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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The Road to Shu in Tang painting | 2025 | Res 83 (): 3-21 | *H6 [RES-] | 0277-1322 | |||
| Configuring a transoceanic Avalokiteśvara: the Sennyūji statue | 2025 | Res 83 (): 49-75 | *H6 [RES-] | 0277-1322 | |||
| Incarcerated spaces: Xu Wei's jail calligraphy | 2025 | Res 83 (): 76-98 | *H6 [RES-] | 0277-1322 | |||
| Site, sense, and parapainting in mid-fourteenth-century China | 2025 | Res 83 (): 49-75 | *H6 [RES-] | 0277-1322 | |||
| Pins and powders, pots and pendants: valuable parts and durable dispositions in an ancient Andean burial offering at Pashash (AD 300-600, Ancash, Peru) | 2025 | Res 83 (): 99-125 | *H6 [RES-] | 0277-1322 | |||
| Kaisermystik: Aby Warburg and the development of a political theurgy | 2025 | Res 83 (): 126-45 | *H6 [RES-] | 0277-1322 | |||
| Introduction: measure for measure | 2025 | Res 84 (): 1-16 | *H6 [RES-] | 0277-1322 | |||
| The stylus and the sūtra: design, measure, and architectural practice in central India | 2025 | Res 84 (): 17-38 | *H6 [RES-] | 0277-1322 | |||
| Beyond length and weight: from counting to measuring in medieval Islamic textile production | 2025 | Res 84 (): 39-59 | *H6 [RES-] | 0277-1322 | |||
| In balance: understanding the use of scales in Andean life | 2025 | Res 84 (): 60-78 | *H6 [RES-] | 0277-1322 | |||
| Measures of labor and its space: Sha'rbafi workshops in early modern Iran | 2025 | Res 84 (): 79-95 | *H6 [RES-] | 0277-1322 | |||
| The transpacific travels of Mexican obsidian in the sixteenth century | 2025 | Res 84 (): 96-107 | *H6 [RES-] | 0277-1322 | |||
| The mühr-i nübüvvet in eighteenth-century Ottoman prayer books | 2025 | Res 84 (): 108-25 | *H6 [RES-] | 0277-1322 | |||
| A rhizomatic formation: on the xoymet and photographic walls in Senegal | 2025 | Res 84 (): 126-42 | *H6 [RES-] | 0277-1322 | |||
| Reframing the liubo game board as a kinesthetic diagram | 2024 | Res 81-82 (): 4-21 | *H6 [RES-] | 0277-1322 | |||
| A grammar of the labyrinth: turning word to image in late antiquity and the Middle Ages | 2024 | Res 81-82 (): 22-37 | *H6 [RES-] | 0277-1322 | |||
| Diagramming the One. Lacan with Cusa | 2024 | Res 81-82 (): 38-47 | *H6 [RES-] | 0277-1322 | |||
| Real world, real time. Georg Hartmann's Nuremberg-Jerusalem sundial | 2024 | Res 81-82 (): 48-60 | *H6 [RES-] | 0277-1322 | |||
| The mirror and the knot. The soul's recursive action in early Lullian figures | 2024 | Res 81-82 (): 61-77 | *H6 [RES-] | 0277-1322 | |||
| Sensing touch. Haptic experience and object manipulation in ancient Maya art | 2024 | Res 81-82 (): 78-96 | *H6 [RES-] | 0277-1322 | |||
| Connecting with corpse and tomb. Greek mortuary objects as tools of haptic mediation | 2024 | Res 81-82 (): 97-118 | *H6 [RES-] | 0277-1322 | |||
| Making, replication, and quality in late antique art | 2024 | Res 81-82 (): 119-40 | *H6 [RES-] | 0277-1322 | |||
| Rendering the word of God. The art of Qu'rans with interlinear Persian and Turkish translations | 2024 | Res 81-82 (): 141-62 | *H6 [RES-] | 0277-1322 | |||
| The sympathetic cannibal: an Antipodean satire | 2024 | Res 81-82 (): 163-83 | *H6 [RES-] | 0277-1322 | |||
| From Ninevah to Pergamon and back: animal hybrids in German historiography of the nineteenth century | 2024 | Res 81-82 (): 184-98 | *H6 [RES-] | 0277-1322 | |||
| George Kubler and serial appreciation | 2024 | Res 81-82 (): 199-211 | *H6 [RES-] | 0277-1322 | |||
| Against realism: the politics of Salvador Dalí's Christ of Saint John of the Cross | 2024 | Res 81-82 (): 212-28 | *H6 [RES-] | 0277-1322 | |||
| Fiction, time, and room-space in three pictures by Geff Wall | 2024 | Res 81-82 (): 229-44 | *H6 [RES-] | 0277-1322 | |||
| Owners of their faces: privacy, copyright, and Africa's portrait photography | 2024 | Res 81-82 (): 245-56 | *H6 [RES-] | 0277-1322 | |||
| Francesco Pellizzi's eyes | 2023 | Res 79-80 (): 1-2 | *H6 [RES-] | 0277-1322 | |||
| The afternoon of August 17, 2023 | 2023 | Res 79-80 (): 3-4 | *H6 [RES-] | 0277-1322 | |||
| Innumerable illusions: anthropology and aesthetics, a new line | 2023 | Res 79-80 (): 5-13 | *H6 [RES-] | 0277-1322 | |||
| Duplication and intersemiotic translation. A comparative approach to Amazonian iconography | 2023 | Res 79-80 (): 14-33 | *H6 [RES-] | 0277-1322 | |||
| Figures, patterns, and songs. Traditional knowledge and contemporary art movements in the Amazon | 2023 | Res 79-80 (): 34-51 | *H6 [RES-] | 0277-1322 | |||
| Images, unsaid words, and chants of love and grief in the Peruvian Amazon. A pragmatics of imagined interactions | 2023 | Res 79-80 (): 52-64 | *H6 [RES-] | 0277-1322 | |||
| Feathers, crosses, mirrors, and gourds. Embedding words and images in a Wixárika ritual chant | 2023 | Res 79-80 (): 65-80 | *H6 [RES-] | 0277-1322 | |||
| The Codex Mendoza and Lienzo de Tlaxcala, two examples of codigophagy | 2023 | Res 79-80 (): 81-98 | *H6 [RES-] | 0277-1322 | |||
| Sticks as scripts. Literacy, celestial order, and ritual artifacts in Pawnee ceremonies | 2023 | Res 79-80 (): 99-113 | *H6 [RES-] | 0277-1322 | |||
| Ephemeral images, lasting memories. The sand-drawings of Ambrym Island, Vanuatu | 2023 | Res 79-80 (): 114-32 | *H6 [RES-] | 0277-1322 | |||
| Breaking the ground, breaking the sky. Plants, human spirits, and the work of memory for royal ancestors among the Sakalava of Madagascar | 2023 | Res 79-80 (): 133-44 | *H6 [RES-] | 0277-1322 | |||
| 'You have to enter the scene'. Ritual imagination and memory in the Catholic rosary | 2023 | Res 79-80 (): 145-60 | *H6 [RES-] | 0277-1322 | |||
| The geometrization of maize and its landscape in Inca ceramic art | 2023 | Res 79-80 (): 161-82 | *H6 [RES-] | 0277-1322 | |||
| Fragmentation as skilled practice. The aesthetics of making and breaking at Sitio Conte, Panama (750-1050 CE) | 2023 | Res 79-80 (): 183-96 | *H6 [RES-] | 0277-1322 | |||
| Art at breaking point. Iconoclasm and play in a stoneware vessel of the Reformation | 2023 | Res 79-80 (): 197-207 | *H6 [RES-] | 0277-1322 | |||
| 'Fetish burning' at Kibokolo. Missionary photography, Zombo resistance | 2023 | Res 79-80 (): 208-26 | *H6 [RES-] | 0277-1322 | |||
| Ekphrasis and encounter. The making of the Holy Tear of Christ at the abbey of La Trinité, Vendôme | 2023 | Res 79-80 (): 227-43 | *H6 [RES-] | 0277-1322 | |||
| Animism, naturalism, and miraculous icons in the Venetian Bay of Kotor | 2023 | Res 79-80 (): 244-54 | *H6 [RES-] | 0277-1322 | |||
| Communication as mental touch. Jack Burnham and the end of art | 2023 | Res 79-80 (): 255-69 | *H6 [RES-] | 0277-1322 | |||
| The salmon hook speech. Íxtik' Éesh A. P. Johnson's theory of language | 2023 | Res 79-80 (): 270-6 | *H6 [RES-] | 0277-1322 | |||
| A wooden hand from Easter Island (Rapa Nui), part II. Rongorongo-like glyphs and tattoo patterns | 2023 | Res 79-80 (): 277-98 | *H6 [RES-] | 0277-1322 |
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