| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| As good as it gets? Apology, colonialism and White innocence | 1999 | The Olive Pink Society bulletin 11 (1/2): 34-40 | 1037-0730 | ||||
| Shanghaied by Sheiks: Orientalism and hybridity in women's romance writing | 1999 | The Olive Pink Society bulletin 11 (1/2): 12-21 | 1037-0730 | ||||
| What is the white in white Australia? A reading of A.O. Neville, Australia's coloured minority | 1999 | The Olive Pink Society bulletin 11 (1/2): 28-33 | 1037-0730 | ||||
| Heroes of Australia: race, nation and masculinity in Australian boys' adventure stories, 1875-1920 | 1999 | The Olive Pink Society bulletin 11 (1/2): 22-7 | 1037-0730 | ||||
| Lovers and luggers: narratives of nation and romance in Broom, 1900-1940 | 1999 | The Olive Pink Society bulletin 11 (1/2): 5-11 | 1037-0730 | ||||
| Skeletons in our closets: family histories, personal narratives and race relations history in Australia | 1998 | The Olive Pink Society bulletin 10 (2): 15-22 | 1037-0730 | ||||
| The myth of the universal woman | 1998 | The Olive Pink Society bulletin 10 (1): 20-4 | 1037-0730 | ||||
| Moving images, making meanings: an essay for the exhibition [Derrière les images', Musé d]Ethnographie, Neuchatel 1998 | 1998 | The Olive Pink Society bulletin 10 (2): 23-30 | 1037-0730 | ||||
| The reinvention of the 'noble savage'. Archibald Meston and [Wild Australia] | 1997 | The Olive Pink Society bulletin 9 (1/2): 38-43 | |||||
| Just looking: Miss Pink and the camera | 1997 | The Olive Pink Society bulletin 9 (1/2): 15-25 | |||||
| Looking for Tambo | 1997 | The Olive Pink Society bulletin 9 (1/2): 27-37 | |||||
| '... like an Aborigine' - Empathy, Elizabeth Durack, And the colonial imagination | 1997 | The Olive Pink Society bulletin 9 (1/2): 44-52 | |||||
| Not speaking, listening [... and representation] | 1997 | The Olive Pink Society bulletin 9 (1/2): 4-14 | |||||
| Reconstructing [our] past: The Museum of Sydney | 1996 | The Olive Pink Society bulletin 8 (2): 22-5 | |||||
| White women held captive in Arnhem Land | 1996 | The Olive Pink Society bulletin 8 (1): 17-22 | 1037-0730 | ||||
| The Aboriginal and Torres Strait Islander Heritage Protection act: how beneficial legislation has missed its mark | 1996 | The Olive Pink Society bulletin 8 (1): 23-32 | 1037-0730 | ||||
| Miss Pink's racism | 1996 | The Olive Pink Society bulletin 8 (1): 4-7 | 1037-0730 | ||||
| Erotics and the Museum of Sydney | 1996 | The Olive Pink Society bulletin 8 (2): 4-8 | |||||
| What does [heritage] mean in a living museum? | 1996 | The Olive Pink Society bulletin 8 (1): 8-11 | 1037-0730 | ||||
| Terra nullis and the Museum of Sydney | 1996 | The Olive Pink Society bulletin 8 (2): 9-21 | |||||
| Something new, something old: transforming oral traditions into linocuts | 1996 | The Olive Pink Society bulletin 8 (1): 12-16 | 1037-0730 | ||||
| Tourism, primitivism and power: an analysis of some advertising literature of the Australian tourism industry | 1995 | The Olive Pink Society bulletin 7 (1/2): 22-7 | 1037-0730 | ||||
| Photography and anthropology: looking back at the camera | 1995 | The Olive Pink Society bulletin 7 (1/2): 28-40 | 1037-0730 | ||||
| A blast from the past | 1995 | The Olive Pink Society bulletin 7 (1/2): 4-8 | 1037-0730 | ||||
| The discovery of a 19th century photographer - Thomas Cleary | 1995 | The Olive Pink Society bulletin 7 (1/2): 9-21 | 1037-0730 | ||||
| Daisy Bates | 1994 | The Olive Pink Society bulletin 6 (2): 23-4 | |||||
| Going "Walkabout" in the 1950's: images of 'traditional' Aboriginal Australia | 1994 | The Olive Pink Society bulletin 6 (1): 4-8 | |||||
| The legal and philosophical issues involved in Aboriginal land rights cases | 1994 | The Olive Pink Society bulletin 6 (1): 20-4 | |||||
| Children's books [depiction of Australian Aborigines] | 1994 | The Olive Pink Society bulletin 6 (2): 17-21 | |||||
| Postmodernism, cultural politics and the struggle over truth: the case of the 'Into the heart of Africa' exhibit [Royal Ontario Museum, 1990] | 1994 | The Olive Pink Society bulletin 6 (1): 25-8 | |||||
| Tom Wright and Olive M. Pink | 1994 | The Olive Pink Society bulletin 6 (2): 4-6 | |||||
| What's design got to do with it? The 1958 Aboriginal gallery at the Australian Museum | 1994 | The Olive Pink Society bulletin 6 (1): 16-19 | |||||
| Olive Muriel Pink [including two letters by OM Pink] | 1994 | The Olive Pink Society bulletin 6 (2): 7-16 | |||||
| Imaging the imagined: stories of "Jedda" | 1993 | The Olive Pink Society bulletin 5 (2): 9-13 | |||||
| Masquerade as disguise and satire in two travellers' tales of the Orientalist's harem | 1993 | The Olive Pink Society bulletin 5 (1): 23-9 | |||||
| Travelling to the Orient | 1993 | The Olive Pink Society bulletin 5 (1): 19-22 | |||||
| Picture the primitive: the 1950's, film and television and indigenous Australians | 1993 | The Olive Pink Society bulletin 5 (2): 4-7 | |||||
| Ab/originality: playing and passing versus assimilation | 1993 | The Olive Pink Society bulletin 5 (2): 19-23 | |||||
| 'One mob, one voice, one land'? Perceptions of Central and Western Desert Aboriginal women's law meetings | 1993 | The Olive Pink Society bulletin 5 (1): 10-14 | |||||
| Sympathetic collaboration: anthropologists, the ANRC and government [Australian National Research Council] | 1993 | The Olive Pink Society bulletin 5 (2): 23-8 | |||||
| Beatrice Grimshaw and Australia - white women in the Pacific | 1993 | The Olive Pink Society bulletin 5 (1): 34-9 | |||||
| A nice spot for a picnic: Beatrice Grimshaw and the appropriation of the body | 1993 | The Olive Pink Society bulletin 5 (1): 40-4 | |||||
| Sarah McMahon's mistake: Charles Chauvel's "Jedda" and the assimilation policy | 1993 | The Olive Pink Society bulletin 5 (2): 14-18 | |||||
| Approaches to the harem: feminist and postcolonial theory | 1993 | The Olive Pink Society bulletin 5 (1): 30-3 | |||||
| Representation of Maori and women in the New Zealand Educational Institute | 1992 | The Olive Pink Society bulletin 4 (2): 29-36 | |||||
| Difference and identity: reflections on the work of Trinh Thi Minh-ha and L. Budd/Merylyn Tweedie/"et al" | 1992 | The Olive Pink Society bulletin 4 (2): 19-28 | |||||
| Breathing and seeing country | 1992 | The Olive Pink Society bulletin 4 (1): 22-7 | |||||
| The grid on contested ground: at Pickford's freight store | 1992 | The Olive Pink Society bulletin 4 (1): 17-22, [i] | |||||
| A letter from Junction Waterhole [with note by J Marcus] | 1992 | The Olive Pink Society bulletin 4 (1): 13-16, [ii] | |||||
| Diane Barwick: the influential outsider | 1992 | The Olive Pink Society bulletin 4 (2): 5-13 |