| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The past and future of Journal of African Cultural Studies | 2019 | Journal of African cultural studies 31 (1): 1-6 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| ‘Before you're a DJ, you're a woman’: navigating gendered space, society and music as a female DJ in Johannesburg’ | 2019 | Journal of African cultural studies 31 (1): 7-23 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| 'We were on the top of the world': Fela Kuti's queens and the poetics of space | 2019 | Journal of African cultural studies 31 (1): 24-39 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Religious and cultural syncretism in FELA!: reading the Broadway adaptation of the life of Fela Anikulapo Kuti through Bill T. Jones and Tejumola Olaniyan | 2019 | Journal of African cultural studies 31 (1): 40-52 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| What remains: reviving Lumumba's legacy in music video | 2019 | Journal of African cultural studies 31 (1): 53-70 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Crossing in popular music in D.R. Congo: the mixing of English in Lingala lyrics | 2019 | Journal of African cultural studies 31 (1): 89-105 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Queer(ing) popular culture: homo-erotic provocations from Kinshasa | 2019 | Journal of African cultural studies 31 (1): 71-88 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Nairobi is a shot of whisky: queer (ob)scenes in the city | 2019 | Journal of African cultural studies 31 (1): 106-19 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Zombified mobilities: clandestine Afroeuropean journeys in J. R. Essomba’s Le paradis du nord and Caryl Phillips’s A Distant Shore | 2019 | Journal of African cultural studies 31 (1): 120-34 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Latin American telenovelas and African screen media: from reception to production | 2019 | Journal of African cultural studies 31 (2): 135-50 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Making sense of ‘whiteman kontri’ using transnational soap operas | 2019 | Journal of African cultural studies 31 (2): 151-63 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Telenovelas in Uganda: mediating transcultural conversations | 2019 | Journal of African cultural studies 31 (2): 164-79 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Televisual cinema and social identities: the case of Nollywood and Latin American telenovelas in Eldoret, Kenya | 2019 | Journal of African cultural studies 31 (2): 180-95 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Transatlantic connections: reception and production of Nollywood films in Brazil | 2019 | Journal of African cultural studies 31 (2): 196-211 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Miracles from Mexico: Christianity, corporate restructuring, and the telenovela in Nigeria | 2019 | Journal of African cultural studies 31 (2): 212-25 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Enoying sameness and difference - a competition and convergence of Latin American telenovelas and Swahili video films in Tanzania | 2019 | Journal of African cultural studies 31 (2): 226-41 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Between sitcoms and telenovelas: the unrecognized role of edutainment in defining Ivorian televisual genre | 2019 | Journal of African cultural studies 31 (2): 242-56 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Ethical?! Collaboration?! Keywords for our contradictory times | 2019 | Journal of African cultural studies 31 (3): 257-64 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Bending over backwards: dismantling toxic 'opportunities' | 2019 | Journal of African cultural studies 31 (3): 264-7 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Flying in the univer-topia: white people on planes, #RhodesMustFall and climate emergency | 2019 | Journal of African cultural studies 31 (3): 267-70 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Caught between a rock and a hard place: navigating global research partnerships in the global South as an Indigenous researcher | 2019 | Journal of African cultural studies 31 (3): 270-2 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| North-South collaborations as a way of ‘not knowing Africa’: researching digital technologies in Kenya | 2019 | Journal of African cultural studies 31 (3): 273-5 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| 'The capacity-building-workshop-in Africa hokum' | 2019 | Journal of African cultural studies 31 (3): 276-80 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| North-South dynamics in academia | 2019 | Journal of African cultural studies 31 (3): 280-3 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Towards a (more) gender-responsive model of collaboration | 2019 | Journal of African cultural studies 31 (3): 283-6 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| The house that Africa built | 2019 | Journal of African cultural studies 31 (3): 293-5 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Against collaboration - or the native who wanders off | 2019 | Journal of African cultural studies 31 (3): 286-93 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| The future of African Studies: what we can do to keep Africa at the heart of our research | 2019 | Journal of African cultural studies 31 (3): 296-313 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Dance and decolonisation in Africa: introduction | 2019 | Journal of African cultural studies 31 (3): 314-7 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Decolonizing time through dance with Kwenda Lima: Cabo Verde, creolization, and affiliative afromodernity | 2019 | Journal of African cultural studies 31 (3): 318-33 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| The emergence of contemporary dance in Africa. A history of Danse l'Afrique Danze! biennale | 2019 | Journal of African cultural studies 31 (3): 334-51 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Decolonising culture, staging traditional dances, creating a new music-dance genre: the National Ballet of Mali’s postcolonial agency | 2019 | Journal of African cultural studies 31 (3): 352-68 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| ‘They don’t care about us’: representing the Black postcolonial subject through the appropriation of Michael Jackson in Gabonese urban dance | 2019 | Journal of African cultural studies 31 (3): 369-84 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Global and local media and the making of an Ethiopian national icon | 2019 | Journal of African cultural studies 31 (3): 385-401 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Margins and the their im/possibilities: edgy textualities and encounters in Easter African imaginaries | 2018 | Journal of African cultural studies 30 (1): 1-5 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Vassanji's disquiet with history in A place within | 2018 | Journal of African cultural studies 30 (1): 6-19 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Utopian envisioning: politics of belonging and the emergence of the first Indian South African and East African novels | 2018 | Journal of African cultural studies 30 (1): 20-35 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Shifting marginalities in Ham Mukasa and Sir Apolo Kagwa's Uganda's Katikiro in England | 2018 | Journal of African cultural studies 30 (1): 36-48 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam | 2018 | Journal of African cultural studies 30 (1): 65-80 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Kenya noir. Crime fiction's critique | 2018 | Journal of African cultural studies 30 (1): 81-92 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Voicing marginality: disability in Leila Aboulela's Lyrics alley | 2018 | Journal of African cultural studies 30 (1): 93-104 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Sheng: the expanding domains of an urban youth vernacular | 2018 | Journal of African cultural studies 30 (2): 105-20 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Contemporary conversations: is English an African language? | 2018 | Journal of African cultural studies 30 (2): 121-3 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| The politics of translation: notes towards an African language policy | 2018 | Journal of African cultural studies 30 (2): 124-32 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| English is an African language – Ka Dupe! [for and against Ngũgĩ] | 2018 | Journal of African cultural studies 30 (2): 133-47 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| The great English heist in African studies | 2018 | Journal of African cultural studies 30 (2): 148-62 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| History, trauma and remembering in Kivu Ruhorahoza’s Grey Matter (2011) | 2018 | Journal of African cultural studies 30 (2): 163-77 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Who owns Ananse? The tangled web of folklore and copyright in Ghana | 2018 | Journal of African cultural studies 30 (2): 178-91 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| Mythical hero or tragic failure? An interrogation of the Jomo Kenyatta ‘black people’s Moses’ mystique in two Kenyan patriographies | 2018 | Journal of African cultural studies 30 (2): 192-207 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| A new Black pantheon: Kwezi as an epic of African postmodernity | 2018 | Journal of African cultural studies 30 (2): 208-26 | *H6/KY [JOURNAL-] | 1369-6815 |