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TitleDateReferenceAuthorsCall #ISSN
Lustrous matter: aventurine glass in Murano and the Chinese Qing Imperial Court (1644–1911) 2026 World art 16 (1): 1-25
  • Cynthia Fang
 H6 [WORLD-] 2150-0908
The evolution of contemporary art in Jerusalem: 1967 to the present 2026 World art 16 (1): 27-50
  • Elad Yaron
 H6 [WORLD-] 2150-0908
Quiet horizons: Aaron Curme, Sungi Mlengeya, and African minimalism 2026 World art 16 (1): 51-71
  • Catherine Coolen
 H6 [WORLD-] 2150-0908
Art after the Ice Age: questions we might ask of the image making traditions of Stone Age Europe 2026 World art 16 (1): 73-97
  • Andrew Meirion Jones
 H6 [WORLD-] 2150-0908
Fragments of the self: a dialogue with Hicham Benohoud in body, identity, power and resistance through photography 2026 World art 16 (1): 99-123
  • Hicham Benohoud
  • Yassine Chouati interv
 H6 [WORLD-] 2150-0908
‘Things are never what they seem’: Howard Arkley and Surrealism 2026 World art 16 (1): 125-51
  • John Gregory
 H6 [WORLD-] 2150-0908
Artiplaces: ecological and ontological entanglements of ancient artworks 2026 World art 16 (2): 155-70
  • Benjamin Alberti
  • Christopher Watts
 H6 [WORLD-] 2150-0908
Footprints: steps, stepping, and the signified in Mesoamerican art 2026 World art 16 (2): 171-94
  • Julia Guernsey
  • Stephanie M. Strauss
 H6 [WORLD-] 2150-0908
The materiality of color at La Venta 2026 World art 16 (2): 195-218
  • Claudia Brittenham
 H6 [WORLD-] 2150-0908
Hungry buildings of the ancient Andes: art, creation, and bodies 2026 World art 16 (2): 219-41
  • Hugo C. Ikehara-Tsukayama
 H6 [WORLD-] 2150-0908
The futurity of rock reliefs: materiality and temporality of remains 2026 World art 16 (2): 243-65
  • Ömür Harmanşah
 H6 [WORLD-] 2150-0908
Tracing the Tigris 2026 World art 16 (2): 267-92
  • Jennifer Stager
 H6 [WORLD-] 2150-0908
Beholding through being: understanding the phenomenal agency of indigenous-made imagery 2026 World art 16 (2): 293-311
  • Emily Van Alst
 H6 [WORLD-] 2150-0908
Slipping the settler-colonial gaze: rock paintings and Anishinaabeg iconological sovereignty 2026 World art 16 (2): 313-34
  • Christopher Watts
 H6 [WORLD-] 2150-0908
Crowning affairs: sacred sovereigns in the Pre-Columbian world 2025 World art 15 (1): 1-34
  • David Chicoine
  • George F. Lau
 H6 [WORLD-] 2150-0908
The emergence of divine rulership in Formative Mesoamerica 2025 World art 15 (1): 35-66
  • Arthur A. Joyce
 H6 [WORLD-] 2150-0908
Mythical paradigms and paradoxes in ancient Maya kingship 2025 World art 15 (1): 67-94
  • Oswaldo Chinchilla Mazariegos
 H6 [WORLD-] 2150-0908
Aztec sovereignty and Motecuhzoma Xocoyotzin's sacred and secular roles 2025 World art 15 (1): 95-121
  • Elizabeth Baquedano
  • Frances F. Berdan
 H6 [WORLD-] 2150-0908
‘Children of the Thunderbolt’: divine leadership in the Central Andes before the Incas 2025 World art 15 (1): 123-55
  • George F. Lau
  • Milton Luján
 H6 [WORLD-] 2150-0908
Ruling from the grave: Wari art, rulership and organization at Castillo de Huarmey, Peru 2025 World art 15 (1): 157-92
  • Miłosz Giersz
 H6 [WORLD-] 2150-0908
Drinking with dead kings: ritual and rulership in the kingdom of Chimor 2025 World art 15 (1): 193-228
  • Joanne Pillsbury
 H6 [WORLD-] 2150-0908
Wholly holy kings and queens? Commentary on Sacred Sovereigns 2025 World art 15 (1): 229-43
  • Jeffrey Quilter
 H6 [WORLD-] 2150-0908
Conceptualizing iconoclasm and Taiwanese art: sociopolitical implications 2025 World art 15 (2): 245-69
  • Chieh-Hsiang Wu
 H6 [WORLD-] 2150-0908
Restor(y)ing the Earth: indigenizing graphic storytelling through Tree Matters 2025 World art 15 (2): 271-90
  • Anindita Ghosal
  • Arindam Modak
 H6 [WORLD-] 2150-0908
The social commentary of Squid Game: reflections on Korean art, space and inequality 2025 World art 15 (2): 291-315
  • Yumi Park Huntington
 H6 [WORLD-] 2150-0908
LGBTQ+ themed public art: promoting an expanded view on genders and advancing gender education 2025 World art 15 (2): 317-26
  • Somi Lee
 H6 [WORLD-] 2150-0908
Threading islands: transpacific connections in Haji Oh's Seabird Habitats (2022) 2025 World art 15 (3): 327-51
  • Soo-Min Shim
 H6 [WORLD-] 2150-0908
Transmutation of painted dreams: a hermeneutic circle of meaning by Portia Zvavahera 2025 World art 15 (3): 353-63
  • Attwell Mamvuto
  • Edgar Nhira-Mberi
  • Njabulo Mpofu
 H6 [WORLD-] 2150-0908
Juan Muñoz and the canon: a process of recognition and validation 2025 World art 15 (3): 363-87
  • Alejandro Granero Ferrer
 H6 [WORLD-] 2150-0908
American globalization and hippie modernism at Earth Day in 1970: perspectives on the green agendas of Rauschenberg and Sonfist 2025 World art 15 (3): 389-411
  • Keith B. Wagner
  • Yeon Shim Chung
 H6 [WORLD-] 2150-0908
Curating ancient Peru: bringing archaeological objects to life in museum exhibitions to forge connections with the past and enrich learning spaces 2025 World art 15 (3): 413-38
  • Cecilia Pardo Grau
 H6 [WORLD-] 2150-0908
Worlding China: Huo Mingzhi’s transnational dealership and global narrative of Chinese art in the early twentieth century 2024 World art 14 (1): 1-26
  • Han Chen
 H6 [WORLD-] 2150-0908
The illustrated literature of Solomon Cocky: turning the Dreaming into books 2024 World art 14 (1): 27-47
  • Darren Jorgensen
  • Inge Kral
 H6 [WORLD-] 2150-0908
Environmental Art/107 m3 Pavilion 2024 World art 14 (1): 49-53
  • Ryo Yamada
 H6 [WORLD-] 2150-0908
Contested traditions: contemporary Chinese fiber art and Gu Wenda’s Wisdom Comes from Tranquility (1986) 2024 World art 14 (1): 55-82
  • Keyu Yan
 H6 [WORLD-] 2150-0908
Introduction: rethinking primitivisms in the modern art of Southeast Asia 2024 World art 14 (2): 85-100
  • Phoebe Scott
  • Yvonne Low
 H6 [WORLD-] 2150-0908
Can you hear the image speak? Primitivism, imagespeech, and audienceship 2024 World art 14 (2): 101-26
  • Brigitta Isabella
 H6 [WORLD-] 2150-0908
Udeido: strategically amplifying disruptive Papuan narratives in Indonesia’s art centre 2024 World art 14 (2): 127-50
  • Udeido Collective
  • Elly Kent
  • Wulan Dirgantoro
 H6 [WORLD-] 2150-0908
The gaze on ‘primitive’ others in Japanese modern art: ethnography, art, and curatorial perspectives 2024 World art 14 (2): 151-79
  • Hanako Shinohara
 H6 [WORLD-] 2150-0908
In search of the uncontroversial nude: Liu Kang’s modernist pursuit in Nanyang 2024 World art 14 (2): 181-208
  • Yvonne Low
 H6 [WORLD-] 2150-0908
The allure of the east (Coast of Malaysia) 2024 World art 14 (2): 209-27
  • Charmaine Toh
 H6 [WORLD-] 2150-0908
Primitivism and affiliation: Yeh Chi Wei’s Borneo images 2024 World art 14 (2): 229-56
  • Phoebe Scott
 H6 [WORLD-] 2150-0908
Between presence and absence: signature, signature style and agency of the kalamkari makers 2024 World art 14 (3): 257-78
  • Rajarshi Sengupta
 H6 [WORLD-] 2150-0908
Sculpture, circular economy and ecological reflections: redefining waste through sustainable art in Ghana 2024 World art 14 (3): 279-303
  • Evans Kwadwo Donkor
  • Fredrick Boakye-Yiadom
  • Owusu-Ansah Ankrah
  • Victor Kweku Bondzie Micah
 H6 [WORLD-] 2150-0908
The wheel and the first sermon: a reflection on aniconism and Amaravati sculptures in The British Museum 2024 World art 14 (3): 305-14
  • Mengyuan Chai
 H6 [WORLD-] 2150-0908
When the barbarians came by sea: hunting and alienism in entangled Sino-Japanese visual cultures, 1550–1750 2024 World art 14 (3): 315-47
  • Lianming Wang
 H6 [WORLD-] 2150-0908
Cultural identity and royal symbolism in Uganda: regalia in the investiture of the King of Buganda 2024 World art 14 (3): 349-71
  • Edwin Wathum
  • Joan Kekimuri
 H6 [WORLD-] 2150-0908
Challenging Orientalism: new perspectives on perception and reception, an introduction 2023 World art 13 (1): 1-6
  • Emily Christensen
  • Erica Payet
 H6 [WORLD-] 2150-0908
Negotiating between East and West: the case of Russian Orientalism 2023 World art 13 (1): 7-28
  • Maria Taroutina
 H6 [WORLD-] 2150-0908
'Eternal convivencia': from Madrid's Painters of Africa to the School of Tetouan 2023 World art 13 (1): 29-61
  • Claudia Hopkins
 H6 [WORLD-] 2150-0908
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