| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Political participation and engagement in East Germany through Chilean Nueva Canción | 2022 | Yearbook for traditional music 54 (1): 1-25 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Banding together in Cape Town and Lagos: engaging reciprocity as applied ethnomusicology | 2022 | Yearbook for traditional music 54 (1): 27-47 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Hearing cosmopolitan nationalism in the work of Fairuz and the Rahbani Brothers | 2022 | Yearbook for traditional music 54 (1): 49-72 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| “That is why I am telling this story”: musical analysis as insight into the transmission of knowledge and performance practice of a Wapurtarli song by Warlpiri women from Yuendumu, central Australia | 2021 | Yearbook for traditional music 53 (): 35-70 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| The act of singing: women, music, and the politics of truth and reconciliation in Indonesia | 2021 | Yearbook for traditional music 53 (): 1-44 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Music research and the sound archive: a meditation on ethnomusicological engagement with collection-oriented research and re(p)(m)atriation | 2021 | Yearbook for traditional music 53 (): 103-26 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| An unorthodox voice: the rise of female Qinshi, their challenges, and their pursuits | 2021 | Yearbook for traditional music 53 (): 71-101 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Musicking and dancing Imbalu at Namasho: enacting Indigenous education among the Bagisu, Uganda | 2021 | Yearbook for traditional music 53 (): 127-54 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Allow peace to reign: musical genres of Fújì and Islamic allegorise Nigerian unity in the era of Boko Haram | 2020 | Yearbook for traditional music 52 (): 1-22 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Fostering reconciliation through collaborative research in Unama'ki: engaging communities through Indigenous methodologies and research-creation | 2020 | Yearbook for traditional music 52 (): 23-40 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Between Faqīr and Fankār? Sounding complex subjectivities through Shah Jo Rāg in Sindh, Pakistan | 2020 | Yearbook for traditional music 52 (): 41-67 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| From Galilee villages to the mountains of Al-Sham: local and regional musical networks among Palestinian Arab wedding musicians in northern Israel | 2020 | Yearbook for traditional music 52 (): 69-92 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Naniwa-bushi in Hawai‘i: the rise and fall of a Japanese narrative art in diaspora | 2020 | Yearbook for traditional music 52 (): 93-126 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Forging Aztecness: twentieth-century Mexican musical nationalism in twenty-first century Los Angeles | 2020 | Yearbook for traditional music 52 (): 127-46 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Women's role in preserving lament songs in the villages of Gjirokastër, Albania | 2020 | Yearbook for traditional music 52 (): 147-67 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Drumming and dancing in Mahābhārata performances of the Himalayas: possession as transitional states | 2020 | Yearbook for traditional music 52 (): 169-85 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Looking for the past: history and change in traditional music studies in Chile (1990-2020) | 2020 | Yearbook for traditional music 52 (): 187-206 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Exploring creativity in traditional music | 2019 | Yearbook for traditional music 51 (): 1-15 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Sustainability and Indigenous aesthetics: musical resilience in Sámi and Indigenous Canadian theatre | 2019 | Yearbook for traditional music 51 (): 17-48 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| When K-Pop and Kugak meet: popularising P’ansori in modern Korea | 2019 | Yearbook for traditional music 51 (): 49-71 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Ratoeh Jaroe: Islam, youth, and popular dance in Jakarta, Indonesia | 2019 | Yearbook for traditional music 51 (): 73-101 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Ancient sounds in the new world: Syro-Maronite chant in Lebanese Maronite communities in the United States | 2019 | Yearbook for traditional music 51 (): 103-38 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| On diasporic generation and Syrian-Argentine musicking in Buenos Aires, Argentina | 2019 | Yearbook for traditional music 51 (): 139-65 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| “Nothing happened without music”: teaching and learning the Anatolian bağlama in Berlin | 2019 | Yearbook for traditional music 51 (): 167-85 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Contraculture: bird names and the degendering of Contra Dance | 2019 | Yearbook for traditional music 51 (): 187-215 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Subjunctive masculinities: making men through music and ritual in northern Ghana | 2019 | Yearbook for traditional music 51 (): 217-45 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Policing space and defying mainstream: gender and the creation of traditional music public sphere in twentieth-century Ireland | 2019 | Yearbook for traditional music 51 (): 247-68 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| The redress of music: music, mediation, and parity of esteem | 2018 | Yearbook for traditional music 50 (): 1-14 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| The Music and Memory Project: understanding music and dementia through applied ethnomusicology and experiental filmmaking | 2018 | Yearbook for traditional music 50 (): 15-39 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| A sea of voices: perfromance, relations, and belonging in saltwater places | 2018 | Yearbook for traditional music 50 (): 41-69 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| IFMC, Masu Genjiro, Kurosawa Takatomo, and their recordings of Taiwanese music | 2018 | Yearbook for traditional music 50 (): 71-90 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| “From identity to alliance”: challenging Métis “inauthenticity” through alliance studies | 2018 | Yearbook for traditional music 50 (): 91-117 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| The significance of Ìrìráábú musical satire in the Ékpè Dance Festival amongst the Obohia-Ndoki oeople of Nigeria | 2018 | Yearbook for traditional music 50 (): 119-39 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Why is uncle paintbrush so funny? The case of YouTube translation of a Syrian Kurdish wedding song into Finnish | 2018 | Yearbook for traditional music 50 (): 141-64 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Squaring off: the forgotten caller in Cape Breton square dancing | 2018 | Yearbook for traditional music 50 (): 165-86 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Politely different: queer presence in country dancing and music | 2018 | Yearbook for traditional music 50 (): 187-209 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Guest editors' preface: speech, song, and in-between | 2017 | Yearbook for traditional music 49 (): xv-xix | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Traditional music and the work-concept: the Kayagŭm Sanjo of Hwang Byungki | 2017 | Yearbook for traditional music 49 (): 1-25 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Making traditions: girls' carnival Morris Dancing and material practice | 2017 | Yearbook for traditional music 49 (): 26-47 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Stomping on the ground: dancing Flamenco through Tokyo's soundscape | 2017 | Yearbook for traditional music 49 (): 48-66 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Dancing the archive: rhythms of change in Montserrat's masquerades | 2017 | Yearbook for traditional music 49 (): 67-91 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Conceptualizing Noongar song | 2017 | Yearbook for traditional music 49 (): 92-113 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Music spirits and powerful voices: on the origins of song | 2017 | Yearbook for traditional music 49 (): 114-28 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Liminal utterances and shapes of sadness: local and acoustic perspectives on vocal production among the Yezidis of Armenia | 2017 | Yearbook for traditional music 49 (): 129-48 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Unimagining song: making kin in the vocal scene | 2017 | Yearbook for traditional music 49 (): 149-61 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Gauging music vitality and viability: three cases from Cambodia | 2016 | Yearbook for traditional music 48 (): 25-47 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Safeguarding intangible cultural heritage in the Republic of Macedonia | 2016 | Yearbook for traditional music 48 (): 1-24 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Xeremiers de sa Calatrava, from heydey to unemployment: lives dedicated to the Mallorcan bagpipes | 2016 | Yearbook for traditional music 48 (): 48-70 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Multiple authenticities in motion: styles and stances in Sikh Sabad Kīrtan | 2016 | Yearbook for traditional music 48 (): 71-93 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
| Stories of differentiation and association: narrative identity and the Jola Ekonting | 2016 | Yearbook for traditional music 48 (): 94-114 | H6/KFYV [YEARBOOK-] | 0740-1558 |