| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Plastic attunements: ambiguity, creativity and performing materiality in environmental dance in the UK | 2024 | Anthropology and art (9): 1-16 | 2397-1754 | ||||
| Redefining curatorship as skilled practice | 2023 | Anthropology and art (7): 1-19 | 2397-1754 | ||||
| Catalogue of correspondence: a collection of rocks found in the Gothenburg Museum of World Culture | 2023 | Anthropology and art (8): 1-45 | 2397-1754 | ||||
| 'Such intimate relations': on the process of collecting string figures and the paradigm of participant observation fieldwork | 2022 | Anthropology and art 4 (): 1-23 | 2397-1754 | ||||
| Some ethical implications of re-materializing Tonga Pūoro | 2022 | Anthropology and art 5 (): 1-20 | 2397-1754 | ||||
| Socio-creativity in the Neolithic | 2022 | Anthropology and art 5 (): 1-19 | 2397-1754 | ||||
| Moulding Quilombola identities and ethnic politics: understandings and practices around 'Quilombo heritage' in Brazil | 2021 | Anthropology and art 2 (): 1-26 | 2397-1754 | ||||
| Animism and the Mbya-Guarani cinema | 2021 | Anthropology and art 3 (): 1-21 | 2397-1754 | ||||
| Stories in the making: what artists made of the 2018 RAI Art, Materiality and Representation conference | 2020 | Anthropology and art 1 (): 1-39 | 2397-1754 |