| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Visual culture and Indigenous people in early 20th century Argentina: the illustrations in Caras y Caretas in the centenary year | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 8-24 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Figuring pre-colonial Andean narratives: Toribio Mejía draws the Huarochirí manuscript | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 25-44 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Water lilies and fish. An ecosystem in the iconographic and ritual representation of the Maya city of Palenque | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 45-65 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Ceramic personal adornment among pre-Hispanic human groups of northeast Argentina | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 66-81 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Wallqas as multiple exchanges in the Andes | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 82-97 | H6/KE [BOLETIN-] | 0716-1530 | |||
| The art of the Chiéjaus: materiality and agencies in ceremonial painted artifacts of the Yagan people of Tierra del Fuego | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 98-119 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Cerro Malabrigo and the resurgence of pre-Hispanic monumental architecture in the Chicama valley, northern coast of Peru | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 120-39 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Qhapaq Ucha on the southern border of Tawantinsuyu. Rescue, materials, and meanings | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 140-61 | H6/KE [BOLETIN-] | 0716-1530 | |||
| El Boletín del Museo Chileno de Arte Precolombino en el contexto de los cambios en la Web of Science y algunos nuevos desafíos | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 10-17 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Investigar y publicar: el Boletín del Museo Chileno de Arte Precolombino y su contexto de creación | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 21-5 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Homenaje a José Berenguer | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 27-8 | H6/KE [BOLETIN-] | 0716-1530 | |||
| José Berenguer, un pensador de la historia centro-sur andina | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 32-5 | H6/KE [BOLETIN-] | 0716-1530 | |||
| José Berenguer: sapiencia, seriedad y una amistad que agradezco | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 29-31 | H6/KE [BOLETIN-] | 0716-1530 | |||
| A José Berenguer, compañero de rutas | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 36-7 | H6/KE [BOLETIN-] | 0716-1530 | |||
| La pacarina de José Berenguer | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 47-50 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Archaeology of war on the northern Andean coast: the equipment of the Jama Coaque warrior in sculptural art | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 52-69 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Homenaje al colega, amigo y maestro José “Pepe” Berenguer | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 38-46 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Morphological and iconographic approaches to the aysanas of late funerary sites from Maipo-Mpocho Basin, central Chile | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 90-110 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Rock art displays in Sierra del Portezuelo (San Luis, Argentina). Analysis and regional comparisons | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 70-89 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Disputes over representation and memory in a colonial kero from Cusco | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 111-30 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Innovations in colonial Andean ritual vessels: keros and pacchas | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 131-51 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Birds in rock paintings of Roboré (Chiquitania, Department of Santa Cruz, Bolivia) | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 152-69 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Gender in the regeneration of heritage: a diachronic analysis in the Maya region | 2025 | Boletín del Museo chileno de Arte precolombino 30 (2): 170-87 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Iconografía y escritura jeroglífica maya: rituales, mitos y gobernantes | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 9-18 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Image and word in Maya sculpture of the Classic Period: the case of the Tikal steles | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 19-37 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Codex style ceramics of Popul Vuh Museum | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 38-51 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Iconography, composition, and support of Maya Flood Dragon from the Preclassic to Postclassic periods (400 BC-AD 1500) | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 52-76 | H6/KE [BOLETIN-] | 0716-1530 | |||
| The impersonation of ˀAhkan as depicted on Lintel 3 of Temple IV at Tikal | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 77-95 | H6/KE [BOLETIN-] | 0716-1530 | |||
| The Maya K'UH hieroglyphic sign in emblem glyphs: a visual culture approach | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 96-112 | H6/KE [BOLETIN-] | 0716-1530 | |||
| A syllabic sign and the name of Teotihuacan ruler Spearthrower-Owl in Maya writing | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 113-33 | H6/KE [BOLETIN-] | 0716-1530 | |||
| The women of Uhx Teˀ K’uh in Palenque court. A new approach through their representations | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 134-53 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Women, lineage and local nobility in Yaxchilan | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 154-75 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Building to remember: types and location of burials in Residential Group IV and other complexes of the nobility at Palenque, Chiapas | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 116-42 | H6/KE [BOLETIN-] | 0716-1530 | |||
| The complex of human figures associated with bearded ophidians in the statuary of central Veracruz cultures | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 78-96 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Creating sacred images. The elaboration of effigy-censers from the Maya site of Palenque | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 34-54 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Disentangling iconography in borderlands: nonhuman actors and authority in Honduran Classic polychromes | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 97-115 | H6/KE [BOLETIN-] | 0716-1530 | |||
| La Desconocida: Cartography in Diego de Landa’s Relación de las cosas de Yucatán | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 12-33 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Maya instruments and their sound symbolism in Naachtun, Guatemala | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 158-79 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Maya rituals associated to the passage of hotun in Quirigua | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 55-77 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Mayas: espacio, tiempo y manifestaciones artísticas | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 7-11 | H6/KE [BOLETIN-] | 0716-1530 | |||
| “They drip pain upon everything, the pain falls upon the people”. Sickness and fateful times in a fragment of the Chilam Balam de Kaua | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 143-57 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Editorial | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 11-19 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Altered states of consciousness in the post Paleolithic art of the Iberian Peninsula: rituals of ecstasy, psychoactive plants, and social dynamics | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 41-61 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Art and shamanism. An approach to a hermeneutic of visionary images | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 21-39 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Sacred plants in Mexico: past and present | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 63-82 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Huichol shamanism: traditional wisdom in a modern world | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 83-102 | H6/KE [BOLETIN-] | 0716-1530 | |||
| The statuette of the Osvaldo site in the Central Amazon. Evaluation of the presence of shamanism in a 7th century AD circular village | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 103-18 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Shamanism, ontologies of art, and transcorporeality: bridges between Diaguita art and bailes chinos in the Chilean semi-arid north | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 119-40 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Humans, camelids and artifacts in a transformational universe: funerary rituals at El Olivar site | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 141-67 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Plants, animals, minerals and blows: tobacco and cebil implements in Pampa Grande, Salta, Argentina (AD 0-1000) | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 169-93 | H6/KE [BOLETIN-] | 0716-1530 |