Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
On the creation and articulation of forms in the abstract rock art of Durango. The case of signs made by pressing with the hands | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 35-90 | H6/KFY [MEXICO-] | 0185-1276 | |||
Hand stencils and communal history: a case study from Auwim, East Sepik, Papua New Guinea | 2023 | Archaeology in Oceania 58 (1): 115-30 | H6/KX [ARCHEOLOGY-] | 0003-8121 | |||
Formas y relaciones: un análisis diacrónico de la comunicación visual en el arte rupestre de grupos cazadores-recolectores del extremo sur del Macizo del Deseado (Patagonia, Argentina) | 2023 | Latin American antiquity 34 (1): 59-78 | *H6/KE [LATIN-] | 1045-6635 | |||
Boorpeck: its significance in Gariwerd rock art | 2022 | Rock art research 39 (2): 168-81 | H6/KE [ROCK-] | 0813-0426 | |||
Superpositions and superimpositions in rock art studies: reading the rock face at Pundawar Manbur, Kimberley, northwest Australia | 2022 | Journal of anthropological archaeology 67 (): 1-23 | *H6/KE [JOURNAL-] | 0278-4165 | |||
Rock art and long-distance prehistoric exchange behavior: a case study from Auwim, East Sepik, Papua New Guinea | 2022 | Journal of island and coastal archaeology 17 (3): 432-44 | H6/KE [ISLAND-] | 1556-4894 | |||
Rock art and (re)production of narratives: a cassowary bone dagger stencil perspective from Auwim, east Sepik, Papua New Guinea | 2022 | Cambridge archaeological journal 32 (4): 547-65 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
Rock art in the sites Tres Lagunas 1 and Las Tres Marías (Genoa valley, Chubut, Argentina): a methodological contribution | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 87-105 | H6/KE [BOLETIN-] | 0716-1530 | |||
Meaningful choices and relational networks: analysing western Arnhem Land's painted hand rock art style using chaîne opératoire | 2022 | Journal of anthropological archaeology 65 (): 1-16 | *H6/KE [JOURNAL-] | 0278-4165 | |||
Agency, affect and archaeologists: transforming place with rock art in Auwim, upper Karawari-Arafundi region, east Sepik, Papua New Guinea | 2021 | Rock art research 38 (2): 183-94 | H6/KE [ROCK-] | 0813-0426 | |||
A rare miniature and small-scale stencil assemblage from the Gulf of Carpentaria: replication and meaning in Australian rock art | 2020 | Antiquity 94 (375): 780-96 | H6/KE [ANTIQUITY-] | 0003-598X | |||
New painted rock art sites in Alor Island, eastern Indonesia, support a diversity of artistic traditions in the late Holocene | 2020 | Rock art research 37 (1): 35-45 | H6/KE [ROCK-] | 0813-0426 | |||
Revisiting rock art of Viuda Quenzana (Santa Cruz, Argentinian Patagonia): new evidence and first analysis results | 2019 | Boletín del Museo chileno de Arte precolombino 42 (2): 11-34 | H6/KE [BOLETIN-] | 0716-1530 | |||
La Cueva de las Manitas, Cuicatlán, Oaxaca | 2019 | Arqueología mexicana 26 (155): 72-8 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Reinterpreting walls: interaction and information exchange in the middle of Ibáñez river, central Patagonia, Chile | 2019 | Boletín del Museo chileno de Arte precolombino 24 (1): 37-55 | H6/KE [BOLETIN-] | 0716-1530 | |||
Memorialization and the stencilled rock art of Mirarr Country, Northern Australia | 2018 | Cambridge archaeological journal 28 (3): 361-78 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
Profiled hands in Palaeolithic art: the first universally recognized symbol of the human form | 2018 | World art 8 (1): 1-19 | H6 [WORLD-] | 2150-0908 | |||
Nuevos datos sobre las pinturas rupestres de Los Toldos (Santa Cruz, Argentina): bases para un enfoque comparativo en Patagonia meridional | 2018 | Latin American antiquity 29 (2): 293-310 | *H6/KE [LATIN-] | 1045-6635 | |||
The early history and enduring narrative of Kinngai and Ulukhaktok's sealskin stencils | 2018 | Inuit art quarterly 31 (2): 56-7 | *H6/KFY [INUIT-] | 0831-6708 | |||
Footprints in central Indian rock art and particularly in Chhattisgarth | 2018 | Adoranten (): 105-21 | |||||
The body as intelligent tool: the making and reading of trace and trace-derived forms in rock art | 2018 | Time and mind: the journal of archaeology, consciousness and culture 11 (1): 41-66 | H6/KH [TIME-] | 1751-696X | |||
Preliminary analysis of Casa de Piedra de Rosello's rock art, southwestern Chubut province, Argentina | 2017 | Comechingonia: Revista de Arqueología 21 (2): 401-11 | 2250-7728 | ||||
Painting in La Gruta: variety and repetitions in the rock art production of a locality in the extreme south of Mazico del Deseado (Santa Cruz, Patagonia, Argentina) | 2017 | Boletín. Sociedad de Investigación del Arte Rupestre de Bolivia 31 (): 58-74 | *H6/KE [SOCIEDAD-] | 1017-4346 | |||
Rock art of the Esperance region and its place in Noongar traditions of south-west Western Australia | 2017 | Rock art research 34 (1): 55-81 | H6/KE [ROCK-] | 0813-0426 | |||
New Aboriginal hand stencil discoveries at the Freycinet National Park, Tasmania | 2016 | Australian archaeology (82): 76-9 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
The paintings of Aktun Santuario, Akil, Yucatan | 2016 | Mexicon 38 (4): 97-107 | *H6/KUL [MEXICON-] | 0720-5988 | |||
The classic-period pictographs at Juliq' cave, Alta Verapaz, Guatemala: an interdisciplinary approach to cave art as organizing principle | 2016 | Journal of field archaeology 41 (2): 177-92 | *H6/KE [JOURNAL-] | 0093-4690 | |||
Hand stencils with and without narrowed fingers at two new rock art sites in Sulawesi, Indonesia | 2016 | Rock art research 33 (1): 32-48 | H6/KE [ROCK-] | 0813-0426 | |||
Naturalistic animals and hand stencils in the rock art of Xinjiang Uyghur Autonomous Region, northwest China | 2016 | Rock art research 33 (1): 19-31 | H6/KE [ROCK-] | 0813-0426 | |||
The visual brain and the early depiction of animals in Europe and Southeast Asia? | 2015 | World archaeology 47 (5): 776-91 | H6/KE [WORLD-] | 0043-8243 | |||
Rock art and ritual cave use in the Southwestern U.S. and northeastern Mexico: public versus private activity | 2015 | American Indian rock art 41 (): 23-42 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
First record of painted rock art near Kupang, West Timor, Indonesia, and the origins and distribution of the Austronesian painting tradition | 2015 | Rock art research 32 (2): 193-201 | H6/KE [ROCK-] | 0813-0426 | |||
The global implications of the early surviving rock art of greater Southeast Asia | 2014 | Antiquity 88 (342): 1050-64 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Images of relatedness: patterning and cultural contexts in Yanyuwa rock art, Sir Edward Pellew Islands, SW Gulf of Carpentaria, Northern Australia | 2014 | Rock art research 31 (2): 157-76 | H6/KE [ROCK-] | 0813-0426 | |||
Hand prints in the rock art and tribal art of central India | 2013 | American Indian rock art 40 (): 373-82 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
Religious, mystical and magical hand prints from the Arabian desert | 2013 | American Indian rock art 40 (): 477-88 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
Hand prints in Maltravieso cave (Cáceres, Spain): typology, distribution, techniques and chronological context | 2013 | American Indian rock art 40 (): 383-440 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
Rock art of hands in Sonora, México | 2013 | American Indian rock art 40 (): 489-506 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
Hand images in Maya caves | 2013 | American Indian rock art 40 (): 507-28 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
The handprints in Queretaro and Guanajuato rock art | 2013 | American Indian rock art 40 (): 529-48 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
A preliminary study of the hand motif | 2013 | American Indian rock art 40 (): 549-60 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
Sexual dimorphism in European upper paleolithic cave art | 2013 | American antiquity 78 (4): 746-61 | *H6/KE [AMERICAN-] | 0002-7316 | |||
The legacy of bingata | 2013 | Textiles Asia 5 (1): 3-11, 29 | H1/KGG [TEXTILES ASIA. Newsletter-] | ||||
Impresiones de manos humanas en algunos edificios mayas | 2007 | Estudios de cultura maya 30 (): 11, 37-56 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
The Rupestres paintings in Tonatico, state of Mexico. An example of religious syncretism | 1994 | American Indian rock art 21 (3): 103-14 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
Rock art in Argentina: method and advances in regional archaeological research | 1994 | American Indian rock art 21 (3): 167-82 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
A survey of the rock art of Mystery Valley, Arizona | 1990 | Rock art papers 7 (26): 117-22 | H6/KUB [SAN DIEGO. Museum papers] |