist | 2025 | First American art magazine 47 (): 86-91 | H6/KUB [FIRST-] | 2333-5548 | |||
| Israel Tangaroa Birch talks to Tina Ngata | 2024-25 | Art New Zealand (192): 56-63 | H6/KX [ART-] | 0110-1102 | |||
| Picture the feminine: the art of Louise Fong | 2024-25 | Art New Zealand (192): 64-8 | H6/KX [ART-] | 0110-1102 | |||
| Kupesi in her DNA: the barkcloth art of Tui Emma Gillies | 2024-25 | Art New Zealand (192): 69-73 | H6/KX [ART-] | 0110-1102 | |||
| Colourful & intense: 2024 Sydney Contemporary | 2024-25 | Art New Zealand (192): 86-9 | H6/KX [ART-] | 0110-1102 | |||
| Mapping the earth's embrace: queer life-building in Mame-Diarra Niang's Éthérée | 2024 | African arts 57 (1): 32-45 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| In memoriam Atta Kwami, September 14, 1956–October 6, 2021 | 2024 | African arts 57 (1): 4-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Tragedy of the nation in Ndidi Dike’s State of the Nation | 2024 | African arts 57 (1): 64-75 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Between public and private. On the uses of the archive in contemporary Latin American visual arts. Introduction | 2024 | Iberoamericana 24 (85): 7-11 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Anachronistic archives. Magdalena Jitrik on political deference | 2024 | Iberoamericana 24 (85): 13-25 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Acts of inventory: Te Hau Whakaton at Govett-Brewster | 2024 | Art New Zealand (189): 60-3 | H6/KX [ART-] | 0110-1102 | |||
| Reckoning with history: Richard Lewer paints the Waikato Wars | 2024 | Art New Zealand (189): 78-82 | H6/KX [ART-] | 0110-1102 | |||
| Unadulterated joy: Lissy and Rudi Robinson-Cole's Wharenui Harikoa | 2024 | Art New Zealand (189): 83-5 | H6/KX [ART-] | 0110-1102 | |||
| In defense of Fabián Cháirez’s La Revolución: contemporary art as a possibility of queer resistance | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 197-224 | H6/KFY [MEXICO-] | 0185-1276 | |||
| David Martin: Pokagon Potawatomi tattoo artist, painter and regalia maker | 2024 | First American art magazine (41): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Dialogues with the carnivalesque: decolonial artistic practices in the Lusophone Black world | 2024 | Nka: journal of contemporary African art (54): 34-49 | H6/KY [NKA-] | 1075-7163 | |||
| Looking back: Bob Haozous's Cultural Crossroads of the Americas | 2024 | First American art magazine (41): 28-31 | H6/KUB [FIRST-] | 2333-5548 | |||
| Lubaina Himid: do you want an easy life? | 2024 | Nka: journal of contemporary African art (54): 7-23 | H6/KY [NKA-] | 1075-7163 | |||
| Marco temporal: Indigenous art and activism in Brazil | 2024 | First American art magazine (41): 32-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Reflections on imageries of seductive sublimity. New paintings of Kedebech Tekleab | 2024 | Nka: journal of contemporary African art (54): 24-32 | H6/KY [NKA-] | 1075-7163 | |||
| Studio call, Michael Subotzky | 2024 | Nka: journal of contemporary African art (54): 102-18 | H6/KY [NKA-] | 1075-7163 | |||
| Messages in baskets: Peter J. Clair | 2024 | First American art magazine 42 (): 40-5 | H6/KUB [FIRST-] | 2333-5548 |
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