| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Carnival | 1984 | Caribe (1/2): 26-32 | |||||
| The bomba and plena: Africa retained in music and dance of Puerto Rico | 1983 | Caribe 7 (1/2): 42-3 | |||||
| Portrait of the pachanga: the music, the players, the dancers [Cuban dance] | 1983 | Caribe 7 (1/2): 47-9 | |||||
| America's first African dance theatre | 1983 | Caribe 7 (1/2): 6-10 | |||||
| A survey of Haitian vodun ritual dance | 1983 | Caribe 7 (1/2): 39-40 | |||||
| Capoeira [Afro-Brazilian dance] | 1983 | Caribe 7 (1/2): 41-2 | |||||
| Kubata: Cuban cultural authenticity in music and dance | 1983 | Caribe 7 (1/2): 36-8 | |||||
| Reggae: a musical weapon | 1982 | Caribe 6 (1): 21-5 | |||||
| Articulating a Caribbean aesthetic: the revolution of self-perception | 1982 | Caribe 6 (1): 16-21 | |||||
| Is America musical? | 1982 | Caribe 6 (3): 6-7 | |||||
| The Mighty Sparrow [Caribbean poet] | 1982 | Caribe 6 (3): 8-12 | |||||
| The emergence of a Caribbean aesthetic | 1981 | Caribe 5 (2): 16-20 | |||||
| Towards a discussion on: "The emergence of a Caribbean aesthetic" | 1981 | Caribe 5 (2): 24-31 | |||||
| Articulating a Caribbean aesthetic: the revolution of self-perception | 1981 | Caribe 5 (2): 7-15 | |||||
| The possible role for the Caribbean artist in an urban setting | 1981 | Caribe 5 (2): 21-3 | |||||
| Jamaica traditions of African origins | 1981 | Caribe 5 (2): 32-7 | |||||
| The Orisha tradition: a world view | 1981 | Caribe 5 (1): 2-3 | |||||
| The Orisha tradition: a world view | 1981 | Caribe 5 (4): 5-7 | |||||
| Black Latin American literature and humanism | 1980 | Caribe 2 (): 18-21 | |||||
| Reggae: a musical weapon | 1980 | Caribe 5 (): 6-10 | |||||
| Race and identity and children of the African diaspora: contributions of Rastafari | 1980 | Caribe 5 (): 14-18 | |||||
| Jamaica music: a select bibliography | 1980 | Caribe 5 (): 11-12 | |||||
| Quilomibismo and the Afro-Brazilian artist | 1980 | Caribe 2 (): 16-17 | |||||
| Contemporary Afro-Brazilian protest poetry | 1980 | Caribe 2 (): 6-10 | |||||
| Las fiestas tradicionales de las Mascaras de Hatillo | 1980 | Caribe 4 (3): 7 | |||||
| Afro-American/Caribbean dialectic | 1980 | Caribe 5 (): 19-20 | |||||
| African religious traditions in Brazil | 1979 | Caribe 3 (2): 3-4 | |||||
| African diaspora in the Americas | 1979 | Caribe 3 (2): 2-3 | |||||
| On the presence, migrations and cultures of blacks in the Americas: some imperatives for Afro-Hispanic American studies | 1979 | Caribe 3 (): 8-13 | |||||
| The Igneri Indians of Puerto Rico | 1978 | Caribe 2 (): 17-20 | |||||
| Vodu y magia en Santo Domingo | 1978 | Caribe 2 (): 12-16 | |||||
| An insight [on voodoo and santeria] | 1978 | Caribe 2 (): 4-7 | |||||
| The art of handicrafts and the indigenous art of Puerto Rico | 1978 | Caribe 2 (1): 6-9 | |||||
| Rediscovery: the indigenous art of Puerto Rico | 1978 | Caribe 2 (1): 10-11 | |||||
| Portfolio [on his own drawings] | 1977 | Caribe [1] (): 23-5 | |||||
| Research objectives in Caribbean archeology | 1977 | Caribe 1 (): 2-5 | |||||
| Coabey ... sierra del senor de la muerte [Puerto Rico] | 1977 | Caribe 1 (): 15-17 | |||||
| El arte aborigen de Puerto Rico: petroglifos y pictografias | 1977 | Caribe 1 (): 7-14 |