Title | Date | Reference | Authors | Call # | ISSN | ||
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Otherized food, racialized bodies: discourses of food, smell and racism in Nicholas Kharkongor’s Axone | 2024 | South Asian popular culture 22 (1): 1-15 | H6/KW [SOUTH-] | 1474-6689 | |||
Identity in corporeality: interplay of disability and masculinity in Sanjay Leela Bhansali’s Guzaarish (2010) and Anurag Basu’s Barfi! (2012) | 2024 | South Asian popular culture 22 (1): 17-41 | H6/KW [SOUTH-] | 1474-6689 | |||
Local water bodies and the threat of slow violence in Subhash Vyam's Water | 2024 | South Asian popular culture 22 (1): 43-63 | H6/KW [SOUTH-] | 1474-6689 | |||
Bollywoodizing Netflix or globalizing Hotstar? The cultural-industrial logics of global streaming platforms in India | 2024 | South Asian popular culture 22 (1): 65-83 | H6/KW [SOUTH-] | 1474-6689 | |||
Kaala, a counter-narrative to Hindutva from an Ambedkarite perspective | 2024 | South Asian popular culture 22 (1): 85-101 | H6/KW [SOUTH-] | 1474-6689 | |||
Screening trauma and violence: representation and insurgency in select films from Assam | 2024 | South Asian popular culture 22 (1): 103-19 | H6/KW [SOUTH-] | 1474-6689 | |||
Shammi hero a da hero: construction of masculinity in recent Malayalam cinema | 2024 | South Asian popular culture 22 (1): 121-33 | H6/KW [SOUTH-] | 1474-6689 | |||
Drawing the lines: studying the Common Man caricatures by R.K. Laxman to understand dominant political discourse around legitimate political contestations in postcolonial India | 2024 | South Asian popular culture 22 (1): 135-57 | H6/KW [SOUTH-] | 1474-6689 | |||
Dressing up ‘justice’: the cinematic body and the body of the cinematic medium in Mard Ko Dard Nahi Hota (2018) | 2024 | South Asian popular culture 22 (4): 167-80 | H6/KW [SOUTH-] | 1474-6689 | |||
Recasting a forest legend in the event of climate crisis: Jungle Nama (2021), Sundarbans, and the art of storytelling | 2024 | South Asian popular culture 22 (4): 181-6 | H6/KW [SOUTH-] | 1474-6689 | |||
The partition and its legacy: a study of the television miniseries Ms. Marvel | 2024 | South Asian popular culture 22 (4): 187-94 | H6/KW [SOUTH-] | 1474-6689 | |||
Locating and dislocating gender and middle-class moralities in Malayalam cinema: a study of Shyamaprasad’s Ore Kadal and Artist | 2024 | South Asian popular culture 22 (4): 195-209 | H6/KW [SOUTH-] | 1474-6689 | |||
‘Automatic guns singing death verses’ and Swachh Bharat rainbows: layered messaging, cultural citizenship and public wall art on Maharshi Karve Road, Mumbai | 2024 | South Asian popular culture 22 (4): 211-24 | H6/KW [SOUTH-] | 1474-6689 | |||
Dark days of Indian democracy: a historical study on the portrayal, censorship, and representation of 'Indian emergency' in Malayalam cinema | 2024 | South Asian popular culture 22 (4): 245-62 | H6/KW [SOUTH-] | 1474-6689 | |||
Negotiating the exigencies of nationalism: Tipu Sultan in Pakistani cinema | 2024 | South Asian popular culture 22 (4): 225-43 | H6/KW [SOUTH-] | 1474-6689 | |||
Staging pleasures and excesses of modernity: clubs in Urdu social films | 2024 | South Asian popular culture 22 (4): 263-79 | H6/KW [SOUTH-] | 1474-6689 | |||
Disrupting heteronormativity: queer subjectivities and the family in Badhaai Do | 2024 | South Asian popular culture 22 (4): 297-312 | H6/KW [SOUTH-] | 1474-6689 | |||
The agony of Jesmin's body: a critical reading of Tahmima Anam's 'Garments' | 2024 | South Asian popular culture 22 (4): 281-96 | H6/KW [SOUTH-] | 1474-6689 | |||
The Routledge companion to caste and cinema in India; exploring alternative voices, suppressed gazes, and caste dynamics in film | 2024 | South Asian popular culture 22 (4): 313-19 | H6/KW [SOUTH-] | 1474-6689 | |||
Making Miss Diva: idealizing femininty and new embodied nationalism in India | 2024 | South Asian popular culture 22 (4): 321-33 | H6/KW [SOUTH-] | 1474-6689 | |||
Intersectionalities in popular Hindi cinema: regions, languages and industries | 2024 | South Asian popular culture 22 (3): 333-42 | H6/KW [SOUTH-] | 1474-6689 | |||
Madrasis and Meenakshi Sundareswars: representation of Tamil culture in popular Hindi cinema | 2024 | South Asian popular culture 22 (3): 343-53 | H6/KW [SOUTH-] | 1474-6689 | |||
Hindi cinema’s regional (re)turn: the case of Swades (2004) and its Kannada regional and linguistic antecedents | 2024 | South Asian popular culture 22 (3): 355-66 | H6/KW [SOUTH-] | 1474-6689 | |||
The place of location(s): milieus and regions of Gunga Jumna and Mukkabaaz | 2024 | South Asian popular culture 22 (3): 367-79 | H6/KW [SOUTH-] | 1474-6689 | |||
In a relational space: vernacular figures of Bollywood | 2024 | South Asian popular culture 22 (3): 381-95 | H6/KW [SOUTH-] | 1474-6689 | |||
Screening regions, sightseeing the cities: touristy gaze, Tollywood aesthetics and the making of new Bengali-ness in Barfi | 2024 | South Asian popular culture 22 (3): 397-411 | H6/KW [SOUTH-] | 1474-6689 | |||
The other side of paradise: Kashmir and Indian cinema | 2024 | South Asian popular culture 22 (3): 427-38 | H6/KW [SOUTH-] | 1474-6689 | |||
The mediated life of (Ajit) Pai: disciplining 'model minorities' in neoliberal times | 2023 | South Asian popular culture 21 (1): 1-24 | H6/KW [SOUTH-] | 1474-6689 | |||
Outside the imagined community: Pashtun subjects in contemporary Pakistani cinema | 2023 | South Asian popular culture 21 (1): 25-40 | H6/KW [SOUTH-] | 1474-6689 | |||
Negotiations within a cultural phenomenon: Sidhu Moose Wala and a changing Punjab | 2023 | South Asian popular culture 21 (1): 41-55 | H6/KW [SOUTH-] | 1474-6689 | |||
Rebellion from outside the margins: representation of de-notified tribe and questions of identity in Fandry (2013) | 2023 | South Asian popular culture 21 (1): 57-75 | H6/KW [SOUTH-] | 1474-6689 | |||
Reframing female bodies in Sri Lankan cinema: 28 and Asandhimitta revisited | 2023 | South Asian popular culture 21 (1): 77-88 | H6/KW [SOUTH-] | 1474-6689 | |||
Traversing boundaries: contemporary Hindi cinema at international film festivals | 2023 | South Asian popular culture 21 (1): 89-103 | H6/KW [SOUTH-] | 1474-6689 | |||
Collective sounds: Pa. Ranjith's cinema, Gaana, and fusion music | 2023 | South Asian popular culture 21 (1): 105-22 | H6/KW [SOUTH-] | 1474-6689 | |||
Shero worship: female stardom in Tamil cinema | 2023 | South Asian popular culture 21 (1): 123-37 | H6/KW [SOUTH-] | 1474-6689 | |||
The biopolitics of transnational commercial gestational surrogacy in Mimi (2021) | 2023 | South Asian popular culture 21 (1): 139-42 | H6/KW [SOUTH-] | 1474-6689 | |||
A superhero in Indian style and culture: Minnal Murali goes global | 2023 | South Asian popular culture 21 (1): 143-6 | H6/KW [SOUTH-] | 1474-6689 | |||
Queer politics in times of new authoritarianism | 2023 | South Asian popular culture 21 (2): 147-53 | H6/KW [SOUTH-] | 1474-6689 | |||
'Attempting to commit offences': protectionism, surveillance and moral policing of queer women in Sri Lanka | 2023 | South Asian popular culture 21 (2): 155-70 | H6/KW [SOUTH-] | 1474-6689 | |||
'It's illegal but it's not, like, really illegal': Sri Lanka's 'sodomy laws', the politics of equivocation, and queer men's sexual citizenship in The one who loves you so | 2023 | South Asian popular culture 21 (2): 171-88 | H6/KW [SOUTH-] | 1474-6689 | |||
Contesting the mainstream transwoman figurations: the question of caste and precarity in Undalaazham | 2023 | South Asian popular culture 21 (2): 189-204 | H6/KW [SOUTH-] | 1474-6689 | |||
Between the sheets: the queer sociality of Bombay zines | 2023 | South Asian popular culture 21 (2): 205-21 | H6/KW [SOUTH-] | 1474-6689 | |||
Between 'Cheeni' and 'Nupi Maanbi': transgender politics in Manipur at the intersection of nation and indigeneity | 2023 | South Asian popular culture 21 (2): 223-34 | H6/KW [SOUTH-] | 1474-6689 | |||
Mirrors and murals: reflections on embodied and state violence | 2023 | South Asian popular culture 21 (2): 235-42 | H6/KW [SOUTH-] | 1474-6689 | |||
Instagram representation of trans and hijra identities in Bangladesh | 2023 | South Asian popular culture 21 (2): 243-55 | H6/KW [SOUTH-] | 1474-6689 | |||
Introduction | 2023 | South Asian popular culture 21 (3): 257-71 | H6/KW [SOUTH-] | 1474-6689 | |||
The constituency of digital humanities in India | 2023 | South Asian popular culture 21 (3): 273-8 | H6/KW [SOUTH-] | 1474-6689 | |||
The women of Miranda House: building archival collections, digital humanities and feminist digital history | 2023 | South Asian popular culture 21 (3): 279-89 | H6/KW [SOUTH-] | 1474-6689 | |||
The rise of streaming culture: SVOD media and the digital revolution in India | 2023 | South Asian popular culture 21 (3): 291-305 | H6/KW [SOUTH-] | 1474-6689 | |||
"Why do Indians cry passionatley on Insta?": Grief, performativity and ecologies of commerce of crying videos | 2023 | South Asian popular culture 21 (3): 307-23 | H6/KW [SOUTH-] | 1474-6689 |