| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Shimmering aesthetics: breaking the gender binary | 2025 | Fashion theory 29 (2): 153-70 | H6/KFY [FASHION-] | 1362-704X | |||
| Vegan fashion paradox: understanding cognitive dissonance in consumer choice | 2025 | Fashion theory 29 (2): 193-222 | H6/KFY [FASHION-] | 1362-704X | |||
| Creative adaptations in Africa: creating cosmopolitan fashion in Nigeria | 2025 | Fashion theory 29 (2): 223-45 | H6/KFY [FASHION-] | 1362-704X | |||
| Beyond the monolith: redefining African fashion, identity, and design narratives | 2025 | Fashion theory 29 (3): 291-9 | H6/KFY [FASHION-] | 1362-704X | |||
| Fashioning global Africa: Independence to now | 2025 | Fashion theory 29 (3): 281-9 | H6/KFY [FASHION-] | 1362-704X | |||
| Africa Fashion in focus: three objects from the exhibition | 2025 | Fashion theory 29 (3): 301-25 | H6/KFY [FASHION-] | 1362-704X | |||
| Adire translocalities | 2025 | Fashion theory 29 (3): 359-74 | H6/KFY [FASHION-] | 1362-704X | |||
| The Kabyle dress– From folklore to Haute-Couture statement: Algerian Berber artist and fashion designer Khadidja Hamsi (1937 –2021) | 2025 | Fashion theory 29 (3): 327-57 | H6/KFY [FASHION-] | 1362-704X | |||
| Re-defining fashion cities: African fashion designers between local and global networks | 2025 | Fashion theory 29 (3): 375-90 | H6/KFY [FASHION-] | 1362-704X | |||
| Orange culture: an interview with Adebayo Oke-LAwal | 2025 | Fashion theory 29 (3): 411-18 | H6/KFY [FASHION-] | 1362-704X | |||
| Signifying African adornment: an interview with Ami Doshi Shah and Lafalaise Dion | 2025 | Fashion theory 29 (3): 419-29 | H6/KFY [FASHION-] | 1362-704X | |||
| Fashioning dirt: opening a new discourse | 2025 | Fashion theory 29 (4): 461-87 | H6/KFY [FASHION-] | 1362-704X | |||
| Dressing biopolitics, or can dress be considered a biopolitical dispositive? | 2025 | Fashion theory 29 (4): 435-60 | H6/KFY [FASHION-] | 1362-704X | |||
| Crafting sustainable fashion: dimensions of care in wearer-clothing relationship | 2025 | Fashion theory 29 (4): 517-42 | H6/KFY [FASHION-] | 1362-704X | |||
| Becoming the ‘sorority girl’: following southern fashion and sorority culture on #Rushtok | 2025 | Fashion theory 29 (4): 543-64 | H6/KFY [FASHION-] | 1362-704X | |||
| “Same-old, same-old”: the tired and tiring work of Retro as celebrity signature style | 2025 | Fashion theory 29 (4): 489-515 | H6/KFY [FASHION-] | 1362-704X | |||
| Introduction: Cross-Dressing | 2025 | Fashion theory 29 (5): 593-6 | H6/KFY [FASHION-] | 1362-704X | |||
| Top boy crossdressing: The Life of Heliogabalus in the Historia Augusta | 2025 | Fashion theory 29 (5): 597-617 | H6/KFY [FASHION-] | 1362-704X | |||
| Deviance or devotion: women dressed as men in late Medieval England | 2025 | Fashion theory 29 (5): 619-39 | H6/KFY [FASHION-] | 1362-704X | |||
| “Talora in abito di femmina, talora di maschio”: roleplay in portrait miniature with mica costume overlay, from Florence to Europe | 2025 | Fashion theory 29 (5): 641-84 | H6/KFY [FASHION-] | 1362-704X | |||
| Fashion queers | 2025 | Fashion theory 29 (5): 701-21 | H6/KFY [FASHION-] | 1362-704X | |||
| Remaining difference. Fashion, sexual difference, and Galliano's poetics of the cut | 2025 | Fashion theory 29 (5): 685-700 | H6/KFY [FASHION-] | 1362-704X | |||
| Fashion activism of Extinction Rebellion and Fashion Act Now | 2024 | Fashion theory 28 (1): 25-58 | H6/KFY [FASHION-] | 1362-704X | |||
| Revitalising Meisen Kimono in Chichibu through storytelling - craft, community, and sense-making | 2024 | Fashion theory 28 (1): 59-83 | H6/KFY [FASHION-] | 1362-704X | |||
| “I do What I do to drive change”: the social-symbolic work of sustainable fashion influencers | 2024 | Fashion theory 28 (1): 85-115 | H6/KFY [FASHION-] | 1362-704X | |||
| "The good Italian": fashion films as lifestyle manifestos. A study based on thematic analysis and digital analytics | 2024 | Fashion theory 28 (2): 151-73 | H6/KFY [FASHION-] | 1362-704X | |||
| Upcycling with material debris: nurturing the creative process through responsible handling of waste materials | 2024 | Fashion theory 28 (2): 175-207 | H6/KFY [FASHION-] | 1362-704X | |||
| Fabrics of memory | 2024 | Fashion theory 28 (2): 209-29 | H6/KFY [FASHION-] | 1362-704X | |||
| @JessicaOutOfTheCloset: intersections of vintage styles, gender, queerness, and disability in online spaces | 2024 | Fashion theory 28 (2): 231-49 | H6/KFY [FASHION-] | 1362-704X | |||
| Locating fashion cultures | 2024 | Fashion theory 28 (3): 281-304 | H6/KFY [FASHION-] | 1362-704X | |||
| Fair data is the new black: online shopping, data leaks, and broadening the understanding of sustainable fashion | 2024 | Fashion theory 28 (3): 305-33 | H6/KFY [FASHION-] | 1362-704X | |||
| Sustainability and the fashion media: micro-utopia, social dreaming and hope in the margins | 2024 | Fashion theory 28 (3): 335-58 | H6/KFY [FASHION-] | 1362-704X | |||
| In genderqueer closets: challenging gender binarism through embodied narratives of affect and style | 2024 | Fashion theory 28 (4): 437-60 | H6/KFY [FASHION-] | 1362-704X | |||
| Personal branding through perfume in the Middle East: investigating the role of fragrance in self-presentation, impression management, and cultural identity | 2024 | Fashion theory 28 (4): 461-81 | H6/KFY [FASHION-] | 1362-704X | |||
| Tayloring modernity and wrapping tradition: Chitenge [African print fabrics] class and culture in Zambia | 2024 | Fashion theory 28 (4): 505-27 | H6/KFY [FASHION-] | 1362-704X | |||
| Conceptualizing Australian First Nations fashion, art and style | 2024 | Fashion theory 28 (4): 529-54 | H6/KFY [FASHION-] | 1362-704X | |||
| Chinese fashion in China's fashion magazines (2005-2015) | 2024 | Fashion theory 28 (5-6): 579-612 | H6/KFY [FASHION-] | 1362-704X | |||
| Wearing: art, the body, and distance | 2024 | Fashion theory 28 (5-6): 613-33 | H6/KFY [FASHION-] | 1362-704X | |||
| Reviving, reinventing and rethinking an Indigenous luxury textile: Piña cloth, and fashion in the Philippines | 2024 | Fashion theory 28 (5-6): 649-81 | H6/KFY [FASHION-] | 1362-704X | |||
| Sartorial strategies of female punks in Malaysia's socio-religious landscape | 2024 | Fashion theory 28 (7): 899-926 | H6/KFY [FASHION-] | 1362-704X | |||
| Fashion illustration history: repairing the links from Ukiyo-e to Shōjo Manga | 2024 | Fashion theory 28 (7): 927-69 | H6/KFY [FASHION-] | 1362-704X | |||
| Innovative upcycling: the creative potential of collaborating with degraded materials | 2024 | Fashion theory 28 (7): 971-95 | H6/KFY [FASHION-] | 1362-704X | |||
| Threads of change: advancing sustainable fashion through new materialist perspectives | 2024 | Fashion theory 28 (7): 997-1013 | H6/KFY [FASHION-] | 1362-704X | |||
| Decentering durability: decarbonizing and decolonizing ideas and practices of long-lasting clothes | 2024 | Fashion theory 28 (7): 1015-41 | H6/KFY [FASHION-] | 1362-704X | |||
| Shades and lengths of change: exploring fashion changes in post-Soviet Azerbaijan | 2024 | Fashion theory 28 (7): 1043-71 | H6/KFY [FASHION-] | 1362-704X | |||
| Glittering bodies: the politics of mortuary self-fashioning in Eurasian nomadic cultures (700 BCE-200 BCE) | 2023 | Fashion theory 27 (2): 175-204 | H6/KFY [FASHION-] | 1362-704X | |||
| Masculinity, identity and body politics in the interzone: a queer perspective on Raf Simon's critical fashion practices (1995-2005) | 2023 | Fashion theory 27 (1): 115-47 | H6/KFY [FASHION-] | 1362-704X | |||
| Fashion in Cuba as revolt, and the horror of the nonproductive | 2023 | Fashion theory 27 (1): 43-83 | H6/KFY [FASHION-] | 1362-704X | |||
| Dress like a mum/mom: Instagram style mums and the fashionable ideal | 2023 | Fashion theory 27 (1): 5-42 | H6/KFY [FASHION-] | 1362-704X | |||
| Fashion statements in a site of conflict | 2023 | Fashion theory 27 (2): 205-35 | H6/KFY [FASHION-] | 1362-704X |